Ajouter une intrigue dans votre langueA former bounty hunter awakens from a six-week coma to find he has been 'touched' for a higher calling.A former bounty hunter awakens from a six-week coma to find he has been 'touched' for a higher calling.A former bounty hunter awakens from a six-week coma to find he has been 'touched' for a higher calling.
- Récompenses
- 5 victoires au total
William Carr
- Townsperson
- (non crédité)
John Chizmar
- Townsperson
- (non crédité)
Bill Fortenberry
- Outlaw
- (non crédité)
Darrel Mallon
- Townsperson
- (non crédité)
John Radspinner
- Saloon Patron
- (non crédité)
Avis à la une
I was down to watch this movie after a friend sent me the trailer, because who doesn't want to watch a goofy western featuring a coma survivor with heavenly powers? I was hoping for something along the lines of Undead or Alive (2007), even if there weren't going to be any zombies in the saloons, and Joe Crist didn't disappoint.
I was hooked from the very start by the liberal use of the Wilhelm screams, a trick gay-run-teed to elicit gut laughs from fans of B movies. Joe comes out swingin' (or shootin'), and the action doesn't stop. With a runtime of only 53 minutes, there's no time to get bored!
While the writing isn't great and some of the delivery feels forced, both of those negatives make a positive when you're paying homage to old western films, because let's be real...we didn't watch those for the quality conversation either.
I will say that Mark Allen Michaels (writer/director/producer) has come a LONG way since Vampirez on a Boat. Joe Crist is still low budget, but it FEELS like a lot more money and time went into this project. Dallas Valdez as Joe Crist was the perfect choice; he's a natural protagonist in Michael's nutty stories. And he has a lot of hats.
If you enjoy bonkers films and can appreciate low-budget projects, definitely give this one a watch. If you don't laugh at the Wilhelm screams, we can't be friends.
I was hooked from the very start by the liberal use of the Wilhelm screams, a trick gay-run-teed to elicit gut laughs from fans of B movies. Joe comes out swingin' (or shootin'), and the action doesn't stop. With a runtime of only 53 minutes, there's no time to get bored!
While the writing isn't great and some of the delivery feels forced, both of those negatives make a positive when you're paying homage to old western films, because let's be real...we didn't watch those for the quality conversation either.
I will say that Mark Allen Michaels (writer/director/producer) has come a LONG way since Vampirez on a Boat. Joe Crist is still low budget, but it FEELS like a lot more money and time went into this project. Dallas Valdez as Joe Crist was the perfect choice; he's a natural protagonist in Michael's nutty stories. And he has a lot of hats.
If you enjoy bonkers films and can appreciate low-budget projects, definitely give this one a watch. If you don't laugh at the Wilhelm screams, we can't be friends.
Written and directed by Mark Allen Michaels, Joe Crist is a wild Western! I love how this movie starts and gets right to the point! It packs a punch into its short runtime. The cinematic style is wonderful; I love how the color of the film, as well as the music, characters, and setting, all pay homage to the Western film genre. The special effects are great too! The sound design and music are top notch. The music, especially, really adds to the Western and pulls you into the movie's world. There truly is something for everyone in this movie: mystery, love, action, crime, and even bits of comedy.
What a romp of a short/ long film! I loved this film which actually had me laughing out loud, especially at the great acted side kick character played by Curt Lambert. It's not in the same league as Blazing Saddles and the film only occasionally lost its galloping rhythm but the 53 minutes spun by faster than a quick draw. The level of western parody even extends to the credits where I had to stop and re-read them (example 'Bridge Financing supplied by "We smell blood in the water LLC").
The acting is fairly solid for an indie movie and given the parody script and genre, any wooden dialogue delivery seems to fit well with the intended humour. As a solid Christian I wasn't offended by any parallels with Jesus (apart from the obvious vengeance theme - but hey, it's a movie!!) and the film neatly pulls together a western gunslinger saviour character just as easily as a Clint Eastwood flick.
Definitely worth the watch! Oh....nice hat!
The acting is fairly solid for an indie movie and given the parody script and genre, any wooden dialogue delivery seems to fit well with the intended humour. As a solid Christian I wasn't offended by any parallels with Jesus (apart from the obvious vengeance theme - but hey, it's a movie!!) and the film neatly pulls together a western gunslinger saviour character just as easily as a Clint Eastwood flick.
Definitely worth the watch! Oh....nice hat!
You've never seen a western like "Joe Christ". Seriously. This film is NUTS. And ya really gotta hand it to the film makers for making a film that puts multiple genres in a blender and turning it into a film that entertains, has LOL moments of parody, and tries to reinvent old cliches. And it does it all in under an hour! And for lovers of bloody shoot-'em-ups, the body count is HIGH. Apparently Mr. Christ, as an agent of a higher power, possesses some super human traits that allow him to create miracles. Sprinkled throughout are Biblical references too. So here is the absolute bestestest summary I can offer: if you crave a film that is truly different, combining genres like westerns, horror flicks, action/gun play, faith-based films, fantasy, and parody, you've landed EXACTLY in the film you need!
"I can do all things through Christ who strengthens me."
These are not the words of Joe Crist, the notorious titular bounty hunter, born again to blow the brains out of the bad men terrorizing the town belonging to his best friends, but mirrors the spiritual sentiment of this satirical, semi-religious romp. Framing the story as an homage to all things Sergio Leone, director Mark Allen Michaels entertains the wild energy of a Western, while stripping the genre of its contemplative seriousness in substitution for something super silly.
Fully stocked with Wilhelm screams, whip style camerawork, and cartoonish sound effects to amplify the absurdity, it becomes quickly apparent that JOE CRIST intends to play as parody instead of a straight drama or stereotypical faith based movie. The opening scene makes good and sure that everyone is on the same page that this isn't gonna get played during Bible School study.
The film's religious context is on the forefront of Joe Crist's self righteous journey, but the digital blood bath painting the town red doesn't let the audience forget that violence is the real answer, even if Joe Crist may be the second coming of Christ in lightening wielding form. Because of the outright goofiness up front, it's hard to dial the tone back down, making the movie's less refined qualities more noticeable in its quieter moments - but the brisk runtime allows plenty of room for hootin n hollerin hilarity that makes still it worth a watch. The tangible chemistry of the cast feels like the folks involved had a blast bringing this film to fruition, as some scenes act almost like extended SNL sketches. Perfect to put on at a party packed with lots of booze for some guaranteed good times.
The power of Joe Crist clearly compelled them, will it do the same for you?
These are not the words of Joe Crist, the notorious titular bounty hunter, born again to blow the brains out of the bad men terrorizing the town belonging to his best friends, but mirrors the spiritual sentiment of this satirical, semi-religious romp. Framing the story as an homage to all things Sergio Leone, director Mark Allen Michaels entertains the wild energy of a Western, while stripping the genre of its contemplative seriousness in substitution for something super silly.
Fully stocked with Wilhelm screams, whip style camerawork, and cartoonish sound effects to amplify the absurdity, it becomes quickly apparent that JOE CRIST intends to play as parody instead of a straight drama or stereotypical faith based movie. The opening scene makes good and sure that everyone is on the same page that this isn't gonna get played during Bible School study.
The film's religious context is on the forefront of Joe Crist's self righteous journey, but the digital blood bath painting the town red doesn't let the audience forget that violence is the real answer, even if Joe Crist may be the second coming of Christ in lightening wielding form. Because of the outright goofiness up front, it's hard to dial the tone back down, making the movie's less refined qualities more noticeable in its quieter moments - but the brisk runtime allows plenty of room for hootin n hollerin hilarity that makes still it worth a watch. The tangible chemistry of the cast feels like the folks involved had a blast bringing this film to fruition, as some scenes act almost like extended SNL sketches. Perfect to put on at a party packed with lots of booze for some guaranteed good times.
The power of Joe Crist clearly compelled them, will it do the same for you?
Le saviez-vous
- Citations
Padre Michael: There's gonna be Hell to pay!
Bera: [shrugs] We're all goin' to Hell, Sheriff ... I just want to be the last one to get there.
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Détails
- Durée53 minutes
- Couleur
- Mixage
- Rapport de forme
- 16:9 HD
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