Riley Rewind

This "movie" is (at the time of reviewing) ranked on IMDb with the same score as Citizen Kane, which is obviously a travesty. From reading some of the reviews it seems that this is thanks to the overzealous support of their preexisting fan base.

On YouTube it might get a thumbs up for effort, but when you're running with the big boys, this doesn't cut it I'm afraid. I might have given it a 2 or 3 if it wasn't for the arrogance of the writer getting herself cast as the female lead (Riley). She is upstaged in just about every scene, mostly due to the fact that the other people in it can act at least slightly.

If you're like me, and use IMDb to try to find great films via their ratings on here, then please do not bother with this. I understand that their fans want to support them. However, I believe that IMDb should be a level playing field, and Citizen Kane this is not.

Riley Rewind manages to merge the online culture and the television-feel perfectly. With its vlog style used as a narration tool it instantly connects with the audience, making them feel a part of the experience. And with its attention to detail and high production value, it makes it clear that it's not "just another online show".

Ray William Johnson joins the list of pioneers that includes Freddie Wong, and David Fincher, who are making top quality content for the Internet. And this being Johnson's directorial debut for a feature like this, it was an excellent job. This was Johnson's and Anna Akana's (Riley Rewind writer and Riley) baby, and it shows that they did their best to produce something worth watching.

The premise is a very well known one (time travel dilemmas), but the take on it is different enough to look passed that. The acting is a little cheesy, and so are some of the lines, but in a way it makes Riley Rewind a bit more charming, and might have been done intentionally. If not, it's something to work on for future projects, which I'm sure will happen. Because Riley Rewind's strength is its ability to connect with people, and that is one of the most valuable traits any sort of media could hope for.

I'm looking forward to seeing what's next for Runaway Machine.

I'm no writer or critic, however I can pick out a few too many things that are simply off. Why do they all appear older than they should be? They all look older than high school students. Why do the guys in black suites and black shades wear black suites and black shades? The homosexuals of the movie behave too stereotypical and unnatural. There seems to be no apparent reason why the protagonist would be an outcast or subject to bullying. Dialogs don't always make sense, like why would her prom date randomly give her advice about what the depressed girl likes and doesn't, and why did the rejected fellow suddenly expose the other guy as homosexual and act all shocked that he was rejected when he was feeling surprised a few moments ago that he was asked out by him in the first place?

But hey, it's a start, hopefully it gets better.

I also kind of don't like the music and some other details.

As a long time fan of both Anna and Ray, I was expecting myself to be bias as i was awaiting the release of Riley Rewind therefore I watched it with a purely critical mind.

The concept of a high school teen that can inexplicably 'rewind' time can be misread as cheesy or cliché, but with minimal amounts of verisimilitude the narrative of this story really comes to light. Although there is the occasional cliché moment, (it is set in a high school so what can you expect) The introduction of serious hard hitting subjects negates them into creating a continuous balance throughout the film giving it a really fun yet serious feel. The story, yet being rather simple at the beginning; soon unfolds to be a great climax which had me debating my own morals somewhat.

In terms of production quality, I was impressed by how great it look aesthetically. There are blatant traits of 'semi-low-budget-independent- ness' but this is not a flaw in their film, as the special effects looked believable where placed; the camera framing was good; lighting was well coordinated. It could easily be mistaken for something on a high quality TV show. It's well paced , although scenes can feel a little jumpy at some points, as it can quickly move from scene to scene.

Regarding possible cons, there are some minor elements that could be improved upon, for example the overused repetition of the soundtrack theme; the interaction between characters in a dialogue can feel somewhat staged sometimes. But these are minor, and they will surely learn from this experience and get better and better.

In conclusion, definitely worth watching. The narrative is captivating, the production value was great, the acting was good; and it all came together for a brilliant piece of film.

I'm very impressed with Runaway Machine on their first project, and I hope to see more of them in the future!

While I thoroughly enjoyed this movie, it was lacking in a few places, and there were a few things that it could have done without. I understand that this was a first for the director, writers, and producers. I feel they hit the gay story just a little too hard (and by that I mean a LOT too hard. Too much gay story going on.) The acting was pretty hard to not laugh at on some scenes as well. Knowing Anna Akana's work, I felt like she was being herself, and not Riley. I did love the cartoon cut-scenes of introduction. Great for laying out parts of the story. I also loved the humor in many of the lines. Overall, I would definitely recommend to friends and family. I'm excited to see Runaway Machines next project.