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"I don't like our lives being in the hands of someone else." Alex (Freeman) and Ruth (Keaton) are getting ready to sell their apartment and begin a new chapter in their life. When they begin to show the space old feelings begin to come back. Now, between the visitors and looking for a new place, they start to remember the times they had together. First of all I have to say this movie was OK, but being 36, if I was about 30 years older I think I would have liked it more. The story is OK but this is a movie that resonates much more with an older crowd do due the subject matter. The acting is great and it was good but many of the subtleties were lost on me since I have never been through something like this. Overall, worth seeing but the older you are the more you will enjoy this. I give it a B-.

'5 FLIGHTS UP': Three Stars (Out of Five)

Morgan Freeman and Diane Keaton star in this drama flick, about an elderly couple that finally decide to move; out of the New York apartment they've spent their lives together in. The film was directed by Richard Loncraine and written by Charlie Peters. It was based on the 2009 novel, 'Heroic Measures' (by Jill Ciment), and it costars Cynthia Nixon (of 'SEX AND THE CITY' fame). I found the movie to be charming, and somewhat sweet, but nothing too memorable.

Freeman and Keaton play Alex and Ruth Carver; an older couple that's lived in the same apartment, in New York, all of their time together. They've finally decided to move; largely due to the fact that their apartment is five flights up, and their apartment building has no elevator. Everyone they meet, interested in their home, is rude and annoying. Alex really doesn't want to move; and the couple also has to deal with real-estate issues, and their dog's poor health.

There's not a lot to the film, other than some strong character development; and some even stronger acting. Freeman and Keaton are both fantastic, in the film together, and they have beautiful chemistry. Nixon is a scene-stealer, as well (and I've never seen 'SEX AND THE CITY'). There's never a lot going on, but the film is still always interesting; thanks largely to it's veteran cast.

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"5 Flights up" is an easy-going film about an old married couple (Alex and Ruth) who came to the conclusion that after living in that part of Brooklyn for about 40 years, where they bought a cozy apartment, the time came to leave all this behind and find another place to live. For all sorts of reasons. First, the neighborhood is no longer as it was before and is engulfed by a younger generation. And also the lack of a lift became a daily obstacle for the house owner and their old dog. Eventually, they decide to sell their apartment and they leave this in the hands of a niece who knows the tricks in this business. And before they realize it, their apartment is occupied by potential buyers who can be divided into several categories: candidates who are determined to seize this unique opportunity with both hands, the yuppies who want to redesign the entire floor, the real estate tourists who just come their to watch television and eat some snacks and even someone who's always trying out the bed. Alex doesn't feel at home anymore, despite it's still his own apartment and it's not even sold yet.

For the two protagonists alone, I necessarily wanted to see this movie. Not that I'm a big fan of Diana Keaton, who usually plays a corny, traditional mother in some romantic comedy where someone is getting married once again (a film such as "The Big Wedding"). Although I could appreciate her performance in "The Family Stone", even though she played again the mother hen. But "5 Flights up" was perfect for her. A serene and formal older woman who even in the most hectic and stressful situations, remains calm. She's hardened by the past when she made the decision to marry an Afro-American. Compared to that every setback is just peanuts.

I was particularly curious about how Morgan Freeman would play his part. After a succession of meaningless roles in both brilliant films as soon-to-be-forgotten films, like "Olympus Has Fallen", "Oblivion", "Now you see me", "Last Vegas", "Transcendence", "Lucy" and "Last Knights", it was once again time for this brilliant actor to being featured in an entire movie. And he lived up to my expectations. Flawlessly he acquitted himself of his task : the spouse who's still in love with his wife after all these years, the cheerful artist who rather withdraws into his studio while strangers are wandering through his flat, the worried owner of a pet that needs medical assistance (no matter what it costs) and the resolute decision maker who ultimately decides about what's rightfully his. Formidable performance.

Only the script is kind of dull to keep things interesting. Admittedly, the situations arising from the sale are frequently humorous and engaging. But a whole film just about selling an apartment with on the one hand the financial advantage and on the other hand a pile of memories that needs to be left behind, is still only limited material to work with. The message that this film conveys is that money can't replace nostalgic musings and feelings. A sunrise is nowhere the same and you'll have to forget certain habits and situations from the past. It's beautifully imaged with flashbacks that don't seem to be disturbing, with a touch of melancholy and sadness on top. A smile and a tear. But just as in real life, selling a house isn't particularly exciting and entertaining. That was for me the only downside of it all. But Freeman starring back again like this after a long time, made it bearable.

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It is so refreshing to watch a film with a contemporary story that focuses on older people and their choices and strengths instead of seeing them act foolish or pathetic. Based on Jill Ciment's book as adapted for the screen by Charlie Peters and directed with straightforward good taste by Richard Loncraine, this quiet little film is a wonderful platform for tow of our most respected actors – 69 year old Diane Keaton and 78 year old Morgan Freeman – who create an irresistible chemistry.

Briefly, long-time happily married couple Ruth and artist Alex Carver (Keaton and Freeman) who've spent their lives together in the same New York apartment become overwhelmed by personal and real estate-related issues when they plan to move away, having decided to cash in on their sought-after Brooklyn apartment. The story opens with one of the reasons they feel the need to move after 40 years in the '5 flights up' apartment with no elevator: their little dog Dorothy is having difficulty maneuvering the stairs and ends up with a slipped vertebral disc that requires a Vet's expertise and surgery. They engage Ruth's niece, real estate agent Lily (Cynthia Nixon, who is wonderfully, gushingly obnoxious) and the visits to the apartment begin – all manner of rather despicable lookie-loos traipse through and a decision must be made. Ruth and Alex find an apartment in Manhattan that is one the 9th floor and has an elevator, but issues arise that make them alter their initial decision.

Beautifully understated is the fact that Ruth and Alex are childless, entered an interracial marriage when it was not fashionable to do so, and have grown old together making every day count. They are wonderful and the film does them justice. It is such a pleasure to see two seasoned and gifted actors make such an impressive statement.

Recommended for all those who think happiness is dependent on social media based.

Or still here. If you have two great actors like that in a movie, you can not go wrong. Watching them play off each other is a blast. Morgan Freeman might have aged (like we all do), but he's has a presence that can be felt. Drama might not be everyones cup of tea, but if it is, you should watch a couple trying to cope with the fact they are getting older and how to spend their time.

Also where to spend their time and if the lifestyle they are used to is still something they should be going after. It's easier to move into something smaller, although on the other hand it's always tough to leave something familiar behind. So while the stakes seem not really high (and they aren't, this is a light affair), the movie can be convincing, if only for the acting talent at hand

Ruth & Alex are getting a little long in the tooth to handle the stairs to the apartment they bought when they were young. So they feel pressured to buy a new place.

This is exactly what happens. Expect no drama, no twists, no confrontations or hilarious antics. You really are just watching Morgan Freeman and Diane Keaton buy a new house.

When the flash backs of their youth come they are fleeting and sparse.

Enjoyment of this movie depends greatly on the viewers mind-set. If you are feeling fragile or in the mood for something very gentle and subtle (this is as gentle and subtle as it gets)with out a hint of danger or drama then this is for you. If you are looking for something more (anything more) this is probably going to feel very, very long.

Great production, acting, the characters are interesting and endearing - but be prepared NOTHING happens.

I expected a quirky little movie here. The summary seemed to be something that would interest me. Boy was I wrong.

So basically, an older couple is looking to sell their New York City (Brooklyn) apartment. Why? Well, because it has five flights of stairs and they are a little concerned about their health. OK. Reasonable enough. As far as I know, they have no other reason. They both do not particularly want to move, in fact they love their apartment. Right, so why are they moving? oh yea, the stairs.

The movie continues by showing how the couple moved to the apartment over 40 years ago, it shows flashbacks of their earlier years and all the fond memories they have. But, you know, 5 flights of stairs. The have an annoying as hell real estate agent who has an open house in their apartment. For some reason, everyone, except a sweet little girl are a$$holes. Everyone. I'm not sure why they made it this way, but they were all jerks. I didn't get that. Unless that's how the general populous of NYC is considered? No idea. Never been there Then they start looking for a new apartment. They find one they like, even though they say nothing will ever be as good as our apartment (then why the f*^k are you moving?!!!). I was almost shouting at the TV about how idiotic this move is! It's all about two people moving, who don't want to move. And if you can't guess what happens in the end? let me just say that there is no point to this movie. None.

Oh, and for some reason there's a dog who has surgery and a potential terrorist.

Pass.

There are several ways to create dramatic interest in film, not all are reliant on the old theatrical modes. There are docudramas and movies that are like magazine stories, which narrate stories over several decades to give a complete tale.

Scorsese said once that he thought American movies were more like magazine articles with pictures in that they told a story rather than created drama. From the director of "Casino", which really is the magazine style movie par excellence, that is an insight.

It is possible to create tension and engagement with this style, even when reduced to a small episodic tale. In books this can work well because the author does the meta-narration, which is the interpretation of action. It is a difficult task to make cinematic and so it is with 5 Flights Up, or Ruth and Alex.

While this style may work on the page, in that clear, bland, non-style of glossy magazine commercial fiction, its lack of a center leaves the movie vacuous. Superficially, the story of moving apartments and juggling brokers might seem enough but it isn't. It's too mundane and property is a weak idea to make an entire movie function. Imagine if Lady Macbeth and the Thane of Cawdor had got into a castle moving story: she preoccupied with cleaning up the blood stains for the new tenants, he unable to move all his knives, shields and swords out to make the castle look bigger.

This is a small, dull film, with all the pace and visual qualities of wallpaper paste. It has frittered the talents of its cast. Ruth and Alex is a very slight story that didn't really deserve to be made into a film and doesn't deserve anyone's time.

If I were to say that 5 Flights Up was a loosely structured film involving an aging couple, the real estate market, hectic home bidding, terrorism, a dog with lethal problems, interracial marriage, and painting, you'd probably be endlessly confused. However, I wouldn't be misleading you nor would I be shortchanging the film's story. For a film with an A-list cast and from a fairly large studio, it's strange for something like this to be so largely plot less and breezy, yet so thematically impacting. If nothing else, the film furthers my belief that you ultimately don't need a concrete plot or "point-A-to-point-B" style events to make an impacting film; you need strong characters or strong dialog, but if you have two, you're golden.

The film focuses on Ruth and Alex Carver (Diane Keaton and Morgan Freeman), an older couple looking to sell their old-fashioned Brooklyn apartment through their real estate agent Lilly (Cynthia Nixon). Due to the apartment's location and one-of-a-kind structure, the spacious home could be worth as much as $1 million and, under current circumstances, both Ruth and Alex want to get as much money possible. Though it's evident that the couple have talked selling their apartment to death, one can tell that they're quietly heartbroken to be leaving it behind, especially Alex, who has made one of the rooms his workstation for his many paintings.

Both Ruth and Alex find themselves immersed in the world of real estate buying and selling upon holding an open house and exploring other apartments in the city. They find themselves bombarded with potential buyers they are either not personally fond of or questioning whether or not they will take care of the home and love it as much as they did. While this search goes on, Ruth and Alex's dog winds up falling prey to a ruptured disc in her back, requiring expensive surgery in addition to the repeated coverage of a potential terrorist attack perpetrated by an assumed Muslim extremist when a large oil tanker is left on the Williamsburg Bridge.

Just by this description, one gets a feel of the looseness in 5 Flights Up. It would appear that writer Charles Peters attempted to make a film that was invested in real-life situations, particularly the kind that come about when trying to sell a home or an apartment in the wake of the biggest housing crisis in American history. Few films I can recall have painted the constant struggle and fuss over selling and buying a home in such a powerfully telling way, right down to the incessant "bidding wars" between interested clients and the dictation of a real estate agent. Such an experience is an endless cycle of monotony, false leads, and confusion and director Richard Loncraine portrays it as if the characters are operating on a field of landmines.

There's also examination of the generation gap here in a boldly subtle way. Consider Freeman trying to prove himself and his abilities to much younger, disinterested art buyers, or even the multitude of spoiled and unruly young guests that come through his home. Ruth and Alex are on their way out in numerous respects in this film, but as the film gets going, we see that they're soon to be out of their home, their element, and most importantly, time to prove themselves in a world that's rapidly changing and quickly leaving people like them behind.

Much has been made about the terrorist subplot which, in many scenes, does come out of left field and provides for a jarring tonal shift. However, if one looks at it like in the same way an announcement of any kind by Federal Reserve Chairwoman Janet Yellin sends financial markets into a tizzy, one can see its relevance, even if it does add a touch of awkwardness to the film's story.

5 Flights Up may not have the narrative structure of its contemporaries, but it damn sure understands the current state of baby boomers and sentimentality better than a lot of them. It's a film of moments and strong lead performances, with Keaton and Freeman proving through each collective and low-key scene why their performances are always highly praised. While this is a film along the lines of the feel-good flick you're likely predicting, just know if you're going to have your emotions tickled by a movie, you might as well have it done by a film that's respectful of its characters and somewhat insightful.

Starring: Diane Keaton, Morgan Freeman, and Cynthia Nixon. Directed by: Richard Loncraine.

I really enjoyed the dialogue, the story and the characters, especially the cute dog.

Written and directed by Charlie Peters and Richard Loncraine, respectively, "Five Flights Up" is an amiable and low-keyed urban comedy about an aging couple reluctantly selling the New York apartment they've lived in for forty years. Though Ruth sees this as an opportunity to start a new chapter in their lives, Alex, a seemingly only moderately successful painter, fights to hold onto the place, making subtle little efforts to sabotage the sale.

Diane Keaton and Morgan Freeman make for very pleasant company indeed, and, while the movie's insights into aging, relationships and end-of-life downsizing aren't exactly earth-shattering, they are certainly more than we customarily get from romantic comedies set at the opposite end of the age spectrum. Yet, while it acknowledges the troubles that come with aging, the film happily doesn't fixate on them to the exclusion of all else.

Above all, the movie shows how hard it can be to leave a home and a neighborhood after a lifetime spent setting down roots there.

And anyone who's ever endured the bureaucratic nightmare involved in buying and selling a home will find much to relate to in the movie.

It's a nice, quaint little movie. Somewhat memorable characters, mostly the dog. Though, most of the movie It just seemed like watching "A Day In The Life" for this elder couple, which seemed a little odd in some parts. But the plot came full circle in a somewhat unique way compared to other movies, and I did enjoy it for the most part.

The "young ruth" was a terrible actor. She seemed to yell most of her lines.

Other than having to listen to that, the film is interesting and quite sweet.

Acting is as highly polished as expected of such a strong cast- part funded by Freeman with other familial involvement - Doesn't challenge takes you on a gentle septarian amble through later life issues!

I gave it a seven but it's more like a six and a half!

Morgan Freeman and Diane Keaton make this simple story engaging, warm and sweet

From the story line, it may seem that this film will be boring to kids. But, when I started watching this film I fell in love with it. Morgan Freeman's perfect timing of jokes and Diane Keeton's wonderful and priceless emotions make this film entertaining and heartfelt from the very start to the last second.

It is a bit hard to say what the main genre is. Of course, there is a lot of romance between the two characters, Alex (Morgan Freeman) and Ruth (Diane Keeton), there is also that funny side that makes it all that more enjoyable. And, there is still a serious dramatic side which keeps you on the edge of your seat till the end.

The story starts when an elderly couple, Ruth and Alex, live in a high up, massive apartment in New York City, Brooklyn actually. However, the five flight of stairs they need to take is getting more and more challenging so they decide to move to a location with an elevator. To add to the challenges, their dog is in the hospital undergoing treatment for spinal injury.

The director, Richard Loncraine makes this movie feel authentic and rustic and also shows how current society stereotypes elderly people, how they truly feel about it and how wrong it is. The cast is wonderful and the acting is just superior with serious and comedy scenes mixed together and standing out all the time. I also like how they lightly touch upon problems of the past as well as problems of today. For example, Ruth and Alex got married in a time when bi- racial couples were not welcomed with open arms. Then it shows how today a gay couple is making an offer on a house. They submit it along with a note telling how they tried to adopt a child and finally were able to adopt one. It is something Ruth and Alex wanted to do when they were younger but were denied.

My favorite scene is when they have an open house to sell their apartment and a huge crowd of people comes through, looking at everything and touching everything. Alex doesn't like it but Ruth tries to see the positive side but fails. I like that scene because it shows how the couple's life isn't perfect and also makes the film feel very real. Not only this moment does that but many others as well.

This film has perhaps several moments of adult content but none that is too mature. I recommend it to kids ages 10 to18 and give it 5 out of 5 stars.

Reviewed by Gerry O., KIDS FIRST! Film Critic. For more reviews by youth, go to kidsfirst dot org.

In this mild-mannered film, Morgan Freeman and Diane Keaton are an ageing New York couple who've decided to put their elevator-less Brooklyn apartment on the market and look for a simpler place to live. As the process of dealing with real estate agents, holding open-house showings and engaging in bidding rounds goes along, they rediscover what once brought them together and the life they've built and lived in their current apartment over the past forty years. Freeman and Keaton make a congenial couple, and the film does quite well to pull the plug on the galloping real estate market while director Richard Loncraine moves it along at an agreeable pace. The film's best quality is perhaps putting elderly love on the agenda. It's a pleasant viewing, as long as you don't expect too much of it - and as long as you can bear Keaton's manic reactions and an inevitably mushy finale.

And, of course, a disappointment. With both Keaton and Freeman in it, you'd at least hope for if not expect a winner. They usually come across, but this time out they could have been twiddling their thumbs for the scene to finish and the entire film to come to an end. Hackneyed, stereotypical older couple who've lived on love all their life and haven't seemed to benefit from it. And even worse were the apartment seekers, one duller and more idiotic than the next. The secondary theme with a kind of terrorist was just noisy and in the way, although pretty much everything was in the way. The actors playing the stars as younger selves (Claire van der Boom as a young Keaton was spot on) were better at it and both Cynthia Nixon and Carrie Preston played well. But all in all, something that was meant to obviously be a feel good movie succeeded in making me feel worse.