Loin des hommes
- 2014
- Tous publics
- 1h 41min
NOTE IMDb
7,2/10
9,3 k
MA NOTE
Algérie, 1954. Deux hommes très différents, dans la fournaise d'un monde en ébullition, sont contraints de fuir à travers les montagnes de l'Atlas. Daru, le professeur reclus, doit escorter ... Tout lireAlgérie, 1954. Deux hommes très différents, dans la fournaise d'un monde en ébullition, sont contraints de fuir à travers les montagnes de l'Atlas. Daru, le professeur reclus, doit escorter Mohamed, un villageois accusé de meurtre.Algérie, 1954. Deux hommes très différents, dans la fournaise d'un monde en ébullition, sont contraints de fuir à travers les montagnes de l'Atlas. Daru, le professeur reclus, doit escorter Mohamed, un villageois accusé de meurtre.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 9 victoires et 6 nominations au total
Aurelie Armelle Simone Chatellier
- Raphaëlle
- (as Aurélie Chatellier)
Avis à la une
"Far From Men" is a very nice film based on Albert Camus' 1957 short story "The Guest." The movie excellently captures the conflicts inherent in colonial Algeria. It is well worth watching.
The story is set in 1954, just as the Algerian independence struggle is beginning. The two main characters are a well-meaning teacher, an Algerian of European descent for whom French Algeria is his native land (played by Viggo Mortensen), and an Arab Algerian living in a traditional tribal society (played by Reda Ketab). The Arab has murdered a cousin for theft. The teacher, contrary to his wishes, is tasked to escort the Arab to the police. Their tale plays out among colonialist French Algerian vigilantes, a band of FLN fighters, a troop of French soldiers, and some Algerian European colonial civilians.
The film happens against the background of the nascent independence struggle. It shows people's moral conflicts and critical, often life and death, decisions. It nicely depicts how colonialism affects everyone living in Algeria, even those who would prefer not to take sides.
The cinematography superbly captures the incredible harsh beauty of the arid, barren Atlas mountain landscape as well as the appalling living conditions of the Arab Algerians. Seeing this film, I felt that I really was in impoverished rural colonial Algeria.
Two important points worth noting for those familiar with "The Guest": (1) While most of the events and secondary characters in the movie are spot on depictions of the 1954 Algerian context, they are not in Camus' original story, and (2) The film's ending differs from that of Camus' short story.
Still, again, I recommend this film.
The story is set in 1954, just as the Algerian independence struggle is beginning. The two main characters are a well-meaning teacher, an Algerian of European descent for whom French Algeria is his native land (played by Viggo Mortensen), and an Arab Algerian living in a traditional tribal society (played by Reda Ketab). The Arab has murdered a cousin for theft. The teacher, contrary to his wishes, is tasked to escort the Arab to the police. Their tale plays out among colonialist French Algerian vigilantes, a band of FLN fighters, a troop of French soldiers, and some Algerian European colonial civilians.
The film happens against the background of the nascent independence struggle. It shows people's moral conflicts and critical, often life and death, decisions. It nicely depicts how colonialism affects everyone living in Algeria, even those who would prefer not to take sides.
The cinematography superbly captures the incredible harsh beauty of the arid, barren Atlas mountain landscape as well as the appalling living conditions of the Arab Algerians. Seeing this film, I felt that I really was in impoverished rural colonial Algeria.
Two important points worth noting for those familiar with "The Guest": (1) While most of the events and secondary characters in the movie are spot on depictions of the 1954 Algerian context, they are not in Camus' original story, and (2) The film's ending differs from that of Camus' short story.
Still, again, I recommend this film.
There is something eerily enigmatic in seeing a lone teacher in a one-room school in the middle of nowhere. It was used to great effect in Ted Kotcheff's re-discovered 1971 Australian classic Wake in Fright and director David Oelhoffen conjures similar ambiance in his ultimately gripping Algerian-based drama Far From Men.
Set in 1950s Algeria against a backdrop of growing civil unrest to French colonial rule, Daru (Viggo Mortensen), is an apparently unassuming French teacher in a remote and barren outpost, educating young Arab children on matters French with no apparent nod to their own heritage. His isolated retreat is broken by the manacled arrival of Mohamed (Reda Kateb) on a charge of the murder of his cousin. He is ordered to take the prisoner to the nearest French administrative centre where he knows full well that after a perfunctory trial, the Arab will be found guilty and executed. More than reluctant to undertake this task, which he clearly views as accessory to a killing, events take a dramatic turn leaving the diffident teacher with no moral alternative but to Do as instructed. The film then follows their journey as they head out over rocky, mountainous terrain.
Oelhoffen and cinematographer Guillaume Deffontaines take full advantage of the Algerian desert landscape, frequently showing the two men pitted against its magnitude and harsh, extreme conditions. It is exceedingly well shot, drawing the audience in with its captivating imagery. Music from Australians Nick Cave and Warren Ellis was unobtrusive.
Initially slow-burning, the film bursts into energy with gripping drama, twists and turns. As the back stories unfold, the surprising resilience and phlegm shown by the quiet teacher is understood. The conclusion was unexpectedly poignant.
The concept and themes of two diverse men on a road journey pitted against elements and events far bigger than them are not unfamiliar. But the injection of unexpected plot devices and character development keep the film fresh and the audience engaged. Performances from both Mortensen and Kateb are strong and the two actors gel together well.
Set in 1950s Algeria against a backdrop of growing civil unrest to French colonial rule, Daru (Viggo Mortensen), is an apparently unassuming French teacher in a remote and barren outpost, educating young Arab children on matters French with no apparent nod to their own heritage. His isolated retreat is broken by the manacled arrival of Mohamed (Reda Kateb) on a charge of the murder of his cousin. He is ordered to take the prisoner to the nearest French administrative centre where he knows full well that after a perfunctory trial, the Arab will be found guilty and executed. More than reluctant to undertake this task, which he clearly views as accessory to a killing, events take a dramatic turn leaving the diffident teacher with no moral alternative but to Do as instructed. The film then follows their journey as they head out over rocky, mountainous terrain.
Oelhoffen and cinematographer Guillaume Deffontaines take full advantage of the Algerian desert landscape, frequently showing the two men pitted against its magnitude and harsh, extreme conditions. It is exceedingly well shot, drawing the audience in with its captivating imagery. Music from Australians Nick Cave and Warren Ellis was unobtrusive.
Initially slow-burning, the film bursts into energy with gripping drama, twists and turns. As the back stories unfold, the surprising resilience and phlegm shown by the quiet teacher is understood. The conclusion was unexpectedly poignant.
The concept and themes of two diverse men on a road journey pitted against elements and events far bigger than them are not unfamiliar. But the injection of unexpected plot devices and character development keep the film fresh and the audience engaged. Performances from both Mortensen and Kateb are strong and the two actors gel together well.
Brilliant performances by Mortensen and Betak, who play two men and show their story in a war torn 1950s Algiere. The film has a progressive build of relationship between the two characters which is fantastic. They evolve deeply and create definite emotion throughout film; a fantastic effort with character development. Definititely one of Mortensen's best performances. If a film is better than just good I will usually give it a 7.5-8. This french slow paced drama scrapes itself a 9. It exceeded my expectations. It accomplished conveying the story very well. An original score from Nick Cave as well, which perhaps has a slight hint of a downfall. So far one of the two best European films of the year.
There are those who fight and even kill for something as little as wounded pride. As ridiculous as this may seem, there are many situations and places where revenge the only option. Revenge is not just expected, it is demanded or even mandated. It takes an extremely strong and courageous person to break the cycle of violence.
"Far From Men" takes viewers into the misty Atlas Mountains of Algeria in 1954 and the lives of two men who are trying to break the revenge cycle. It is the beginning of an uprising against the French. Daru, a local school teacher as well as a World War II veteran, is tasked with transporting a prisoner, Mohamed, to a nearby town for trial. Daru chides Mohamed for weakness and cowardice in not attempting to escape or doing much to resist those who hound him. "React!" screams Daru, "aren't you a man?!" Yet things are not so simple. As the two men travel in the moonlight, rainfall and cold of the night, Daru gradually understands the difficult and challenging choices that Mohamed faces. Daru may be able to help Mohamed, yet at what price?
Viggo Mortensen plays Daru and represents him extremely well. I really enjoy the roles that Viggo plays. Usually, as here, Viggo's characters struggle for justice, truth and dignity against formidable odds. All the actors do a fine job in this film. The film images, organization, dialogue, depth, directing, themes and storyline, are also very well done. Really the only things lacking are a fabulous soundtrack, a certain amount of depth to each nuance of the film and, perhaps, a love interest. Far From Men became available on Netflix this week.
"Far From Men" takes viewers into the misty Atlas Mountains of Algeria in 1954 and the lives of two men who are trying to break the revenge cycle. It is the beginning of an uprising against the French. Daru, a local school teacher as well as a World War II veteran, is tasked with transporting a prisoner, Mohamed, to a nearby town for trial. Daru chides Mohamed for weakness and cowardice in not attempting to escape or doing much to resist those who hound him. "React!" screams Daru, "aren't you a man?!" Yet things are not so simple. As the two men travel in the moonlight, rainfall and cold of the night, Daru gradually understands the difficult and challenging choices that Mohamed faces. Daru may be able to help Mohamed, yet at what price?
Viggo Mortensen plays Daru and represents him extremely well. I really enjoy the roles that Viggo plays. Usually, as here, Viggo's characters struggle for justice, truth and dignity against formidable odds. All the actors do a fine job in this film. The film images, organization, dialogue, depth, directing, themes and storyline, are also very well done. Really the only things lacking are a fabulous soundtrack, a certain amount of depth to each nuance of the film and, perhaps, a love interest. Far From Men became available on Netflix this week.
The movie is timeless, with a great story, breathtaking landscapes and Viggo Mortensen - as always - excellent, and he speaks at least three foreign languages in this French movie. A must seen movie and the best one I have seen all this year 2015.
You have in this feature the sad and beautiful story of a short and poignant friendship during war in Algeria. Two very different men who will have to fit together, against all odds. I think Viggo Mortensen does well to play in 'little movies',his acting is getting better and better as he is getting older.
I saw the movie with only 15 people in a little cinema. What a shame that big cinema buildings don't show this one. But I don't mind, then all the people are at least interested! Everybody should go to the cinema to see this excellent drama!!!
You have in this feature the sad and beautiful story of a short and poignant friendship during war in Algeria. Two very different men who will have to fit together, against all odds. I think Viggo Mortensen does well to play in 'little movies',his acting is getting better and better as he is getting older.
I saw the movie with only 15 people in a little cinema. What a shame that big cinema buildings don't show this one. But I don't mind, then all the people are at least interested! Everybody should go to the cinema to see this excellent drama!!!
Le saviez-vous
- AnecdotesThe director approached Mortensen with his script because in his mind he was the ideal actor for the role.Mortensen gave his affirmative answer 10 days after reading it and in the process participated in the production as well.Similarly,Nick Cave agreed to compose the music for the film,after the director presented him with his idea.
- GaffesA former soldier salutes Daru (his former superior) with his hand like in the French army in which they fought together but he is not wearing a hat or helmet: he should have saluted with the quick uplifting of the head and not lift his hand to his temple as per military guidelines.
- ConnexionsFeatured in Celebrated: Viggo Mortensen (2015)
- Bandes originalesEl Día Que Me Quieras
Music by Carlos Gardel (uncredited) and lyrics by Alfredo Le Pera (uncredited)
Performed by Carlos Gardel
Meilleurs choix
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- How long is Far from Men?Alimenté par Alexa
Détails
Box-office
- Budget
- 7 700 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 5 336 $US
- Montant brut mondial
- 1 141 433 $US
- Durée1 heure 41 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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By what name was Loin des hommes (2014) officially released in India in English?
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