La French
- 2014
- Tous publics
- 2h 15min
NOTE IMDb
7,1/10
13 k
MA NOTE
Un magistrat de la police française consacre des années à essayer de faire tomber l'un des réseaux de drogue les plus puissants du pays.Un magistrat de la police française consacre des années à essayer de faire tomber l'un des réseaux de drogue les plus puissants du pays.Un magistrat de la police française consacre des années à essayer de faire tomber l'un des réseaux de drogue les plus puissants du pays.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 victoires et 5 nominations au total
Avis à la une
I watched this movie and was impressed by a solid story line (it is not your average crime movie), the good actors and the attention for detail. As another reviewer wrote, you should really see especially if you want an impression of what a good French movie consists of.
This is not an American crime thriller. I wish this movie does not get clouded with cheap thrillers. A gem. An art this is. What a great movie. Dujardin and Lellouche trying to excel each other in characterization. Lellouche wins I think. The last 30 minutes of the movie... a master piece. One wants to slip away. One wants to pin down. This movie portrays the emotional part of both. Very artistically. Hats off to the director and team. A Beautiful movie. An art :)
Céline Sallette did a very good job here. Few scenes, I can see her best. Generally, other than the main two, it is almost good if not best. Very good performance. Very good movie. Very unlike the Amreican movies.
Céline Sallette did a very good job here. Few scenes, I can see her best. Generally, other than the main two, it is almost good if not best. Very good performance. Very good movie. Very unlike the Amreican movies.
Great settings, acting, actors, soundtrack and camerawork. Complications of plot at times (who's who?) didn't hide inevitably of ending. Also unfamiliar with French justice and political systems. But well worth the watch - I couldn't leave it before the end - especially for the two lead actors. Best French movie to come along for a while. Also called The Connection. (viewed 8/16)
"The Connection" (2014 release from France and Belgium; 135 min. original title "La French") is an action crime drama, "loosely based on real events" we are reminded at the beginning of the movie. Those real events are the role the southern French city of Marseille played in supplying (some might say: overwhelming) the US with hard drugs in the 1970s. As the movie opens, it says "Marseille, 1975", and as we follow a motor scooter, the biker all of the sudden stops, and shoots someone in cold blood in a nearby car. We then get to know Pierre Michel, a magistrate who is just being transferred from Juvenile to Organized Crime. Michel throws himself with gusto into the mob-fighting, and along the way bruises with his colleagues at work too. At this point we're about 15 min. into the movie, but to tell you more would spoil your viewing experience, you'll just have to see for yourself how it all plays out.
Couple of comments: first, when a movie puts up a disclaimer that says "loosely based" on real events, you can bet your last dollar that the movie departs significantly from what really happened. How is it that "The French Connection", surrounding similar facts from the US perspective, was made in 1971, yet this movie plays out from 1975 into the early 80s? If you set aside historical concerns, this movie does quite well, actually. The story is solid and takes its time to play out. No, there isn't a singular scene as memorable as the car/elevated train chase as in "The French Connection", but there is enough tension in "The Connection" that it kept me interested from start to finish. Second, a major plus is the historical accuracy in the decors and scenery. Right away from the opening scene on the motor scooter, I was marveling at all the 1970s French cars (Renault, Simca, Citroen, you name, they're all there, and plentiful), which I loved growing up in Belgium during that era. Likewise with attention to clothing and such. Third, the movie is technically a French-Belgian co-production, and the Belgian investors required some scenes shot in Belgium. The Krypton night club scenes were shot in Antwerp, Belgium (my original home town), and the prison scenes were shot in Charleroi, Belgium. Fourth, Jean Dujardin has a meaty character and role here, and he gives a fine performance as Magistrate Michel. Last but certainly not least, there is a very nice collection of songs in the movie from that era, both French (Serge Gainsbourg, Mike Brant, Sheila, etc.) and English (Blondie, Velvet Underground, Venus Ganga, Kim Wilde, etc.). It's available on Amazon France.
"The Connection" opened last weekend at my local art house theater here in Cincinnati, and I finally had a chance to see it. The early evening screening where I saw this at was attended so-so, and that's a shame. I found "The Connection" always entertaining, never boring and at times outright riveting. If you are in the mood for a quality foreign movie, or perhaps just curious how "la French" (as the term 'French Connection' was referred to in France) is portrayed by this French interpretation of it, you cannot go wrong with this movie. "The Connection" is HIGHLY RECOMMENDED!
Couple of comments: first, when a movie puts up a disclaimer that says "loosely based" on real events, you can bet your last dollar that the movie departs significantly from what really happened. How is it that "The French Connection", surrounding similar facts from the US perspective, was made in 1971, yet this movie plays out from 1975 into the early 80s? If you set aside historical concerns, this movie does quite well, actually. The story is solid and takes its time to play out. No, there isn't a singular scene as memorable as the car/elevated train chase as in "The French Connection", but there is enough tension in "The Connection" that it kept me interested from start to finish. Second, a major plus is the historical accuracy in the decors and scenery. Right away from the opening scene on the motor scooter, I was marveling at all the 1970s French cars (Renault, Simca, Citroen, you name, they're all there, and plentiful), which I loved growing up in Belgium during that era. Likewise with attention to clothing and such. Third, the movie is technically a French-Belgian co-production, and the Belgian investors required some scenes shot in Belgium. The Krypton night club scenes were shot in Antwerp, Belgium (my original home town), and the prison scenes were shot in Charleroi, Belgium. Fourth, Jean Dujardin has a meaty character and role here, and he gives a fine performance as Magistrate Michel. Last but certainly not least, there is a very nice collection of songs in the movie from that era, both French (Serge Gainsbourg, Mike Brant, Sheila, etc.) and English (Blondie, Velvet Underground, Venus Ganga, Kim Wilde, etc.). It's available on Amazon France.
"The Connection" opened last weekend at my local art house theater here in Cincinnati, and I finally had a chance to see it. The early evening screening where I saw this at was attended so-so, and that's a shame. I found "The Connection" always entertaining, never boring and at times outright riveting. If you are in the mood for a quality foreign movie, or perhaps just curious how "la French" (as the term 'French Connection' was referred to in France) is portrayed by this French interpretation of it, you cannot go wrong with this movie. "The Connection" is HIGHLY RECOMMENDED!
In the late 1960s and early 1970s drugs were flowing from Marseille to New York in a sophisticated and sustained operation. The Americans made two movies about the racket: "The French Connection" (1971) set in New York and "The French Connection II" (1975) located in Marseiiles, in both cases with Gene Hackman famously playing the police crime-buster. French cinema too has had two cracks at telling the story: first with "The Judge" (1984) and then with "The Connection" ("La French" in French) in 2014.
In the French films, the hero is not a policeman but a magistrate, in "The Connection" played by played by Jean Dujardin, best known outside France for his performance in the silent film "The Artist". The role of the chief criminal is taken by Gilles Lelouche. There is a short scene where the two meet alone which is reminiscent of the cafe scene between Al Pacino and Robert de Niro in "Heat". "The Connection" is not one of the the classics like "The French Connection" and "Heat" but it is a stylish, if clichéd, thriller with hand-held camera-work and atmospheric soundtrack adding to the impact.
In the French films, the hero is not a policeman but a magistrate, in "The Connection" played by played by Jean Dujardin, best known outside France for his performance in the silent film "The Artist". The role of the chief criminal is taken by Gilles Lelouche. There is a short scene where the two meet alone which is reminiscent of the cafe scene between Al Pacino and Robert de Niro in "Heat". "The Connection" is not one of the the classics like "The French Connection" and "Heat" but it is a stylish, if clichéd, thriller with hand-held camera-work and atmospheric soundtrack adding to the impact.
Le saviez-vous
- AnecdotesThe Gaumont animated opening logo is the 70's one.
- GaffesAn early title card indicates the film taking place beginning in 1975. A shot of a truck being unloaded on a New York dock shows the World Trade Center Twin Towers under construction. The Twin Towers were opened in 1973, with construction completed prior to that.
- ConnexionsReferenced in Cowboy (2017)
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- How long is The Connection?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- The Connection
- Lieux de tournage
- La Ciotat, Bouches-du-Rhône, France(seaside road)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 26 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 190 980 $US
- Week-end de sortie aux États-Unis et au Canada
- 10 335 $US
- 17 mai 2015
- Montant brut mondial
- 12 062 441 $US
- Durée2 heures 15 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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