La mort d'un ouvrier sur un chantier émeut God's pocket, un quartier populaire de Philadelphie et fait interagir la famille, la presse et la mafia.La mort d'un ouvrier sur un chantier émeut God's pocket, un quartier populaire de Philadelphie et fait interagir la famille, la presse et la mafia.La mort d'un ouvrier sur un chantier émeut God's pocket, un quartier populaire de Philadelphie et fait interagir la famille, la presse et la mafia.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
Avis à la une
What is obvious is the affection for the source material. The film differs little from Pete Dexter's book, and is better for it. The sometimes lethargic pace is livened by some genuine surprises, and there is always that all important sense of atmosphere.
If there was ever an actor who knew not how to overact, it was Philip Seymour Hoffman. In his penultimate appearance, he and Christina Hendricks both deliver an underplayed performance as the central couple, allowing the rest of the ensemble the more colourful scenes.
It is not without it's faults. The story is told over a period of three days, and it is perhaps for that reason that it sometimes feels episodic. The whole film plays like one of Slattery's self- directed episodes of Mad Men. The ending does not escape the clichés typical of its genre. Nevertheless, it is an entertaining watch, a promising debut, and another sad reminder of why Philip Seymour Hoffman will be missed.
Despite the moments of comedy and the pleasingly upbeat coda, the overwhelming mood is grimness and grunge. But this is how people live in today's city slums (1980s Phildelphia looks pretty much the same in 2014), scratching a living, fighting off creditors, killing each other.
Le saviez-vous
- AnecdotesThis is the last completed movie of Philip Seymour Hoffman.
- GaffesTaking place in a Philadelphia blue collar neighborhood, the logo on the door of the police car is the actual one used in Philadelphia, as are the shoulder ID patches on the policeman's shirts, but the police car itself, as well as the breast, and hat badges, are obviously NOT of Philadelphia.
- Citations
Richard Shellburn: [writing] Until recently, you only had to die once in this city... even if you came from God's Pocket. There was a time when a 23-year-old working man could die once, have the event noticed in his local newspaper, and then move on to his reward without the complications of an additional death. Leon Hubbard's death was reported incorrectly by this newspaper last week. But, then, Leon Hubbard wasn't important.
Richard Shellburn: Leon Hubbard was like the other working people of God's Pocket: dirty-faced, uneducated, neat as a pin inside. They work, marry, and have children who inhabit the Pocket, often in the homes of their mothers and fathers. They drink at The Hollywood, or the Uptown Bar, little places deep in the city. And they argue there about things they don't understand... politics, race, religion. And in the end, they die like everyone else; leaving their families and their houses and their legends. And there is a dignity in that. We owe Leon Hubbard an apology, and all the people who knew him and loved him and worked with him. If we stop listening to Leon Hubbard's story and all the neighborhood stories like it, eventually the neighborhoods will stop listening to ours.
- ConnexionsReferences Taxi Driver (1976)
- Bandes originalesAll Because of You
Written by Thomas Fletcher
Performed by Tee Fletcher
Courtesy of The Numero Group
By Arrangement with Bank Robber Music
Meilleurs choix
- How long is God's Pocket?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Tanrının Unuttuğu Yer
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 1 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 169 976 $US
- Week-end de sortie aux États-Unis et au Canada
- 21 482 $US
- 11 mai 2014
- Montant brut mondial
- 413 567 $US
- Durée
- 1h 28min(88 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1