Geethanjali Malli Vachindi

This expertly directed movie is a delightful blend of laughter and entertainment, offering a perfect mix of comedic moments and engaging storytelling. From start to finish, it keeps audiences thoroughly entertained with its witty dialogue, hilarious situations, and charismatic characters. Each scene is crafted with a touch of humor and precision, ensuring that viewers are consistently amused and engaged throughout. The clever writing and impeccable comedic timing, combined with the director's skillful guidance, make this film a joyous experience. It leaves viewers with smiles on their faces and laughter in their hearts. Whether you're looking for a light hearted escape or simply want to indulge in a genuinely enjoyable cinematic experience, this well directed movie is a standout choice for anyone seeking pure entertainment and laughter.

A great cast, poor picturization and a terrible script is all that brings Geetanjali 2 together.

With no plot to offer from the start, the Cast is put in a confused maze of unprofessional direction. The story takes a imitation from Actor Srikanth's Raa Raa (2018) film with Ravi Shankar, Ali, Sunil, Anjali, Srinivas Reddy and rest of cast put together in a nonsensical horror attempt with a flair of unconvincing comedy.

Some budget graphics used in climax when Rao Ramesh comes back as a spirit from his Ashes and fights Geetanjali in a Ganga remix of a fight between two spirits.

Zandu balm is a must if audience still decide to watch this illogical film.

This horror-comedy effort falls disappointingly short of the mark. The narrative is plagued by silliness and a lack of logical cohesion, with numerous superfluous elements clumsily integrated.

The screenplay, particularly in the initial segments, is uninspired and lacks dynamism. It's only in the latter half that a few comedic moments manage to shine through, offering a glimmer of redemption.

Performance-wise, Anjali delivers an adequate portrayal, though her presence is unfortunately limited. Sathya stands out with a commendable performance, and Sunil also brings a solid contribution. Srinivasa Reddy and the remainder of the ensemble offer passable performances, while the antagonist fails to impress, suffering from both underdeveloped characterisation and lacklustre acting.

The film is further marred by its inadequate production values, with the choice of locations and sets reflecting a disappointing economisation. Both cinematography and music struggle to reach a satisfactory standard.

Overall, this cinematic venture does not merit the investment of time, falling well below the threshold of recommended viewing.