Fake

Can an entire show be foreshadowing? Can every single moment be foreshadowing? Can every single thing be framed entirely explicitly as foreshadowing? This show may be going for a world record or something, trying to make every single second, from the very opening shots, be Foreshadowing. Can a show that is entirely foreshadowing also feature the worst performances by two great actors, entirely miscast, with No chemistry, and the most unhappy and miserable sex scene in the history of everything?

Yes. Yes yes yes. All yes.

I have never not enjoyed Asher Keddie, before. I have always respected David Wenham, before. This is trash. I think the writer was trying to make herself look better at having Always Suspected Things, but it makes her a boring anxious character that you can't sympathise with who has No Arc. Crap.

The key to this working is a credible male lead ( in what is a difficult nuanced role to pull off convincingly). David Wenham didn't, at all. At almost 60 he is for a start too old, too crepey-skinned. His character was creepy, he was given a lizardy persona, unfortunately Joe was NOT what he must be.

Hot.

Who is craving to get in this creaky, rather plodding, aging, man's bed?

Apparently a whole slew of beautiful intelligent women, all taken in and enraptured to the point of slavish devotion . 60 emails with heart rending tales of seducer Joe!!!

Please. No.

None of us watching Joe were craving to be in bed with him either, btw (imagine here a shudder indicating skin crawling at the thought lol).

The writing was off for Joe, the character needed way more finesse in language, charisma, good looks, and sex appeal, delivered by an actor with compelling, utterly irresistible BDE, and way more sympathetic outside of the scene in the church where we see his pain. That was good, well done.

That first encounter at Atons bar ..."do you want to get out of here?" The look that is then exchanged between them as Joe agrees means, as every single adult watching knows, let's ***k. His sliding off into the night outside was the beginning of a mountain of sleight of hand by Joe's character that was absurdly clunky, as to be an insult to the intelligence.

Asher Keddie is terrific, she holds this together. Her character is far better written and presented than her counterpart, we are provided with sufficient context to see why this one woman with her history anxiety and pressures wanted so much for this to work. She was believable in a narrative where nothing else important was believable.

It's an easy reasonably engaging binge, but could have been so much more immersive, tantalising, heartrending.

A missed opportunity, should have been a 10.

Birdie is utterly infuriating but I found the story extremely compelling. This is a cautionary tale about how you should trust your instincts. Her gut told her something wasn't right in episode one.

It's very easy to say "oh, I'd never fall for that" or "I'd never tolerate that" when he's repeatedly letting her down, but until you've experienced deceit you never know how you'd react. I certainly wouldn't tolerate things now that I would have when I was younger and much more trusting.

This series has you shouting at the TV and although a little drawn out, I enjoyed it and was eager to see the next episode.

Joe played a slimy creep with a sickening voice, but having come across two of these sort of characters in my time, his role was true to form. A Player of the highest Order. However, Denham really wasn't suited to the role at all. It needed someone less creepy and more 'dashing', thus to avoid the warning bells and red flags that someone like Birdie could be excused for not seeing and acting upon, therefore making it more realistic.

Birdie, Birdie, Birdie - when does stupid become more stupid? You were painful to watch and I wanted to throw my phone away, let alone yours.

All in all, too long and too much of Birdie feeling sorry for herself. I wish I hadn't wasted my time.

The tension in the series is created between the characters' and the audience, rather than among the actors. Birdie's deep-seated denial makes the viewers say over and over "how can she believe him", as do her friends and family.

The more that audience members can sympathize with Bridie's denial, the more profound the tension is. However, for those of us who do not sympathize, the constant repetition of her failing can be a bit tedious. Therefor the director has taken a big chance by using this technique. This is exacerbated by the fact that the story arc builds up slowly over the initial episodes and that the crescendo is 100% predictable.