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Ajouter une intrigue dans votre langueWhen a poisonous snake slithers onto an Englishman's stomach in India, his associate and a doctor race to save him.When a poisonous snake slithers onto an Englishman's stomach in India, his associate and a doctor race to save him.When a poisonous snake slithers onto an Englishman's stomach in India, his associate and a doctor race to save him.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 1 nomination au total
Avis à la une
Poison is a short film filled with tension pretty much instantaneously, initially feeling like a fun piece of style over substance until its final moments in which it suddenly gets a lot darker with an ending designed to leave a lasting impression.
Fulfilling the promise of Henry Sugar, Benedict Cumberbatch, Dev Patel and Ben Kingsley all get a much welcome second go at playing in the world of Wes. With Cumberbatch mostly restricted to a bed Dev Patel becomes the standout, still perfect with his delivery and mannerisms.
Wes Anderson's direction is always flawless in its visual construction, the sets here remain gorgeous to look at but a lot smaller in scale and the best surprise here is Wes showing that his usual, heightened style actually works really well for crafting tension.
Fulfilling the promise of Henry Sugar, Benedict Cumberbatch, Dev Patel and Ben Kingsley all get a much welcome second go at playing in the world of Wes. With Cumberbatch mostly restricted to a bed Dev Patel becomes the standout, still perfect with his delivery and mannerisms.
Wes Anderson's direction is always flawless in its visual construction, the sets here remain gorgeous to look at but a lot smaller in scale and the best surprise here is Wes showing that his usual, heightened style actually works really well for crafting tension.
Watching the newly filmed short movie Poison, I was fascinated how brilliant acting and directing can come together (with brilliant storytelling as well) and create such an epic movie.
The story evolves around a man named Mr. Pope who lies in his bed while a deadly snake falls asleep under his sheet. His friend Woods is there to help him get out of this terrible situation.
The camera is just wonderful, constantly switching views and finding creative ways to tell the story. The acting is terrific, just perfect to the last detail to serve the story. The setting and design are exactly how a world out of a book might look.
The story evolves around a man named Mr. Pope who lies in his bed while a deadly snake falls asleep under his sheet. His friend Woods is there to help him get out of this terrible situation.
The camera is just wonderful, constantly switching views and finding creative ways to tell the story. The acting is terrific, just perfect to the last detail to serve the story. The setting and design are exactly how a world out of a book might look.
Woods gets home to find his friend Harry lying motionless in bed. He dare not move as there's a highly venomous snake lying on his stomach. After the shock has subsided, Woods calls a local doctor who brings with him the anti-venom. Now, how to move the snake?
Another of Wes Anderson's four-episode short story-series, all adaptations of Roald Dahl stories. The others in the series are The Wonderful Story of Henry Sugar, The Swan and The Rat Catcher.
Wes Anderson adapting a Roald Dahl story seems a perfect combination: the clever innocence of Dahl's writing, Anderson's whimsical, stylised direction. It's been done before, to great effect; 'Fantastic Mr Fox' (2009) was brilliant.
Poison is similar to the other three short films in the series in that it contains narration with the narrator talking in short, bullet-point-like sentences, an engaging story and some quirky backdrops and props. The backdrops are bit less of a factor here, due to this film being set almost entirely in one location.
The other three had a nasty habit of leaving you dangling at the end - setting you up with an engaging, seemingly set up for a powerful ending and then just fizzling out, sans punchline. This one seemed to be heading to buck the trend but, alas, it is more of the same. There is a half-theme around ungraciousness and racism at the end but it really isn't developed well enough to have an impact.
Interesting enough, just don't expect too much of the conclusion.
Another of Wes Anderson's four-episode short story-series, all adaptations of Roald Dahl stories. The others in the series are The Wonderful Story of Henry Sugar, The Swan and The Rat Catcher.
Wes Anderson adapting a Roald Dahl story seems a perfect combination: the clever innocence of Dahl's writing, Anderson's whimsical, stylised direction. It's been done before, to great effect; 'Fantastic Mr Fox' (2009) was brilliant.
Poison is similar to the other three short films in the series in that it contains narration with the narrator talking in short, bullet-point-like sentences, an engaging story and some quirky backdrops and props. The backdrops are bit less of a factor here, due to this film being set almost entirely in one location.
The other three had a nasty habit of leaving you dangling at the end - setting you up with an engaging, seemingly set up for a powerful ending and then just fizzling out, sans punchline. This one seemed to be heading to buck the trend but, alas, it is more of the same. There is a half-theme around ungraciousness and racism at the end but it really isn't developed well enough to have an impact.
Interesting enough, just don't expect too much of the conclusion.
Poison.
When a poisonous snake slithers onto an Englishman's stomach in India, his associate and a doctor race to save him.
Poison is the last short movie that watched from the collection and I can say that it was a beautiful experience to watch the 4 episodes in the same day, I'd love to get more of these Wes style shorts that takes you right into a story with an interesting narration style and more interestingly the beautiful sets and directing.
I can't stop talking about Wes Anderson, so let's talk about Poison, it was unexpectedly thrilling and fun but I don't think it's his best story wise .
When a poisonous snake slithers onto an Englishman's stomach in India, his associate and a doctor race to save him.
Poison is the last short movie that watched from the collection and I can say that it was a beautiful experience to watch the 4 episodes in the same day, I'd love to get more of these Wes style shorts that takes you right into a story with an interesting narration style and more interestingly the beautiful sets and directing.
I can't stop talking about Wes Anderson, so let's talk about Poison, it was unexpectedly thrilling and fun but I don't think it's his best story wise .
My last viewing and an excellent conclusion. At this point I am again aware of my high regard for Anderson's work and the resulting standing. What director can celebrate such artistic freedom, dancing on the threshold between mainstream and arthouse. Back to the film. A suspenseful beginning, immediately awakens my empathy, compassion. Tension, not a typical Anderson stylistic device, in fact none at all. But it works, it is maintained, also by not playing too many games. Plus an ending with reverberation, finally. At least for me, I had missed that in the other episodes. My favourite of the series.
Le saviez-vous
- AnecdotesHarry is reading the Chinese erotic novel "The Golden Lotus."
- Citations
Timber Woods: I mean, he owes you his life, Doctor.
Dr. Ganderbai: No, he doesn't.
Timber Woods: I'm sorry.
Dr. Ganderbai: You can't be.
- ConnexionsEdited into La merveilleuse histoire de Henry Sugar et trois autres contes (2024)
- Bandes originalesChants et Danses de la Moisson
Field Recording by Deben Bhattacharia
Courtesy of Arc Music Productions Int. Ltd. on behalf of Deben Bhattacharia Ltd.
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Отрута
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée
- 17min
- Couleur
- Rapport de forme
- 16 : 9
- 2.35 : 1
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