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IMDbPro

Black or White

  • 2014
  • Tous publics
  • 2h 1min
NOTE IMDb
6,6/10
14 k
MA NOTE
Kevin Costner, Octavia Spencer, and Jillian Estell in Black or White (2014)
The story of a grandfather who is suddenly left to care for his beloved granddaughter. When the little girlÂ’s paternal grandmother seeks custody, a legal battle ensues that forces the families to confront their true feelings on race, forgiveness and understanding.
Lire trailer2:16
43 Videos
70 photos
Drame

Un veuf endeuillé se retrouve embarqué dans une bataille pour la garde de sa petite-fille qu’il a contribué à élever toute sa vie.Un veuf endeuillé se retrouve embarqué dans une bataille pour la garde de sa petite-fille qu’il a contribué à élever toute sa vie.Un veuf endeuillé se retrouve embarqué dans une bataille pour la garde de sa petite-fille qu’il a contribué à élever toute sa vie.

  • Réalisation
    • Mike Binder
  • Scénario
    • Mike Binder
  • Casting principal
    • Kevin Costner
    • Octavia Spencer
    • Gillian Jacobs
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,6/10
    14 k
    MA NOTE
    • Réalisation
      • Mike Binder
    • Scénario
      • Mike Binder
    • Casting principal
      • Kevin Costner
      • Octavia Spencer
      • Gillian Jacobs
    • 85avis d'utilisateurs
    • 86avis des critiques
    • 45Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 victoire et 4 nominations au total

    Vidéos43

    Official Trailer
    Trailer 2:16
    Official Trailer
    Are You O K Papa
    Clip 1:24
    Are You O K Papa
    Are You O K Papa
    Clip 1:24
    Are You O K Papa
    Shared Custody
    Clip 1:08
    Shared Custody
    No Endcard
    Clip 1:14
    No Endcard
    No Endcard
    Clip 0:37
    No Endcard
    Worth Fighting For
    Clip 1:13
    Worth Fighting For

    Photos70

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
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    + 64
    Voir l'affiche

    Rôles principaux66

    Modifier
    Kevin Costner
    Kevin Costner
    • Elliott Anderson
    Octavia Spencer
    Octavia Spencer
    • Rowena Jeffers
    Gillian Jacobs
    Gillian Jacobs
    • Fay
    Anthony Mackie
    Anthony Mackie
    • Jeremiah Jeffers
    Jillian Estell
    Jillian Estell
    • Eloise Anderson
    Bill Burr
    Bill Burr
    • Rick Reynolds
    Mpho Koaho
    Mpho Koaho
    • Duvan Araga
    André Holland
    André Holland
    • Reggie Davis
    Jennifer Ehle
    Jennifer Ehle
    • Carol
    Paula Newsome
    Paula Newsome
    • Judge Cummins
    Indigo
    Indigo
    • Young Nurse
    Bertha Bindewald
    • Rosita
    Joe Chrest
    Joe Chrest
    • Dave
    Ireyon Johnson
    • Kristen
    Janeline Hayes
    Janeline Hayes
    • Dondi
    Lloyd Dillon
    • Rex
    Ernest Wells
    • Uncle Victor
    Angela Jones
    Angela Jones
    • Rita
    • (as Angela Landry)
    • Réalisation
      • Mike Binder
    • Scénario
      • Mike Binder
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs85

    6,614.2K
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    Avis à la une

    9aneculai

    Costner brings racial conversation to next cultural and social level!

    Kevin Costner's "Black or White" is one of those break-through movies who bring the silver screen art to a next level. In his case, the movie brings the cultural and social conversation about race to a level it should have been long time ago. The movie suggests a new paradigm for the topic of race, a level where the social and personal relationships between people no longer include the skin color. The movie portrays with a keen sense the tension and resistance our cultural biases pose to any attempt to remove the racial aspects from the confrontations between people of different skin color. In "Black or White" Kevin Costner breaks the pattern of action hero he has got us used with, displaying acting traits of the highest level. With the camera close-ups on his face most of the time, his eyes add immense value to his acting, displaying real emotions and deep feelings only those who experienced parenting can truly understand and react to. Overall, "Black or White" is a new paradigm of both his personal acting and the cultural and social topic of racial tension.
    7planktonrules

    Not exactly black or white...

    From the title and the way the film was marketed, you'd get the impression that this is a movie about a custody dispute that all boils down to race. Well, this plays only the tiniest part in a film and is instead a film where there are lots of gray areas...and the custody situation is NOT black or white (metaphorically speaking).

    When the film begins, Elliot (Kevin Costner) is at the hospital, as his wife just died. It's not just going to effect him, however, as he and his wife was the caretakers for their granddaughter, Eloise. However, although it's always clear that Elliot loves her, he's also got a drinking problem...though it does not appear to impair his ability to care for the child...at least at the present.

    Soon, Eloise's Grandmother (Octavia Spencer) has filed for custody of the child. Much of this might have been avoided if Elliot had allowed the other side of the family (the black side) to see the girl. He, however, is angry at them as Eloise's father is a crack- head and the father's family is in denial about his current drug use or ability to care for the child. He's a mess, and clearly he should NOT care for any child...let alone a pet! But, the rest of the family seems to possibly be able to care for Eloise...but they've got to get over the Grandmother's fantasies about her son and his addiction. How does all this work out? See the film.

    Overall, I enjoyed this film but must strongly point out that it is NOT strictly a film about race. Instead, it shows how both sides of the family care but are really screwed up...and it's up to the judge to determine what's best. I appreciated this and enjoyed the film. My only reservation is the last 10 minutes or so of the movie...it didn't seem all too realistic in many ways. So, I am recommending it but think it does, in some ways, miss the mark. Well worth seeing.
    8coolcleangreen

    run, do not walk, to see this film

    funny, brilliant, honest script and actors who pull off both harshness and sympathy. special mention to Anthony Mackie, though I know all the critics will give a lion's share of praise to Octavia Spencer and Kevin Costner. Mackie (aka the Falcon) delivers a powerful, resonating speech that simply must be heard. the judge was awesome too, absolutely spot on.

    i saw this with my mother at the Toronto Intl Film Festival Elgin Winter Garden Theatre. the room was packed, and the crowd was mixed not just racially but generational too. this is truly a universal film despite its title.

    i highly highly recommend this film to everyone.
    9cattjones

    This Mulatto Loved this Film

    I was not surprised to read that this film was based on actual events. I am sure that these situations have played out numerous times when it comes to mulatto children. The one thing that did surprise me is that Kevin Costner felt so strongly about this film that he financed it himself (along with his wife). Being mulatto myself I was happy to see that a film that broached the subject was finally being made and it could not have come at a better time with all the racial issues of recent days. Mr. Costner recommended that you see this film with someone that does not look like you; and I agree. This film is about two grandparents that deeply love their granddaughter, Eloise (Jillian Estell). With the death of Elliot Anderson's (Kevin Costner) wife, Rowena Jeffers (Octavia Spencer) feels like she would be the better person to raise Eloise than Elliot and the battle ensues. Rick Reynolds (Bill Burr) is engaged to handle Elliot's case and Jeremiah Jeffers (Anthony Mackie) is representing Rowena. Both of these attorneys have their hands full because both Elliot and Rowena have issues of their own. The character that I enjoyed the most was Duvan Araga (Mpho Koako) who is the tutor hired by Elliot to help Eloise stay focused on her studies among other things. The theater was pretty packed and I think that everyone in the theater was enjoying the film. You can tell that it is a good movie when everyone else reacts the same way that you do to certain situations. This film has the potential to generate a lot of dialog which I think was the intent to begin with. I had never heard of writer/director Mike Binder, but I think that after this film, his name will be more recognizable in the future. What I got out of the film is that it is not Black OR White….. It is Black AND White. I think that the entire cast did an excellent job and I would highly recommend this film to everyone.
    8cosmo_tiger

    A definite must see movie that shows off some of the best acting work Costner has ever done. I really highly recommend this.

    "This isn't about black and white, it's about right and wrong." Elliot (Costner) has just lost his wife and is grieving the only way he can, by drinking. Him and his wife have been raising their granddaughter since she was born, but when her other grandmother Rowena (Spencer) wants custody things get ugly. Elliot must now fight to keep his granddaughter while struggling to put his life back together. I was very much looking forward to watching this movie. I am a huge Kevin Costner fan and the subject hit close to home with me. I have to say that I was not disappointed in this at all, and in some ways it was actually better than I was hoping it would be. The movie is emotional and will make you cry, think and get mad, sometimes all at once. This is really a movie I could just keep going on and on about but that would do the movie a disservice. All I will say about this is that this is a definite must see movie that shows off some of the best acting work Costner has ever done. I really highly recommend this movie. I easily give this a high A-.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Kevin Costner personally financed this film, because he was moved by Mike Binder's screenplay, wanted to tell the story of the family, and to continue the conversation on race in the U.S. among the film's viewers.
    • Gaffes
      When outside the law firm that Elliot visits for the first time, they're discussing his alcohol problem, and a young man in a light blue shirt and mustard colored pants walks by. The same man walks by the same way as they move towards the car.
    • Citations

      Elliot Anderson: So, yes, we're different, you and I. You want to submit that? Submit it. We have different skin colors. Is that the first thing I notice when I see a black man, the color of his skin? Yes. Submit away. Because I can go ahead and submit that that's the first thing you see when you see a white guy. Now, I don't know why that is any more than I know why when I see a good looking woman the first things I notice are her breasts, because I do. But if I move on to my next thought quick enough, I'm not a pervert, alright? I'm not a bad guy. I'm just mildly flawed. It's the same thing with race. It's not my first thoughts that count, it's my second, third, and fourth thought, and each and every case I'm in, it comes down to the same thing: the action and interaction I'm having with the person that I'm interacting with!

    • Connexions
      Featured in The Tonight Show Starring Jimmy Fallon: Jennifer Lopez/Anthony Mackie/Iliza Shlesinger (2015)
    • Bandes originales
      White Lies
      Written by Paolo Nutini (Paolo Giovanni Nutini) and John Fortis

      Performed by Paolo Nutini

      Courtesy of Warner Music UK Ltd.

      By arrangement with Warner Music Group Film & TV Licensing

    Meilleurs choix

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    FAQ

    • How long is Black or White?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 30 janvier 2015 (États-Unis)
    • Pays d’origine
      • États-Unis
    • Langues
      • Anglais
      • Français
    • Aussi connu sous le nom de
      • Đen Hay Trắng
    • Lieux de tournage
      • Nouvelle-Orléans, Louisiane, États-Unis
    • Sociétés de production
      • Treehouse Films (II)
      • Sunlight Productions
      • IM Global
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 9 000 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 21 571 189 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 6 213 362 $US
      • 1 févr. 2015
    • Montant brut mondial
      • 21 833 967 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      2 heures 1 minute
    • Couleur
      • Color
    • Mixage
      • Datasat
      • Dolby Digital
    • Rapport de forme
      • 2.35 : 1

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