Wilding

I think the film invites to dream about a different reality.

It doesn't provide the viewers with a complete study on how to shift from commercial farming to permaculture, but, what it gives us is a glimpse of the possibilities that lie beneath this practice and the unlimited wisdom that the earth carry with it.

The visuals are beyond beautiful, the directing work, the sound design and music are meticulously crafted .

I'm very happy that I got to discover this film in Phoenix Cinema in Leicester and it feels like there is a movement of collective consciousness happening right now that bring back the long lost harmony to our current broken system.

Based on the best selling book by Isabella Tree, who also acts as this features main talking head, British documentary Wilding is a mostly unremarkable exploration of a remarkable work of nature as director David Allen for his debut feature examines the rewilding project of the Knepp Wildland in West Sussex.

An estate that is owned by Tree and her partner, the Kneep Wildland project is an entirely fresh way of looking to farm and sustain land outside of the stereotypical fashion that modern science and agribusiness has set in place with an idea to instead let the natural environment and animal species create their own ecosystems from the ground up as man takes a massive backwards step from the whole scenario.

It's a controversial approach and one that bought Tree and her team much vitriol and hatred early on in their journey but after decades of sustained practice and a commitment to the cause, the benefits of what their approach can gain is there for all too see, especially with Allen's keen eye.

When we say that Wilding is unremarkable as a film it can't be a statement that reads true when one talks about the visual elements of Allen's film that are beautiful and unique in equal measure.

Whether its pigs exploring local watering holes for fresh food or deer roaming the estate, Wilding has numerous moments of breath-taking beauty and while the films flashbacks and more staged elements don't real as natural as the modern day segments, even they have their moments, a scene involving 1000's of butterflies descending on the property is gorgeously staged.

For anyone seeking out a documentary that connects the viewer directly too nature the way in which is intended to be found Wilding will be a major winner and while it may struggle to find a broad and wide-ranging audience, this is a well-intentioned visual exploration of a true life underdog story.

Final Say -

A visually outstanding British documentary that never soars to great heights otherwise, Wilding is a workmanlike feature that never outstays its welcome but never becomes a must-see at the same time.

3 busy beavers out of 5.

Wilding is one of the best ecology books of this century, and this movie does a good job of Hollywooding it up, while still presenting the basic ecological message. The book goes much deeper, and no one who read it would suggest, as some reviewers have, that Knepp is an impractical vanity project. This is a taste of how everyone is going to have to do it, when intensive agriculture has stripped the last fertility from the soil.

I wish they had spent more time the on gritty details of ecology, like the value of thorny scrub as a tree nursery, and less time on recreations of the goofy antics of animals. This movie was not going to be a blockbuster, and it could have targeted a smarter audience. Where the movie is better than the book is in the time-lapse shots of the land changing, and shots of how happy the animals are, to finally be in a land that fits them.

There's something quite fascinating about the recuperative ability of the land to recover from centuries of man's abuse displayed in this documentary. Isabella Tree and husband Charlie have inherited a country estate that can barely manage to grow weeds. The soil is knackered and desperate action is required. They hit on the fairly radical idea of abandoning the place to nature (except their front lawn!) and the film now follows the reclamation of this space by birds, bugs, deer, pigs, cattle - creatures that would have roamed the land freely a few hundred years ago. They even bring in storks! It's a stunning piece of photography to look at, but the underlying narrative is really quite weak and I found it allowed sentiment to overrule the one thing it fails to address - scalability. They live in a castle with no evident money worries. None that we are told about, anyway. So this looks like a worthy pet project that though laudable and impressive will, as one of their neighbours raises at a meeting, not feed the nation. When the vast majority of these complementary farming techniques were in use, the population of the UK was probably less than 10% of what it is now; malnutrition and starvation were rife and distribution methods, without refrigeration, left the food supply subject to the vagaries of the weather. What this doesn't address in any way is just how this method of nurturing the land is going to provide for an hungry population. It's largely presented by Isabella Tree herself, and she is an engaging individual but one who presents the most complex of arguments in far too simple a fashion - as if it were a lecture on the relative merits of organic methods without addressing in any way their limitations of their practicalities or economics. "Duncan" the horse and a few of the pigs have some great fun at a charity polo match and it is a very watchable film - but a little too light and fluffy.

There seem to be extremely positive and extremely negative comments generated by this film which is interesting. I found the best way to view this was to sit back and just enjoy the journey. Of course it's highly edited and geared to show only one outcome: what the land CAN do if we let it. That's a hugely valuable experiment that few dare to take on, whatever the motivations.

The detail - the obvious wealth involved, the actual animal management, the final settlement of the controversies with neighbours - could be argued forever. Without going into the rights and wrongs this film is a cinematically beautiful product and it hits the spot in surprising ways. If nothing else it makes us think outside the box. This was a visual feast and came with an eye-opening view of what's possible! Let's celebrate that at least!