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IMDbPro

La belle affaire

Titre original : Zwei zu eins
  • 2024
  • 1h 56min
NOTE IMDb
6,1/10
815
MA NOTE
Max Riemelt, Sandra Hüller, and Ronald Zehrfeld in La belle affaire (2024)
ComedyCrimeRomance

Une famille d'Allemagne de l'Est trouve des millions en monnaie est-allemande, bientôt sans valeur, lors de la réunification de 1990, et prend ce qu'elle peut emporter.Une famille d'Allemagne de l'Est trouve des millions en monnaie est-allemande, bientôt sans valeur, lors de la réunification de 1990, et prend ce qu'elle peut emporter.Une famille d'Allemagne de l'Est trouve des millions en monnaie est-allemande, bientôt sans valeur, lors de la réunification de 1990, et prend ce qu'elle peut emporter.

  • Réalisation
    • Natja Brunckhorst
  • Scénario
    • Natja Brunckhorst
  • Casting principal
    • Sandra Hüller
    • Max Riemelt
    • Ronald Zehrfeld
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,1/10
    815
    MA NOTE
    • Réalisation
      • Natja Brunckhorst
    • Scénario
      • Natja Brunckhorst
    • Casting principal
      • Sandra Hüller
      • Max Riemelt
      • Ronald Zehrfeld
    • 5avis d'utilisateurs
    • 31avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
  • Photos96

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    Rôles principaux23

    Modifier
    Sandra Hüller
    Sandra Hüller
    • Maren
    Max Riemelt
    Max Riemelt
    • Robert
    Ronald Zehrfeld
    Ronald Zehrfeld
    • Volker
    Ursula Werner
    Ursula Werner
    • Käte
    Peter Kurth
    Peter Kurth
    • Markowski
    Martin Brambach
    Martin Brambach
    • Lunkewitz
    Kathrin Wehlisch
    • Janette
    Anselm Haderer
    • Jannik
    Lotte Shirin Keiling
    • Dini
    Robert Höller
    • Uwe Mattes
    Olli Dittrich
    • Vertreter Meier
    Tom Keune
    Tom Keune
    • Genosse ABV
    Uwe Preuss
    Uwe Preuss
    • Dieter Kulitzka
    Yorck Dippe
    • Herbert Bahlow
    Tilla Kratochwil
    • Andrea Fiedow
    Hilmar Eichhorn
    Hilmar Eichhorn
    • Hans-Dietrich Genscher
    David Bredin
    David Bredin
    • Martin Domalski
    Christoph Müller
    • Werkleiter Siegl
    • Réalisation
      • Natja Brunckhorst
    • Scénario
      • Natja Brunckhorst
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs5

    6,1815
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    Avis à la une

    3takes22tango

    Ostalgie of the worst kind

    A movie whose amateurish production is only undercut by its underlying ideology. Making such a high-caliber cast look so weak is an art in itself. Due to the almost non-existent narrative structure, the one-dimensional characters and the incredibly simplistic world view, the movie drags on painfully and after 30 minutes it feels like you've already spent two hours. The supposed moral superiority of the protagonists is imposed so forcefully that it becomes unbearable at some point.

    If you are into Ostalgie and self-pity and consider the socialism of the former GDR to be the superior political system, this movie is a good choice. For the rest, rather not.
    8brentsbulletinboard

    When Truth Is Stranger Than Fiction -- And Funny At That

    Stories based on the notion that "truth is stranger than fiction" often provide a great foundation for comedy, and writer-director Natja Brunckhorst's second feature is evidence of that. This fact-based tale set in 1990 during the transitionary days of German reunification follows the newly uncertain lives of a group of working class residents in the city of Halberstadt as they seek to cope with the emerging social, economic and political paradigm that has been thrust upon them. As their East German homeland is absorbed into its Western counterpart, the socialist nation begins evolving into a new capitalist enclave. But this process is fraught with serious fiscal consequences with hard-hitting impact on East Germany's citizens, many of whom now find themselves without work and a source of income, prospects that are likely to persist for at least a year, if not longer. And, unless they swap their soon-to-be-worthless East German currency for Deutsch Marks by a fast-approaching deadline, they'll be without savings and working capital, too. So, in the face of these pressing circumstances, it's truly ironic that a quartet of financially strapped locals should stumble into a huge stash of East German money that's been casually disposed of in an underground (and surprisingly easily accessible) bunker, left to decay - and available for the taking. They impulsively grab as much as they can carry, but they're nevertheless left with the question of what to do with it in the face of the impending exchange deadline. The answer lies in a creative money laundering scheme cleverly cooked up with a host of similarly situated community residents who seek to not only trade in the newly acquired cash without drawing undue attention, but also to expand upon the legitimately scrubbed reserves to build an even larger mutually held nest-egg. Doing so has its share of challenges, though, both economically and personally, yielding more than its share of surprises, conflicts and hearty belly laughs. While the film is a little slow to get started and has a few moments that either could have been eliminated or executed more deftly, "Two to One" otherwise delivers on all fronts. The picture's fine ensemble cast, crisp writing, catchy soundtrack and spot-on period piece production values mesh well, spinning an inspiring, touching and humorous underdog yarn about hard-pressed everyday folks rising up to address extraordinary circumstances. It's also a feel good, family-oriented tale told in an unlikely setting under unlikely conditions that are probably little known to those outside of Germany, but one that effectively proves once again that the truth really is often stranger than fiction.
    7kosmasp

    The Good and the Bad

    No pun intended - I reckon towards the end there is also the Ugly ... which is why I have a bit of mixed feelings. This seems mostly fun and games - yes the stakes are high. But the mood change that occurs ... is almost uncalled for and in my view almost derails the movie ... I say almost because it still is able to swing around and become a bit lighter! Though I reckon that is not entirely true about the kids toy ... but you'll understand once you watch.

    The kid is really good by the way. Most of the actors are doing a phenomenal job. With kids you do not always know what you'll be getting - she is one to watch for sure. The whole thing (premise wise) is based on a true story. But I reckon they made up the characters - which seems to be supported by what you get to read in the end credits.

    Talking of which, if you were entertained by the movie - there is a short clip after the credits rolled ... which is a nice touch! Nothing big, but a fun one for those who care. The odds were in their favor it seems ... (not just two to one) ...
    9FriedrichI

    A historical portrait

    This movie portrays those days perfectly. I remember it exactly like that, the colors, the environment, the way people thought and behaved. A bit confusing because everything happened very fast, as not to lose the window of opportunity to unify Germany again. Actually realistic, even if doesn't seem so for an outsider.

    The relationship between the characters shows the liberty that some citizens took, the little freedom they had. The collapse of the communist system happened exactly like that. Many people were quite lost and overwhelmed by the changes. The movie shows the human side inmidst of that chaos.
    6xnicofingerx

    A bittersweet journey

    1990: The BRD GmbH is structurally badly damaged and needs a new economic miracle. The remedy came in the form of a purely self-orientated incorporation of the once-separated part. The great saviours brought false freedom, shattered dreams and took functioning economic goods and a well-trained, motivated (cheap) workforce. Skilled labour, not the denigration of the word, which is currently being flushed into the country under the same name. A new market for the rubbish of western culture emerged out of nowhere, the old part sent its most unscrupulous soldiers of fortune to conquer the new wild land, squeeze it dry and get it on track. The new heads were the most incompetent people from the West and, apart from a few pawns, the old ones from the East. After all, the old Nazi-based BRD had good experience with this.

    A bittersweet journey through time and probably only suitable for viewers of certain backgrounds. Everyone else will not understand things like cohesion and community. But all this was quickly replaced by the new values, foreign exchange and consumption. The inner turmoil after waking up in a new world is only touched on roughly and rather strikingly in the film, but the change to greed for values is portrayed better. "Two to One" obviously wants to entertain first and foremost, as can be seen from the poster; depth and drama were therefore a secondary priority. However, the running time is a little too long for this concept. Sandra Hüller is undoubtedly the marketing drawcard, but is subordinate to the rest of the cast. Despite the hint of Hollywood, we are clearly in the 'German' genre, including sepia-toned visuals and a soothing soundtrack. Nevertheless, it is an interesting look back and, with a little thought, quite moving.

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    Détails

    Modifier
    • Date de sortie
      • 28 août 2024 (France)
    • Pays d’origine
      • Allemagne
    • Langues
      • Allemand
      • Français
    • Aussi connu sous le nom de
      • Two to One
    • Lieux de tournage
      • Berlin, Allemagne
    • Sociétés de production
      • Rohfilm Factory
      • Zischlermann Filmproduktion
      • Zweites Deutsches Fernsehen (ZDF)
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

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    • Montant brut mondial
      • 4 184 647 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

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    • Durée
      1 heure 56 minutes
    • Couleur
      • Color
    • Rapport de forme
      • 2.39 : 1

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    Max Riemelt, Sandra Hüller, and Ronald Zehrfeld in La belle affaire (2024)
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