Agak Laen

With that tittle it is indeed delivers just that .. stranger things in a funny way that is. From the befinning of the movie maybe one will think it is another ordinary slapstick comedy movie from Indonesian which is the norm all this years or decades if you will.

Then the pace of the movie starts to pick up . One thing leads to another. And that is when the movie is worth the watch all the way right up till the end.

Worth to mention as well that this is oen of the movie that you will want to keep backing up the bad guys . The story telling was done in way that wont bore you down .

And yes in time the story build all around the guys and thats the pillars of it all . Yes life is hard and nothing is easy but the way life was endure was really another level.

Agak Laen is a refreshing take on the comedy genre, offering a unique storyline that blends humor with thought-provoking social commentary. The film stands out for its clever script and an eccentric cast of characters who add depth to the narrative, each bringing their own quirks to the story. This balance between lighthearted comedy and moments of introspection gives the film an enjoyable, layered quality.

The humor in Agak Laen often leans on witty dialogue and situational comedy, making it relatable and enjoyable for a wide audience. The film's ability to highlight everyday experiences with a comedic twist keeps viewers engaged while also encouraging them to think about larger themes. The performances are authentic, with each actor adding a unique charm to their roles, and the direction brings out both the fun and sincerity in each scene.

While it might not aim to be a blockbuster, Agak Laen shines with its fresh approach, creative storytelling, and entertaining mix of humor and social insight. It's a film that will leave audiences smiling and reflecting on its messages.

The story of this comedy film was done very well and succeeded in combining comedy, horror, sadness, love, conflict and satire. The transitions between story segments flow very neatly, for me the concept and story style of this film is reminiscent of the style of Coen Brothers films.

In several scenes, the audience can be sad and smile and even laugh at the same time. The director and writer, Mukladi Acho, was very successful in packaging and mixing all the scene transitions very well.

Another thing that I think is extraordinary is the cast, almost all of whom have stand-up comedian backgrounds. Their roles and acting are so good and very natural.

This film has succeeded in making a new breakthrough in the style of comedy films in Indonesia, the challenge now is to maintain the continuity of the subsequent films.

When I was walking in to watch this movie, I didn't have any big expectation. I thought , "ah maybe this is just like most of the comedy movie where joke is in 1-3 scenes." But I was wrong, all of these comedy movies that I have watched, I've never been laughing this hard all time. Every scenes are delivered with really good punch joke where whole cinema laughing constantly. They are milking bataknese stereotype joke with bataknese accent so hard hahaha. This movie is definitely rewatchable. Although this film might be hard for you who watch dub or sub since most of the jokes are delivered in Indonesian but it's okay, just bring your Indonesian friend to watch together haha.

'Agak Laen' may be a bit all over the place in terms of tone, but it is quite a fun flick all in all. It's well made too, it oddly gave me vibes of 2018's 'The Festival', particularly lighting-wise, for some reason - I didn't think I'd be making a connection between those two!

Oki Rengga, Boris Bokir, Indra Jegel and Bene Dion make for good casting, they fit as a four and do come across as a friends group. Rengga and Bokir are the standouts, for me. Arie Kriting is the one I'd rank highest of the other cast members; all of whom are absolutely fine, at worst.

The plot is a strange choice, I gotta say, for a comedy, I'm not convinced by how they blend it together but it works; even if the more sincere moments didn't quite hit as intended, at least to me. Oki's part at the conclusion is the closest a non-comedy bit came to hitting.

Also, the product placement is kinda mad, proper egregious stuff. This is my first taste of Indonesian cinema, I assume this is the norm? I only guess that because I do know that their football broadcasts are/were ad-heavy; that's how I know what Torabika is, lol.