The Spoils of Babylon

Spoof comedy hasn't been this good in YEARS. I was really surprised with the smart and subtle sense of humor and the beauty of how it looks. Kristen Wiig is a comedy genius and each scene with her on it is pure gold.

This mini-series manages to make fun of the medium itself, and that's something I've been missing in comedy lately.

Probably the nearest neighbor (in both quality and style) for The Spoils of Babylon in television is the Police Squad! TV Series, and more than 20 years have passed since that show. And Spoils of Babylon takes things further than that. It's the next step.

Other than that, maybe the "Italian Spiderman" and "Danger 5" are the closest things being done, but is nice to see U.S. creatives getting back at this kind of humor.

After watching the first episode of this new show by IFC, I felt entertained.

This is a parody. Those who do not appreciate parodies should not bother. Spoils of Babylon feels like an extended Saturday Night Live skit. If you don't like SNL, don't bother watching.

Expect trite dialogue, bad special effects, and intentionally sappy acting. That is the point.

I intend to keep watching. I hope they can introduce some unexpected story turns that will keep the show interesting.

Kristen Wiig and Tim Robbins start out strong.

This parody of old TV romance mini-series has been described as an extended SNL sketch, but I'd actually describe it as an extended Carol Burnett Show sketch in style. They did a lot of these sorts of parodies (most famously a Gone with the Wind sketch), and the broad humor and general silliness remind me more of Burnett than SNL.

What makes it more like SNL is that, like SNL, it's really not very funny. There are certainly cute moments, but there's a sophomoric quality to the humor that fails to resonate.

Also, while the cast is fairly talented, for most of them this isn't their wheelhouse. These are not Burnett/Conway/Lawrence-style actors, and the very broad writing isn't pushed through by the subtler performance style.

Humor is a very individual thing, and for some people this show is hilarious. For me, well, one user review said this show was a poor version of a series I'd never heard of, Garth Marenghi's Darkplace, which also parodied an old, badly-made series, and I found the first episode of that on youtube. I watched just a few minutes of it and laughed more than during the entire first episode of Spoils (I was almost breathless during the handshake scene).

So basically the best thing that came out of watching this is I learned about something a lot funnier.

"The Spoils of Babylon" plays nicely off the sweeping tropes of sweeping television dramas of the sweeping past, mostly relying on silliness and the absurd--and, it has to be said, UK spoof series "Garth Marenghi's Darkplace". This is crystal clear from the episode introductions, supposedly looking back on one artist's tragically lost TV masterpiece, and from the low-budget opening title sequence and home-made establishing shots, which call to mind the "striking" approach to the obviously cardboard Darkplace Hospital.

There are some wobbles to the concept here. While Darkplace maintained the trappings of a pitiful budget throughout, Spoils enjoys some stunning location shoots that don't quite make sense beside money-saving scale-model inserts. There is a similar competence on the part of the imaginary actors, who rarely chew the scenery quite as much as they might, whereas Garth's collection of pals were every bit as terrible as the show he built around them. However, the basic parody of the genre works and raises at least a smile along the way.

Any fan of the Abraham-Zucker-Zucker send-ups who hated pretentious '70s mini-dramas should find some amusement in "The Spoils of Babylon." There's a ridiculousness to the entire project, including its heavy promotion, that plunges deeply into absurdity. This is parody that produces chuckles rather than guffaws, and the humor is in the details.

Effort was expended to make every scene excessively cheesy, although when sustained at this extreme level can dull the senses. An excellent cast can be commended for executing such ludicrous material in the straight deadpan manner required.

This is a show that doesn't work for those needing their satire to be clever or witty. Instead, TSOB bludgeons the viewer with the preposterous, from the overblown melodramatic dialog to the intentionally fake props and special effects to the blatant references to previous directorial styles.

To best appreciate TSOB, take it at face value and don't expect more than what it is, which is unadulterated spoof without refinement or sophistication.