Night Call

Lou Bloom (Jake Gyllenhaal) is an unemployed petty thieve in L.A. He encounters Joe Loder (Bill Paxton) who is filming a car crash. He decides to get into the business of freelance videography for the local news. He is unrestrained in his filming which is exactly what news director Nina Romina (Rene Russo) needs to raise her low ratings. Desperate Rick answers his ad to be his assistant. This is great acting from Gyllenhaal. His crazy eyes pull in the audience right away. In fact, it's shocking to see his gaunt figure. His mannerisms are really creepy. The story is driven by this great performance and the tension never lets up.

This film essentially tells the story of an ambitious and somewhat psychotic news video freelancer (played by Jake Gyllenhall) who will do anything, literally, to make his way in the world and be successful and a media editor (played by Rene Russo) who,in her own world of news casting, also has few if any scruples when it comes to her career and reputation. Put the two together and you get an escalating set of events in which the video freelancer goes to greater and greater extremes to film shocking scenes of crime, encouraged along by the media editor who is paying for his results.

What makes the film more interesting than just another action drama is the social commentary and the character studies. The main characters are very well crafted, believable, explained through back drop and excellently acted out. The parallels between them are also interesting to observe. Both pretty much without any care for the people around them and focused solely on personal gain. What the video guy will do to get his paycheck is shocking, but what the media editor will do to get her news reel is just as distasteful.

The social commentary is also sharp. The media is portrayed essentially as caring about nothing but a good story, even in fact if that story happens to be untrue. What matters is the narrative and the narrative has to fit the agenda of the media agency. By this measure all news is little more than propaganda. The video guy, despite his barbaric methods and behaviour, is also tolerated by those around him and the message, at least from the media editor and her team (acknowledging one dissenting voice in the film), is that it is OK to be cruel and to hurt others if it is in the pursuit of personal ambition. Both are valid observations and comments on today's society, whether we, the viewers, happen to agree with them or not.

The film also has a touch of originality which isn't easy to do these days when so many movies have already been made. Yes there are studies out there of psychos, yes there are films that vilify the media and there are films about morbid voyeurism and about the exploitation of victims of crime for personal gain. The originality comes from putting them all together. I couldn't really think of a parallel, although others might.

This is well worth watching. You may not ultimately enjoy the film, after all it isn't pleasant, but I am fairly sure you will remember it.

Nightcrawler seems like a satire to modern television news about how they choose their leads or often seek for more ratings by entertaining their viewers rather than aim straightly to the facts. But there is a much interesting story beneath here and that is the main character, Louis Bloom. The guy that easily manipulates people with his sinister tricks of persuasion. Everything else may just be the natural world of crime and accidents, but in the eyes of this character, the experience is made far stranger and oddly fascinating. This provides a compellingly menacing and provoking piece of commentary which results to such engrossing film.

What the plot mostly does is to fully absorb the viewers into the character of Bloom by studying his sociopathic behavior and the words coming out from his mouth. He is a charming young man with a dark intention hidden behind his grins. He pushes the limits of the law and his own safety, only to accomplish on what he must do in the job, even if it risks many people's lives. The actions of this antihero is ought to feel terrifying on how it affects to both the business he's working on and the society he is watching. The media's side however is more of a picture of cynicism on how they broadcast the scariest stories of the city, giving the people fear so they could earn more viewers out of the concern. It just breaks down on how the evil of their success is disguised as their own ethics.

The filmmaking perfectly captures their night's work. You couldn't clearly see the scenario they shoot unless you watch them on a video footage. The violence and peril they witness are shown without any hint of sympathy, since they only use them for the news show. The horror of these gritty scenes once again belongs to the nightcrawler. Jake Gyllenhaal is one of the biggest highlights here. His character obviously has the personality of a psychotic villain; he is mostly bluffing, and by the dashing enthusiasm he shows to the people around him, you probably may not know when his inner total madness will burst out from his frightening eyeballs, and that provides more tension than you expect. This is one of the Gyllenhaal performances that will be remembered for his career.

Out of common sense, this story may lead its main character to a moral about how much he is taking this job too far, probably destroying his humanity. But no, this guy is relentless, almost inhumane, and his style in fact helps his career grow bigger, which turns out we are actually rooting for a villain. And that probably pictures to some oppressive ambitious beings out there behind some system. This is where things go in the end, bringing an outcome to a social satire. You can spot a lot of relevance even when some of the situations get a little out of hand. Nightcrawler is something else than a sentiment, what we must focus here is Lou Bloom: a new, possibly iconic, movie vigilante, except the only skin he is purposely saving is himself and his career.

Once Jake Gyllenhaal signed on to do Nightcrawler I knew it would be a special film. The man has been producing nothing but gold lately and this is no different. Nightcrawler is an experience - it takes you on this journey through the grimy streets of LA, through the corrupt minds of media moguls, and everything is told through the eyes of seemingly charming slimeball reporter Louis Bloom (Jake Gyllenhaal).

Nightcrawler works on so many levels. The writing and direction is fantastic, which is especially impressive as it's the directorial debut by Dan Gilroy who takes on both duties. He had a clear vision of how he wanted to portray LA and the sleek, brooding yet slightly lackadaisical tone transfers perfectly onto the big screen. The acting is phenomenal - Gyllenhaal gives a performance that's the polar opposite from his character in Prisoners and he was on point for every second. He was the perfect casting choice to carry the movie.

The movie has a clear message on the media and how they abuse stories and reap the benefits regardless of who gets victimized. It's a message that has been told a million times before, but never quite like this. Nightcrawler throws you right into the gritty streets along with a hustling thief, Lou, who starts freelancing as a videographer of crime scenes and selling his footage to a news channel for money. We go along this journey with Lou and watch his transformation from being a sleazy but ambitious individual to becoming a manipulative, self-serving sociopath. Then you start to realize that he was like that all along. His charming charisma masked his true intentions, and this peek into his psyche is the most potent and disturbing aspect of the movie. It's a character study that encompasses an entire lifestyle, and told with enough elegance and wit to keep you on board the whole way.

There's a dark comedic tone present throughout. Lou's persistence and crass remarks to basically anyone he encounters provide some good laughs. He doesn't sugarcoat anything, he'll talk to anyone in order to get his way, and he has a sleazy smirk that never fails to get a reaction. Also Gyllenhaal's chemistry with Rene Russo (the news director) is palatable and their work dynamic becomes more of a gripping co-dependency as the movie progresses.

Nightcrawler is a must-watch for fans of cinema. It's a work of art from a directorial and writing standpoint, from an acting standpoint, and from a basic human nature standpoint. It really does a hell of a job at sucking you into this dark gloomy world to the point where you don't want to get out. It's intense, it's funny, it's thrilling, it's powerful, and most of all, it's real. Nightcrawler is simply sensational.

This movie was both fun and terrifying. Jake Gyllenhaal's performance as Lou Bloom will certainly frighten you. He is brilliant when paired with the amazing monologue style rants written for him.

Lou Bloom is a driven man reminiscent of a sociopath who finds he has a talent as "nightcrawling" in that he takes videos of true crimes as they are happening to be broadcast on the news. His motivation and seeming lack of empathy allow him to break through and take the controversial images, and sell them with a strong aptitude for negotiation.

As a character, he grows more and more "motivated" and seems to learn his business in such a way to bring him amazing success, but to the determinant, perhaps, of his assistant and the victims of these crimes.

The writer/ director of this movie (making his directorial debut) certainly understands fear and comedy. The simplest scene was made into a laugh by the angles and cuts.

It's funny, and enjoyable, but still terrifying enough to feel like a real horror thriller.