Lorsqu'une équipe d'explorateurs s'aventure dans les catacombes sous les rues de Paris, ils découvrent le sombre secret qui se cache dans cette ville des morts.Lorsqu'une équipe d'explorateurs s'aventure dans les catacombes sous les rues de Paris, ils découvrent le sombre secret qui se cache dans cette ville des morts.Lorsqu'une équipe d'explorateurs s'aventure dans les catacombes sous les rues de Paris, ils découvrent le sombre secret qui se cache dans cette ville des morts.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 6 nominations au total
Hamid Djavadan
- Reza
- (as Hamidreza Javdan)
Emy Lévy
- Tour Guide
- (as Emy Levy)
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This movie is just what you expect. A Blair Witch Project/ Tomb Raider crossover. And does that sound good on paper? No, but it actually ends up being pretty good. If you like Horror/ Action Films (and enjoy found footage) then this movie delivers.
As Above, So Below is a tense and claustrophobic found-footage horror film that effectively utilizes its haunting underground setting. Set in the Paris Catacombs, the film follows a group of explorers searching for the Philosopher's Stone, only to find themselves trapped in a psychological and supernatural nightmare.
Director John Erick Dowdle crafts an immersive and eerie experience, blending mythology, alchemy, and psychological horror in a way that sets this film apart from standard found-footage fare. The catacombs provide a naturally unsettling backdrop, and the film's sense of disorientation and paranoia builds steadily. While some moments fall into familiar horror tropes and the shaky camerawork can be disorienting, the film succeeds in creating a genuinely unsettling atmosphere.
With its unique setting and creative approach to horror, As Above, So Below is a suspenseful and intriguing ride that delivers more than just jump scares.
Director John Erick Dowdle crafts an immersive and eerie experience, blending mythology, alchemy, and psychological horror in a way that sets this film apart from standard found-footage fare. The catacombs provide a naturally unsettling backdrop, and the film's sense of disorientation and paranoia builds steadily. While some moments fall into familiar horror tropes and the shaky camerawork can be disorienting, the film succeeds in creating a genuinely unsettling atmosphere.
With its unique setting and creative approach to horror, As Above, So Below is a suspenseful and intriguing ride that delivers more than just jump scares.
I knew very little going into this movie and it did not disappoint. Originally I gave this movie 6/10 but upon hitting up the Trivia section and realising some subtle intricacies I'd missed and just how much detail was in the movie I bumped up to an 8/10.
One of the best finds I've found in a while
One of the best finds I've found in a while
I wasn't expecting much to be honest, as the whole found footage genre seems to have died a death, but this is surprisingly good. It begins in dramatic fashion, and for the most part doesn't let up, anyone that suffers with claustrophobia or a feeling of being trapped will appreciate the efforts of the film, or not. Some creepy scenes, I liked the part where the phone was ringing, that was atmospheric, as well as the push deeper into the cave. Perdita Weeks was excellent in the role.
This was rather good. 7/10
This was rather good. 7/10
Absolutely love this movie! It's a breath of fresh air from other found footage horror movies, especially with the whole archeological adventure spin on it. I loved that! It felt like Tomb Raider horror film about hell! Wicked cool!
And to understand completely what's going on, you need to read Dante's inferno\ Divine Comedy. It will fill in all the gaps of the film, especially the confusing parts and ending...
Awesome film... very scary.
Le saviez-vous
- AnecdotesThis was the first ever production that secured permission from the French government to film in the Paris catacombs, both in the public and in the off-limits area. They got permission the night before shooting began. The air and water quality in the catacombs were tested before shooting to make sure the cast and crew would not walk through battery acid. The only entrance to one of the catacombs' main locations was through the parking lot of an hospital. There was very little use of props. The film utilizes a set of narrow, winding tunnels of the Paris catacombs, complete with real mint skeletons creepily arranged centuries ago. There was no electricity, no bathrooms or cell phone service in the tunnels. Sometimes the cast and crew had water up to their waists, and some days they had to crawl around on all fours for an hour. Several scenes were lit up by the actors themselves with their head lamps. Director John Erick Dowdle said that the actors were shooting the film 90% of the time.
- GaffesThe poem on Flamel's stone shouldn't rhyme in English.
- Crédits fousOn the last seconds of the end credits, you can hear a character saying "The only way out is down", followed by some of the noises heard on the catacombs earlier in the film.
- ConnexionsFeatured in FoundFlix: As Above So Below (2014) Ending Explained + Analysis (2017)
- Bandes originalesSur La Planche 2013
Written by Sacha Got and Marlon Magnée
Performed by La Femme
Courtesy of Musique En Societe S.A.R.L.
By arrangement with Hyperion Music Services
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Así en la Tierra como en el infierno
- Lieux de tournage
- Catacombes of Paris, Paris, France(Whole set)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 5 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 21 321 100 $US
- Week-end de sortie aux États-Unis et au Canada
- 8 632 820 $US
- 31 août 2014
- Montant brut mondial
- 41 898 409 $US
- Durée1 heure 33 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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