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Ajouter une intrigue dans votre langueA young Palestinian freedom fighter agrees to work as an informant after he's tricked into an admission of guilt by association in the wake of an Israeli soldier's killing.A young Palestinian freedom fighter agrees to work as an informant after he's tricked into an admission of guilt by association in the wake of an Israeli soldier's killing.A young Palestinian freedom fighter agrees to work as an informant after he's tricked into an admission of guilt by association in the wake of an Israeli soldier's killing.
- Nommé pour 1 Oscar
- 13 victoires et 12 nominations au total
Eyad Hourani
- Tarek
- (as Iyad Hoorani)
Waleed Zuaiter
- Agent Rami
- (as Waleed F. Zuaiter)
Avis à la une
I watched Omar (2013, directed by Hany Abu-Assad) last night and thought how well Abu-Assad translated a twisting, conniving, chaotic, and disruptive sociopolitical situation to the mis-en-scene and plot points of his film. The story hooked me the moment it began and didn't let go until the end, or perhaps even after it ended. My only complaint came from initially thinking that the plot points seemed forced and overly-contrived. However, once I had time to think and discuss the film with my wife Hannah, I began to see how the story followed the situation in the West Bank. The character's lives are surrounded by conceit and violence. They maneuver through their neighborhoods over walls and through back alleys. This mindset is encapsulated in the story.The acting and cinematography furthers its cause. We are left scratching our heads, but that's what the citizens of the West Bank do year-after-year and the I believe that's the greater point Abu-Assad is trying to make.
"Omar" (2013 release from Palestine; 96 min.) brings the story of Omar and his friends Tarek and Amjad. As the movie opens, we see Omar climbing over the separation wall (diving Israel from the West bank) to see the girl of his dreams, Nadja. Tarek pushes Omar and Amjad to be more active in their fight against the Israelis, and at one point they shoot and kill an Israeli border guard, but it isn't long before Omar is apprehended by the Israeli police. Given the choice of being jailed for many years, or instead to be set free and lure Tarek into the hands of the Israelis, Omar chooses the latter. In a separate story line, we learn that Amjad also has his eyes on Nadja. Is Omar really going to snitch on his friends? Who will win Nadja's heart? To tell you more would spoil your viewing experience, you'll just have to see for yourself how it all plays out.
Couple of comments: first, when you get a Palestine movie in which there is conflict with the Israelis, you automatically expect that this will be a political movie. Yet it really isn't the case at all. Instead, this movie looks at the conflicts of being a reluctant informant, and the resulting mind games being played. Second, this is an equally compelling family drama, with two guys chasing the same girl, of course in the context of strict family traditions and even stricter religion. Third, The movie contains a number of great performances, including Adam Bakri in the title role and the beautiful Leem Lubany in the role of Nadja. Last but certainly not least, I never saw the end coming, and it frankly was a little bit of a shock.
This movie scored an Oscar nomination for Best Foreign Language Movie, which will be decided tomorrow. The category is pretty stacked this year, and I doubt that "Omar" will win. That doesn't take anything away from this movie, though, which I found compelling from start to finish. I saw the movie last weekend at the West End Cinema in Washington DC, and the early matinée showing where I saw it, was reasonably well attended. This movie certainly deserves to be seen (as are all the other Oscar nominees for Best Foreign Language Movie), be it in the theater or on DVD/Blu-ray. "Omar" is HIGHLY RECOMMENDED!
Couple of comments: first, when you get a Palestine movie in which there is conflict with the Israelis, you automatically expect that this will be a political movie. Yet it really isn't the case at all. Instead, this movie looks at the conflicts of being a reluctant informant, and the resulting mind games being played. Second, this is an equally compelling family drama, with two guys chasing the same girl, of course in the context of strict family traditions and even stricter religion. Third, The movie contains a number of great performances, including Adam Bakri in the title role and the beautiful Leem Lubany in the role of Nadja. Last but certainly not least, I never saw the end coming, and it frankly was a little bit of a shock.
This movie scored an Oscar nomination for Best Foreign Language Movie, which will be decided tomorrow. The category is pretty stacked this year, and I doubt that "Omar" will win. That doesn't take anything away from this movie, though, which I found compelling from start to finish. I saw the movie last weekend at the West End Cinema in Washington DC, and the early matinée showing where I saw it, was reasonably well attended. This movie certainly deserves to be seen (as are all the other Oscar nominees for Best Foreign Language Movie), be it in the theater or on DVD/Blu-ray. "Omar" is HIGHLY RECOMMENDED!
In places like the West Bank truth is the first casualty. This fictional tale takes real life tensions and offers very believable characters to make that point.
The 3 friends (Omar, Tarek & Amjad) plus the sister Nadia are constantly kept off balance by the political tensions that come from living in Palestine.
The director manages to add just enough warmth and naturalness to the various story loops to keep us on side with the lead characters.
The Israeli lead protagonist (Rami) has clearly read Machievelli's the Prince. He uses half truth, insinuation and educated guesses to rattle Omar and his friends.
Just when you think you know what is going to happen it all changes. This is a great movie. I saw it at a film festival but I hope it goes on to wider release.
The 3 friends (Omar, Tarek & Amjad) plus the sister Nadia are constantly kept off balance by the political tensions that come from living in Palestine.
The director manages to add just enough warmth and naturalness to the various story loops to keep us on side with the lead characters.
The Israeli lead protagonist (Rami) has clearly read Machievelli's the Prince. He uses half truth, insinuation and educated guesses to rattle Omar and his friends.
Just when you think you know what is going to happen it all changes. This is a great movie. I saw it at a film festival but I hope it goes on to wider release.
"The Israeli-Palestinian conflict has been a tragedy, a clash between one very powerful, very convincing, very painful claim over this land and another no less powerful, no less convincing claim." Amos Oz
It's not easy to fit the story of Romeo and Juliet into a thriller about the Arab-Israeli conflict, but filmmaker Hany Abu-Assad does it with care and believability. So good is he in that balancing act that the notoriously endless national struggle is almost overshadowed by the challenging love Omar (Adam Bakri) has for Nadja (Leem Lubany).
Palestinian Omar, an impassioned freedom fighter in a street gang, becomes ensnared in a convoluted plot as an informant after being tricked into admitting his guilt by association for an Israeli's murder. The major theme is betrayal, found everywhere, informing every life.
Scaling the giant separation wall running through occupied Palestine to visit Nadja, however, is less scary than the torture Israelis inflict on him and the betrayal they demand. How he will free himself when he is caught in a covert action is the thriller part of the story.
Taking the pretzel plot one step further is the trickery of getting Omar to be an informant and the torturous path he must take as the tries to play both sides. Indeed, moments occur when the audience may not be sure which side Omar is on as he fights for his life and his love. No matter, family and nationalism will be major players in his fate.
The film is a powerful screed against the tactics and dominance of Israelis and a simple Shakespearean-like tale of loyalty, love, and jealousy. With the exception of Waleed Zuaiter as Agent Rami, because the actors are new to acting, they bring naturalism to the all-too-real conflict.
The narrow alleys through which Omar races aptly represent the dangerous nature of the Arab-Israeli conflict. Neither Nablus nor Nazareth is filmed in any glamorous way. With the impressive claustrophobic compositions and sets, outside and inside, the director has even more skillfully shown through his star-crossed lovers that this war in not over for soldiers or lovers anytime soon:
"I believe that in the long run, separation between Israel and the Palestinians is the best solution for resolving the Israeli-Palestinian conflict." Yitzhak Rabin
It's not easy to fit the story of Romeo and Juliet into a thriller about the Arab-Israeli conflict, but filmmaker Hany Abu-Assad does it with care and believability. So good is he in that balancing act that the notoriously endless national struggle is almost overshadowed by the challenging love Omar (Adam Bakri) has for Nadja (Leem Lubany).
Palestinian Omar, an impassioned freedom fighter in a street gang, becomes ensnared in a convoluted plot as an informant after being tricked into admitting his guilt by association for an Israeli's murder. The major theme is betrayal, found everywhere, informing every life.
Scaling the giant separation wall running through occupied Palestine to visit Nadja, however, is less scary than the torture Israelis inflict on him and the betrayal they demand. How he will free himself when he is caught in a covert action is the thriller part of the story.
Taking the pretzel plot one step further is the trickery of getting Omar to be an informant and the torturous path he must take as the tries to play both sides. Indeed, moments occur when the audience may not be sure which side Omar is on as he fights for his life and his love. No matter, family and nationalism will be major players in his fate.
The film is a powerful screed against the tactics and dominance of Israelis and a simple Shakespearean-like tale of loyalty, love, and jealousy. With the exception of Waleed Zuaiter as Agent Rami, because the actors are new to acting, they bring naturalism to the all-too-real conflict.
The narrow alleys through which Omar races aptly represent the dangerous nature of the Arab-Israeli conflict. Neither Nablus nor Nazareth is filmed in any glamorous way. With the impressive claustrophobic compositions and sets, outside and inside, the director has even more skillfully shown through his star-crossed lovers that this war in not over for soldiers or lovers anytime soon:
"I believe that in the long run, separation between Israel and the Palestinians is the best solution for resolving the Israeli-Palestinian conflict." Yitzhak Rabin
To start with, I want to admit that I might be biased, as this movie is a local movie, with local actors, and local financing. Therefore, my review could be affected by what is so called local patriotism.
Nevertheless, I think that this movie is the best movie that I've watched in a long while. This movie tells the story of the Palestinian-Israeli conflict from the Palestinian point of view in a way that no movie did before. Yet, this movie could apply to any weak side that is living under oppression, anywhere on earth, such that everyone that has a heart can empathize with the oppressed, that is symbolized by the hero Omar. In addition, this movie contains numerous elements that one looks for in a movie: it has action scenes, dramatic events of betrayal and honesty, a pure and naive love story, friendship, funny scenes, and above all, it makes the audience ask questions and think.
To conclude, this movie is a must watch as it tells a story in a moving manner (some people even cried at the end..). In addition, by watching it you'll be supporting the uprising of the Palestinian movie scene, that has many great talents.
Nevertheless, I think that this movie is the best movie that I've watched in a long while. This movie tells the story of the Palestinian-Israeli conflict from the Palestinian point of view in a way that no movie did before. Yet, this movie could apply to any weak side that is living under oppression, anywhere on earth, such that everyone that has a heart can empathize with the oppressed, that is symbolized by the hero Omar. In addition, this movie contains numerous elements that one looks for in a movie: it has action scenes, dramatic events of betrayal and honesty, a pure and naive love story, friendship, funny scenes, and above all, it makes the audience ask questions and think.
To conclude, this movie is a must watch as it tells a story in a moving manner (some people even cried at the end..). In addition, by watching it you'll be supporting the uprising of the Palestinian movie scene, that has many great talents.
Le saviez-vous
- AnecdotesOfficial submission of Palestine to the Oscars 2014 best foreign language film category.
- GaffesToutes les informations contiennent des spoilers
- Crédits fousThe credits roll in complete silence without any music.
- ConnexionsFeatured in At the Movies: Cannes Film Festival 2013 (2013)
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- How long is Omar?Alimenté par Alexa
Détails
Box-office
- Budget
- 2 100 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 356 000 $US
- Week-end de sortie aux États-Unis et au Canada
- 157 000 $US
- 23 févr. 2014
- Montant brut mondial
- 614 444 $US
- Durée
- 1h 38min(98 min)
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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