Heli

HELI is a Mexican crime film marketed as a dark and disturbing thriller that reveals the terrible fall-out that follows on from an ordinary family falling foul of drug dealing gang members. What reviews also failed to mention is that it's rather dull and stodgy, for the most part.

The problem with HELI is the attempted worthiness; this was conceived as Oscar bait, so there's a level of stillness and artiness throughout. I don't mind arty films per se, but they have to be interesting enough to keep my attention, such as Andrzej Zulawski's POSSESSION. While HELI certainly has plenty of redeeming qualities, such as some quite stunning landscape cinematography, there just isn't enough story to sustain the running time.

The set-up of the film, introducing a poor family in rural Mexico, is okay as things go. Then things get very dark and harrowing with the crime story, including some unflinching torture sequences which offer the sort of stuff we've never seen before. It's truly shocking and easily the best part of the film.

And yet it seems to fizz out after that. The last act goes back to the sedate feel of the early scenes and it proves a real anticlimax compared to what's gone before. I understand the writer/director's intention is to depict the effect of trauma upon ordinary lives, but the characters just aren't interesting or likable enough that you care. HELI had plenty of potential, but that's the issue I had with it: I just didn't care a jot for any of those involved.

On his BBC radio show Terry Wogan once described Kenny Rogers' country classic 'Coward of the county' (the song with the unfortunate Becky) as being "about beat-up folk". So too is 'Heli', a film set in México. Its eponymous hero is a young man who works the night shift in order to support his wife (who won't sleep with him) and child. His school-age sister is going out with an army cadet who, Heli discovers, has hidden some cocaine on the family's property...

Except for a couple of action-packed sequences (including a prolonged torture scene that will have every man watching wincing in horrified sympathy) this is a slow-moving film. Common film-makers' mistakes such as shots that last just that little bit too long, and needless sequences (eg: an un-named extra larking about on a police lectern, adding nothing to the story) are in evidence. And it's hard to tell whether Heli's (mostly) passive acceptance of what happens to him and his family is because he is a decent man beaten down by a corrupt system (at one point even the female police officer tries to seduce him) or because actor Armando Espitia doesn't have a wide enough range for the role. But the story is interesting and the film well worth watching; and even if you don't enjoy it, there's a sex scene right at the end which you can look on as a reward for getting that far.

A newly married couple struggles to make a living in an arid landscape and cinder block home with barred windows. A violent culture of drugs and illicit sex simmers beneath the surface of their surroundings and lives. As do hidden psychological wounds, meddlesome bureaucrats and unfeeling, brutal thugs for cops. They are at pains to see it, yet the couple's meager existence is belied by other family members, chirping cactus wrens and Gambel's quail, friendly little dogs, and love. The forces of light and darkness lock in a vicious battle for supremacy in this family's life. Before the film began a woman from the area of Mexico where this story is set, testified that the film is true to the way things really are. Non-professional actors carry the weight of portraying the story and do so in a compelling way. Certainly this is one of the reasons why this film won the "best director" prize at Cannes. Other reasons include beautiful cinematography and an enthralling story. This is not a film for the squeamish. The story moves slowly yet, as with the setting sun, this does not detract from its beauty.

Well...you wouldn't want to be poor and living in South America after watching this... that's for sure ! A not so jolly tale of drug barons , suppressed working class no-hopers , and victims . Bleak it may be...but gripping nonetheless . We are told the tale of Heli , and his family...who suffer major mis-fortune in a violent drug torn world. Your heart goes out to them all as you watch the suffering grow .

The film contains some graphic scenes (one of which will have all men squirming). However , the biggest audience gasp was heard when the little doggy had its brief moment on centre stage !

A feel good film it isn't .

'Heli' begins as a touch portrait of the life of a Mexican family; but turns into something darker when they fall into the path of a murderous gang of drug dealers. The film's third section charts what happens afterwards, and is arguably the least satisfactory portion of the movie: it's not that the film is unconvincing, but it's unclear what is added beyond what one might have expected. The ambiguous mood of the ending is arguably a sign of failure rather than success: of a film uncertain of its own point. What is good, on the other hand, is the warm and naturalistic acting, and a believable portrait of everyday dreams and their ending.