Ses trois filles

Sitting in on a loved one's death watch can be a trying time in more ways than one can count, circumstances that many of us can probably relate to all too well. It can be an especially stressful, even hostile, experience when incompatible family members are brought together for such an ordeal, one whose duration and developments are impossible to predict. That's the scenario here faced by three very different (and often-contentious) sisters (Carrie Coon, Elizabeth Olsen, Natasha Lyonne) who begrudgingly join together for the waning days of the life of their father (Jay O. Sanders), who has been placed in home hospice care. During this reluctant, duty-bound "reunion," tempers routinely flare in confrontations stemming from the rehashing of old, unresolved issues, disagreements about current responsibilities, and the seemingly endless waiting for the inevitable to arrive. These matters all wear on the distraught siblings as they struggle to sort out what's transpiring and try to arrive at better, more civil understandings of one another. In his latest feature outing, writer-director Azazel Jacobs has created an authentic story about what often occurs under such difficult conditions, astutely blending intense drama, scathing personal interactions, dark humor and hopes for reconciliation against a backdrop of edgy anguish, searing emotional pain and pervasive uncertainty. The picture's crisp writing and stellar performances (especially Lyonne's stand-out portrayal) drive the unfolding of this gripping domestic saga, often leaving viewers uncomfortably squirming in their seats as raw, long-repressed feelings surface. To be sure, some of the transition sequences in the narrative could use better refinement to get the overall story on track for what follows, but, then, their handling in this manner could arguably be chalked up to the ubiquitous doubt lingering over this situation, a determination that audience members will have to make for themselves. Still, "His Three Daughters" is indeed one of the better releases of 2024 thus far, one that deserves serious consideration as awards season approaches, particularly in the writing and acting categories. It's also a powerful cautionary tale for any of us who may be faced with having to undergo a scenario like this at some point, providing us with valuable insight into how we might want to conduct ourselves when these trying times arise.

I really wish those making movies would consult medical personnel before making a movie. This movie is solid when it comes to family relations and how the stress of losing a loved one brings out the silent and unsaid. However, from a medical aspect, hospice patients sign a document stating what their wishes are when doing the paperwork with hospice. The hospice medical director signs off on it, so that made some scenes unnecessary. Also, there are no cardiac monitors, no IVs with hospice, and nurses do not come and sit at the bedside because time is money in healthcare. (We wish we could spend that time). Besides that, this movie reflects real life, it is entertaining, and does not include the standard forced Hollywood social indoctrination. So, thank you, for just entertaining the audience.

This a very well-scripted and executed film about an upcoming death in the family, and the abyss that it leaves.. sucking those around to the center of it, for the better.

You know exactly how it is going to end, but it is what it leaves you with that matters! And what it sets out to do, it achieves with masterful craftsmanship by everyone involved.

From giving you a believable semblance of 4 different people's lives, how it captures some gut-wrenching sentiments, pain, the interactions between the well-performed sisters, that awkward feeling of people slotting back into someone else's life, and Natasha Lyonne's stand-out character gettings some kind "redemption" in the end. I also liked the "sound of the city" in the credits.

Very enjoyable! In its own way.

Interesting choice of title. Showing that even if we mainly see the daughters of a dying man, the man is centric to the story because he is the reason, and only he, why we see them interact with each other in this dramatic point of their life.

Also, it is interesting to me how at first they seemed so different from each other, with distinct personalities and by the end they blend - not much, but at least their personalities are more into one - with their common goal sinking in. That's why their bond will be stronger after.

Great acting from the three leads but with no moments of brilliance.

Just a sad showcase of the power of grief and all its steps. Not a movie one can enjoy, let's say, but one you can appreciate.

This is more of a play than a film. It's talky and claustrophobic, to the point that when at last it moves to an outside scene, you almost feel like you're breathing in cold fresh air.

Interest is sustained throughout, not so much by way of events, as by the interactions of the three very different sisters, and the few peripheral characters that surround them. Dealing with the impending death of a parent, this will (maybe) touch a nerve with some, and give others more fortunate (maybe) an insight to the dynamics to be expected. But I did not find it at any time morose or Maudling or over emotional, the occasionally amusing scenes kept it in check.

My only criticism was near the end, where a 10 minutes or so scene, could/should have been omitted IMO. For me it just interrupted the flow and broke the rhythm of the previous hour+.