Hong tan xian sheng

It's been highly promoted already, with super movie star Andy Lau playing an in-movie movie star that's modeled after himself. He finds himself successfully in his career peak but with insatiable ambition needing a well-recognised award to fill. His plan to make it big comes back to bite him, in contrast to what he thought. The complexity of the role network: stake-holding parties, his vanity-partially-driven ideal, his self-centred personality, broken relationships would all impress me. A nice insight into the scene of business and movies is offered to lay audiences, and online criticism caused by a tiny issue is definitely aligned with reality. Overall, Andy Lau's long-honed acting and the story's realism make this work an ticket-worthy one. Highly recommended.

So much of this film reminds me of Fellini's work. One could almost say it's sort of a tribute to his theme and style of existentialism. Could it have been too on the nose? No I would say as it sure does have its own original strokes to it where the story unfolds culturally within its own unique way. It's hard for one to empathize with Andy Lau's character unless one has been through an acceptable level of understanding of what it takes to make a film. It's tough walking a fine line trying to achieve something great while still being able to keep all parties satisfied without having to sacrifice the true integrity of an epic art piece. A balancing act that few people could ever comprehend. Some films are ahead of their time, this might just be one of those, just like Wong Kar-Wai's films, this piece might not find its true value and recognition within the audience until a future date.

I respectfully agree with the other reviewer who gave it 3 stars, but I chose to gave a 5 for some (but very few) highlights/funny bits in this movie. I understand that Ning was trying to be innovative and creating something new however this is not a fun or compelling story at all. The whole script is boring and dreadful and we very much indeed agree that we couldn't wait for this movie to end. Ning is one of my favorite director but this is just not a good piece of him.

My partner said it's a total waste of time and it feels like Ning merged lots of different story lines into one movie however he can't even tell one story right and just didn't finish any of them properly.

Andy Lau is great actor, as always, although this character isn't too difficult for him to play I guess.

In all honesty, Mr. Red Carpet didn't give me a bad first impression. After all, if you compare Mr. Red Carpet to other Chinese New Year films, or even recent films, the audio-visual and even the subject matter of Mr. Red Carpet can be described as superior and eye-opening.

In the many static shots, and long shots with qualified actors scheduling, inevitably see a little art film posture, but the reality is contrary to the wish, when I walked out of the cinema, a lot of viewers around the audience began to complain that "I have never seen such a boring movie," but I still very much like the film's approach to this era! It's quite brilliant in this day and age.

The core of the movie, however, is not worthy of the tone of the movie. The lack of spirituality and inner philosophy puts the movie in a very awkward position, like a spilled paint bucket. It seems like the work of a recent film graduate with a big budget, and still lacks polish. However, there are still some good points in the film, such as the discussion of modern cinema, which fully proves what Pang Zhang, the handbook of proletarian cinema, said, "Cinema can't be separated from the circle", and we can feel that the director, as if he has been hit by the festival many times, spits out his own bitter water.

However, he focuses too much on his own subjective expression and neglects the balance of the overall structure, for example, many of the stream-of-consciousness moments seem a bit redundant with such a dull story, and the showmanship is intentional.

Compared to its contemporaries, the film raises a number of questions about the movie industry that are quite valuable and worth thinking about; the content has potential, but the work lacks polish.

This film attempts to convey grand ideas but ultimately remains confined within its own limitations. It appears as though an inexperienced director was granted a substantial budget to create a movie without adequately refining the final product.

Director Hao Ning, with the assistance of Andy Lau, places excessive emphasis on personal expression, thereby undermining the overall structural coherence of the film.

In comparison to its peers, the movie poses several pertinent questions regarding the film industry that merit consideration. Observers have pointed out that the primary theme revolves around satirizing our society's obsession with celebrity culture, which in turn fosters a pervasive sense of narcissism among public figures. This observation may indeed hold a significant degree of truth.