Ajouter une intrigue dans votre langueA weary small-time hoodlum desperately attempts to quell the escalating conflict between two of his childhood friends - one a struggling martial artist whose school fails after taking out a ... Tout lireA weary small-time hoodlum desperately attempts to quell the escalating conflict between two of his childhood friends - one a struggling martial artist whose school fails after taking out a loan, and the other a vicious loan shark intent on collecting the debt.A weary small-time hoodlum desperately attempts to quell the escalating conflict between two of his childhood friends - one a struggling martial artist whose school fails after taking out a loan, and the other a vicious loan shark intent on collecting the debt.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 3 victoires au total
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At the heart of the film is Sonny (Leroy Nguyen), a weary small-time hoodlum trying to keep his fractured world together. When two of his childhood friends-James (Samuel Joon Lee), a struggling martial artist, and Winston (Travis Davis), now a ruthless loan shark-find themselves at odds over a mounting debt, Sonny must navigate the fragile relationships between them to prevent violence from consuming them all. This central conflict of competing loyalties forms the emotional core of the film, grounding the intense action with genuine human stakes.
Nguyen, in his multifaceted role as director, producer, editor, and lead actor, brings an authenticity to the character of Sonny that is both magnetic and deeply nuanced. His portrayal of a man torn between past friendships and the harsh realities of his present situation is one of the film's strongest points. There's a palpable weariness in his eyes, a sense that Sonny is trying to outrun the inevitability of the chaos that's unfolding around him. Nguyen's performance shines through in these quieter moments, balancing the adrenaline of the action sequences with a contemplative sadness.
Samuel Joon Lee as James adds another layer to the film, bringing depth to a character who is fighting for the survival of his failing martial arts school. Lee's portrayal of a man desperate yet proud is one of the film's emotional anchors, and his performance helps elevate the stakes of the unfolding drama. On the opposite end of the spectrum, Travis Davis delivers a chilling turn as Winston, the loan shark. His character is ruthless, but Davis imbues Winston with a tragic undertone, showing that his aggression comes from a place of desperation rather than pure malice.
Jackie SJ Kim, as Liz-James' sister and Sonny's former love interest-provides a much-needed breath of fresh air in the narrative. Her performance balances humor and vulnerability, bringing warmth to an otherwise bleak film. She's the glue that holds much of the character-driven drama together, acting as both a romantic interest and a moral compass for Sonny. Gene Rush and Alex Au round out the supporting cast, adding further layers of complexity to the story.
The cinematography by Alex Au stands out as one of the film's most striking features. The gritty, noir-inspired visuals lend a sense of tension and foreboding throughout the film, capturing the darker, more dangerous corners of the world in which these characters exist. Au's camera work does an excellent job of keeping the audience engaged, whether in the intimate, emotionally charged moments or the fast-paced, action-packed fight scenes. The film's action sequences are tightly choreographed and purposeful, with just the right balance between style and substance.
Alex Kane's music score complements the visuals perfectly, with an evocative, moody soundtrack that underscores the film's themes of loss and redemption. The music never overwhelms the action but enhances the emotional intensity, further drawing the audience into the world of The Brokenhearted.
The film's pacing is well-executed, never lingering too long on any one element, and the dialogue is sharp, though at times restrained, allowing the performances to shine. While it certainly leans heavily on genre conventions of crime and action, The Brokenhearted distinguishes itself through its emotional weight and the authenticity of its characters. It's a film about the consequences of choices, not just the explosive fight scenes.
The Brokenhearted is a standout indie film that blends heart-pounding action with a deeply human story. Its strong performances, especially from Leroy Nguyen, Samuel Joon Lee, and Travis Davis, coupled with tight direction and gripping cinematography, make it an unforgettable experience. This film proves that sometimes the greatest battles aren't fought with fists but with the ties that bind-or break-relationships. If you're looking for a film that balances the chaos of crime with the quiet moments of reflection, The Brokenhearted is one to watch.
The action sequences are well-choreographed, and while they're not as polished as big-budget blockbusters, they have a certain intensity and authenticity that's hard to ignore. You can really feel the effort that went into making every fight and stunt look real and impactful.
That being said, some of the production values are a bit lacking. The sound mixing, especially in dialogue-heavy scenes, can be a little off, and some of the camera work feels shaky or a bit rough around the edges. These minor issues don't take away too much from the experience, but they're definitely noticeable.
Despite its flaws, The Brokenhearted stands out as a solid independent action film that punches above its weight.
The story is very familiar. Nothing you have not seen before, but well done for a movie with no budget. You can see the makers did the best they could with what they had. Acting is all around good with some weak spot here and there, but quite interesting and I was engaged. The fighting when it happens is very good. Sometimes a little hard to watch because the camera moves a little too much or is too close but it felt real. I cared about what happen to the characters too.
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- AnecdotesStarting production in August 2020, the film was originally set to be a short film with a projected run-time of approximately 20 to 25 minutes. Upon completion of principle photography in July 2023, the film became a full-length feature, with a run-time of approximately one hour and 47 minutes.
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Détails
Box-office
- Budget
- 5 000 $US (estimé)
- Couleur