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I'm really quite shocked that no one besides myself has taken the trouble to spend a few minutes ranting about this wonderfully dark and weird comedy. If you are reading this review then I highly recommend you track down and watch this gem.

This film was on television a couple of days ago and being a German film about a bunker I had foregone the conclusion that this would certainly be something to do with the war- not even close. I was further enticed by the mention in the description of perversity because it was late at night and I'm a guy that had no plans that particular evening.

All that aside, there was no perversity. There were one or two comical sexual scenes but this film is a brilliantly awkward comedy based around the strange characters that make up this secluded family, the student who comes to stay with them and the mysterious "Heinrich", who I shall offer no further description of lest it somehow depreciate his mystery.

I cannot claim to have seem many funny German films, I'm sure they must exist but I can't think of any other ones that have made it as far as for me to find on English television. Usually anything in German on English television will in some way reference the war, something that this doesn't. So in that context it's special.

I almost missed this film, but I was unable to find it to download anywhere so stayed up and watched it and am very thankful I did. I'm not sure why it isn't more widely known because it's really great and stayed with me for quite some time. I think I saw it about a week or two ago and it keeps popping back into my mind. Anyway, enjoy it if you can find it.

This film is about a man, known only as the student, who has sought out a quiet place to live while he works on a scientific theory. The place he finds is a home to a family of three that just so happens to be an isolated bunker. The family is odd but seem harmless enough that he chooses to move in. Not having all the rent, he is allowed to stay with the understanding that he can help out with chores and such to cover his outstanding debt.

The family is indeed odd being as it consists of the father, who considers himself an intellectual, the mother, who has a few issues and a son, who claims to be 8 but looks more like he is in his mid to late 20's. The son is the main focus in the family. He is homeschooled by his father but the mother is not satisfied with the boy's progress and she suggests that the student start tutoring the boy. There is an understanding that by doing this the student will have covered his debt. The parents have certain aspirations for their son and take his education quite seriously but we quickly learn that the boy is emotionally, mentally and socially underdeveloped. Without giving out spoilers, this is the movie's plot.

There is more going on than what meets the eye with this film and the longer you watch, the weirder and more perverse it gets. The film isn't bad but you need to have an interest in strange movies to enjoy it. There are plenty of moments where you can find yourself looking at the screen sideways, asking WTF with this one.

The pace of this film is a bit slow but I guess it should be in order to grasp the horror of the weird moments. I felt the actors were good portraying the individual oddities of their characters thus keeping the viewer interested in trying to figure them out.

This type of film isn't really my cup of tea but there is an audience out there that appreciates this branch of horror. I would suggest that if you are interested in blood, guts and violence, you'll be disappointed. However, if you are into situational horror it might be just what you are looking for.

I like twisted movies. I always have. Germans are front runners when it's time to make something twisted without any logic or order, just for the sake of it. This movie is like some weird critique of parental education in our society (in a slightly disturbing way).

This is not twisted enough for my taste. There's too much room in between where nothing happens. Asian directors would manage to create tension out of thin air. That's what's missing here. Also, more violence.

At times, I thought that the director was trying to copy David Lynch. If he was, he earned a hard fail in my book. Lynch (or anyone else for that matter) shouldn't be copied. One should try to create his own style.

I'm glad I caught this little feature, because it still beats most mainstream movies by far. If I had a choice between Vin Diesel's stupid face or something like this, I'd choose this every time. Some may the film a little sick (I've seen sicker), but it's definitely not filled with hidden advertising and/or propaganda. It's an honest first feature. 5.5/10

I'm not entirely positive what I just watched, but I know I enjoyed it? I think? I am not a stranger to an artsy film filled with hidden meaning, subtext and symbolism. However, I was definitely confused on the overall message of this piece... While still picking up on smaller themes and points, it felt like there was a broader intention that I was missing. Or maybe not, maybe it was just an absurdist piece and I'm reading too far into it.

One thing I will say that I particularly enjoyed was the broad range of emotions I felt throughout watching this. One moment you're confused, the next moment youre endeared, next you're grossed out and then all of a sudden you're spooked. Its very funny and very f'ked up. I appreciated that aspect.

This movie looked great, I loved the costumes and sets and the storyline was interesting. Having grown up on "Clifford" with Martin Short, I was immediately drawn to an adult dressing up as a child (this movie is nothing like Clifford other than in that aspect haha) Just coming from a standpoint of a cohesive storyline, I wish they had delved deeper into one of the plot points more, just to give some semblance of a clearer point or focus. Whether it was the odd child who's age was never explained, the parents strange proclivities, the supernatural aspect or the students background and studies.

While it is hard to truly and accurately judge the acting as an English speaker, I thought it was phenomenal on all fronts. Each actor had shining moments, particularly the student and the son and I thought the four of them worked splendidly as an ensemble.

This is one of the longer reviews I have left so this movie obviously made me think/feel something. Which, what more can we ask for? Would recommend, but it's not for everyone... it is undoubtedly polarizing.

THE BUNKER is a weird little German film for those who enjoy offbeat or obscure cinema like TAXIDERMIA or the films of Jan Svankmajer. It doesn't really have much of a plot or narrative arc, instead it's a slice of very-weird-life set in a rather bizarre family home. The protagonist is your usual young, upstanding teacher who takes on a home schooling job for a couple's son. Most of the time he's in the cellar, teaching the kid geography and the like, but after a time he gets drawn into the family's weird ways.

I'm not really sure how to describe THE BUNKER, other than to say it's not particularly enjoyable. Some parts reminded me of the films of Werner Herzog but lacking the artistry and the subtext. Pit Bukowski is weird as the grown up kid, but weird in a good way and I did warm to him a little as the story went on. He comes across as a mix of Kaspar Hauser and Peter Bark in BURIAL GROUND! The other characters aren't as memorable, but there's a smattering of sex and violence to keep viewers engaged. As I said, it didn't work out too well for me.

This is well worth catching; early on, it began to have a tone reminiscent of 'The Enigma Of Kaspar Hauser', but that was only because I love the latter film, and one actor's role resembles that of Bruno S.

Der Bunker (caught on its UK TV showing a few days ago) is totally original; the principal performers are, as they would have to be, excellent. Odd questions briefly emerged that relate more to, perhaps, traditional 'survivalist' themed films, but they become irrelevant, as this one is out on its own.

I also will look out for the performers elsewhere, based on this. Recommended for fans of the offbeat, or those bored with Hollywood!

There are several messages one is able to take away from "The Bunker", an uproarious and quite clever black comedy from German director Nikias Chryssos: one is that education needs rigour, but that too much rigour can be dangerous; another is that families can eventually become suffocating and that progression is essential to development. Its lasting message seems to be that, ultimately, everybody moves at their own pace in life and that this isn't a bad thing, so long as you eventually get to where you want to go.

The film also seems to be an exploration of the twisted relationship between failure and success, a relationship which affects all facets of human life and a relationship we can all relate to: rewards for hard work and punishment, or repercussions, for not ascertaining a particular grade. Buried in there somewhere as well seems to be the notion that there is a particular pleasure derived from education, but an acute pain from scholarly failure.

The elusiveness of the film makes itself evident almost immediately - the rather harshly juxtaposed imagery of a well-clad man in the snowy wilderness, evidently a little lost but close to his goal, stumbling around some woodland to opening credits put to us in a wacky font and in bright primary colours. Known only as The Student (Pit Bukowski), he is a scientist looking for an isolated retreat advertised on the internet so that he may work in solitude on some important study to do with the Higgs Boson Particle. The titular bunker is this solitude, run by two people known only as 'Mother' (Oona von Maydell) and 'Father' (David Scheller) whose son, Franz (Daniel Fripan), lives with them.

But something is amiss, and it stays amiss. His room ends up being, quite literally, a bunker, which acts as an add-on to this quirky property. The advert said there would be a view of a lake, but the room doesn't even possess a window. The Student points out that no light can get in. 'Nor can it get out!' counters Father. Son Franz looks 35, but we are told he is only 8 - has he even left the house before? Researching the actor, Fripan's height is listed as 5"3, which might constitute as some form of dwarfism. Franz's mother and father behave strangely; when Student eats some dinner upon arrival, we note with unease as to how there is a revolver in the background attached to the wall which appears to be pointing at his temple; later on, Mother speaks to a voice which has appeared to manifest itself as a gash in her shin.

Taking its cues from directors such as Bobcat Goldthwait and Michael Haneke, specifically the sense of absurdist humour combined with a sense of complete unease, and from specific films such as "Dogtooth", Chryssos spins a plot to do with Student being torn away from his own work and roped into being Franz's tutor when it becomes evident Franz is failing miserably at the most elementary of things during home-schooling. The home itself does nothing to ease our sense of unease - it is littered with props which, at once, look as if they belong where they are and yet simultaneously appear totally unnatural to their surroundings: the model hand grenade on the mantelpiece; the way the wool bulges out of a sideboard drawer; the lamp stem which doubles up as a pole around which a topless woman appears to dance. In Franz's bedroom, plush toys hang, as if from nooses, above his bed, but they're just mobiles, right?

Chryssos evidently has an eye for both tone and aesthetic. We accept the film is unfolding in some kind of alternate universe, one whereby people do not immediately leave upon encountering a troupe of oddballs. The whole film is peppered with this nightmarish quality, emphasised in how ceilings in some rooms are too low for the characters; in how Chryssos seems to shoot certain scenes with a deliberately large amount of dead space in the corners of living and bedrooms, and in how he seems to position the camera much further away from a subject than it needs to be in order to encompass it.

In looking for parallels or commentary in the film, I did not find very many, although may have missed something entirely. As a piece of mise-en-scene, a bunker is, of course, a refuge from the outside world; a means of saving yourself and your (nuclear) family from an unwanted attack. Is there supposed to be something in German society taking aim at such a thing? Regardless, he seems to want to emphasise the bourgeois nature of Mother; Father and Franz in his peppering of the soundtrack with classical music and the educational rigour they put Franz through - Father even enjoys a politically incorrect joke or two, laughing at them in that way that suggests he's really not supposed to anymore, but I didn't see the film as an attack on the bourgeois or their system. Similarly, I'm unsure if Franz is supposed to represent a repressed demographic or class, and that everything The Student represents is their liberation.

It would be wrong to describe the film as a comedy wherein the laughs come so quickly, you're left to catch your breath, but that doesn't matter; "The Bunker" is something else, something a little more disturbing without being grotesque, although even then it may tread too far in that direction for some. For me, it found a wonderful place between certainty and ambiguity; causing offense and not; between horror and just being mischievous. It's an experience, but an experience I recommend.

Considering the high rating Der Bunker got on here I was expecting much more from this movie. It started all right, mysterious is the first thing that popped into my mind, but soon enough you realize this is just going to be another weird movie going nowhere. It's not that I don't like bizarre stories but I have to be in the right mindset for it and it has to be a bit interesting as well. Unfortunately I wasn't and interesting wouldn't be a good word to discribe this story. The camera work wasn't bad, the acting was okay, even though Oona von Maydell wasn't always convincing, like when she was crying for instance which looked very forced and fake. As for the comedy well I'm still waiting for it. I read another reviewer couldn't stop laughing and that hours after the movie finished. I'm still wondering what he was laughing with or at? It's anything but hilarious. You just have to adore weird movies to be entertained by this one. Even though I was intrigued in the beginning, that feeling quickly changed into boredom. I wouldn't recommend this movie to anyone.

I just finished Der Bunker and I'm still laughing about it a few hours later. It's F'd up and funny as hell. Great performances and direction all round. And definitely one I'll go back to.

Kudos.

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I had no idea what i was getting into when i watched The Bunker, but it all makes sense in the end. It's a very weird movie, and abstract. However one question about this movie is still unanswered: What was that thing on the mother's leg, the wound speaking demon?? What was that thing? Everything else works.

We got a story that is kinda slow, but it all makes sense as you go further. I enjoyed it. I saw people compare this to Dogtooth. Dogtooth had no reason to exist, this movie has a point.

SPOILER ALERT

This whole movie is a metaphor of two things. One, the parents separating from their children, the grief of that aspect, and two, that the two can change their positions. The most genius person can turn into not the most bright, and the not the most bright, can turn into someone. There's also a third metaphor and that's friendship. How the most intelligent character loves the most mentally unwell character, and wise-versa.

I have no clue where the comedy comes from this movie. Nothing here was funny. I do not think this movie was meant to be a comedy at all. Instead it's a psychological piece that pokes holes at multiple society aspects.

If you liked The One Flew Over The Cucco's Nest, and Lunacy, you might enjoy this. Frankly the two movies i just mentioned i totally love, so you might get to enjoy this as well.

Also, please do not insult this movie by comparing it to Dogtooth. Thanks.

This is a weird movie. Weird is a high benchmark to achieve, as most artists know that different is a virtue, thus many outsider mediums have developed their own genre, like art-house and meta movies, that all carry their own set of expectations and tropes. So it's not often that a film simply defies categorization, which is the case with Der Bunker.

It may be a black comedy as it certainly has a sense of humour, but it really only makes you laugh uncomfortably over how screwed up the entire situation is. There's no goofy gags or obvious punchlines, just a general sense of amusing absurdity.

It may be a horror as the circumstances are quite grim, yet there's not a monster to be seen and very little could be construed as scary. There's a pitch black hopelessness, but the intent is not to be frightening in any way.

It may be an art film, though I feel the aforementioned sense of humour diminishes any sense of pretentiousness. It often operates on a surrealistic dream logic, but the plot does have a solid backbone, so it's linear and easy to follow even though it's totally insane.

It could be a family drama, as that's basically what drives the story, but I hope it's clear from my earlier synopsis why a feel good coming of age film this isn't.

All in all, I found it thoroughly enjoyable. My one criticism is that the voice they used for the gash in the woman's leg was a little cheesy, but even that sentence further illustrates how nuts this movie is.

It's a crying shame how overlooked Der Bunker seems to be. I understand it won't be for everyone, which explains the often lukewarm reviews, and if you're looking for a simple blockbuster, get out now. I'll even admit that I wasn't overly enticed by the cover/trailer, and have been pushing this down the "watch later" list for a while now. But if you have a taste for the strange and have been contemplating giving it a shot, throw it on now! Trust me, you won't regret it.