Ne me jugez pas

A compelling watch of serious depths. This movie was so intriguing to me and very thought-provoking. It skillfully tackled themes of justice and morality. Beautiful performances, and so masterfully shot and edited. It's refreshing to see these kinds of films from Arab content creators. You can tell there is a lot of effort put into the story and the characters in the film. Thoroughly enjoyed watching it. The cinematography draws you in, capturing raw emotions and the tense atmosphere. Every scene adds meaning to the overall narrative, making it a film worth reflecting on long after watching. Highlt Recommend!

The Judgment, by Marwan Mokbel, is much more than just a thriller. It's an exploration of identity, family, and the fear that comes with hiding your true self. The story follows a gay couple (Mo and Hisham) returning to Egypt to visit each other's families, and it captures the intense stress of navigating conservative households, where being yourself isn't always an option.

What really stood out to me was the unique use of witchcraft, motivated by homophobia, as a supernatural element. It felt like a clever way to show the fears and pressures queer people face, while still keeping the thriller aspect intact. But for me, the heart of the film is in the relationships between the sons and their mothers, where Mokbel contrasts acceptance and rejection beautifully. You really feel that he wanted to shine a light on the mother-son dynamic, and it's such a powerful portrayal.

Visually, the film is stunning, with Egypt as the backdrop adding a lot to the eerie, tense atmosphere. The acting was also on point, with both leads (Zahdi and Shahin) delivering strong performances. The Judgment really surprised me with its complexity. It's rare to see a queer thriller with this much emotional depth.

It's a nice movie, not what I was really expecting. I liked the movie overall but I didn't find the sinister/witchcraft part was necessary, it actually pulled me out of the movie many time. The movie could have been great if they didn't include that "I am an Egyptian based in Egypt"

I would really say that the last 5 minutes of the movie are priceless, worth the whole movie. That conversation between Mo and Hesham's mother is masterpiece. Such a beautiful lady and such a beautiful character.

The movie is a bit realistic by how the Egyptian society perceives homosexuality but that's not all Egyptians, I would have loved to find a representation for the Egyptians who accepts and supports homosexuality because they exist.

This film went so deep in the psychological and social dilemma people live in that specific radical culture. It's screaming for more awareness and compassion in the topic and I think this is a big step.

The film kept me on edge and I could really connect with the characters. Amazing acting, you could really feel the pain and the madness the characters were going through. I think is was a very well done film, from acting to cinematography, from directing to execution. I really believe this is one of a kind and it's a big step for people in the situation to be loved.

Congratulations to the filmmakers.

I would not have predicted that a screenplay that blends elements of a horror / supernatural genre film with a same-sex love story could work very well as either. But I was pleasantly surprised.

Set in Egypt though largely filmed in Lebanon. The picture is atmospheric and immersive. The scenes intended to provide tension are effectively filmed and provide the suspense expected in a horror movie.

The setting, in a repressive society, puts constraints on the romantic scenes which the actors skillfully handle. The dazzling Junes Zahdi plays the focal character, Mo, with finesse. I was not familiar with him and will be interested so seek out his other work.