Janet Planet

I am pretty baffled by the critical response to this movie, as I usually see pretty eye to eye with them. This thing was so dry and boring that I could hardly believe it. There is hardly any moment that breathed any kind of life or spark, apart from an admittedly sweet and nostalgic JC Penny's sequence - which felt more like it benefitted from just being a trip down memory lane than anything else.

There is hardly any story movement, and what few lines of dialogue can be heard are almost completely useless. Half of them are just the little girl asking basic questions which don't get answered. And lines like "I'm going to kill myself if you don't come pick me up" and "It's funny, every moment of my life is a living hell" are just obnoxious in this day and age.

Now granted, the AC was broken in our theater so that may have also had something to do with our discomfort. But we still walked out of the theater after 40 minutes. The filmmaker is talented I'm sure, but this one just wasn't for me at all.

Janet Planet is the newest Aftersun, but rather focusing on the bonding ship of mother and daughter and the coming of age scenarios of adolescence and independence. Filled with colorful camerawork and good sound designs, the filmmaker is able to capture the sweet smell of the hazy summer atmosphere and the realistic nature characters sitting on the ground and environment. Provided with good performances from the cast, narrative choices, and themes around the concepts.

On it's core, it's realistic dialogue and conversations felt guanine with touches of humor and depression motions and with the good direction and approach, it worked. While it's narrative doesn't offer something very grand on it's themes and some of the structure and pacing does feel tad slow, it's overall impression worked.

There are many glowing reviews of this movie, but mine is not. Although there is some dialogue in this movie, the experience would hardly be altered if the sound track were muted. And, in fact, segments of the dialogue are so low-pitched that one cannot make out what is said at all. No loss!

Basically we have here a mother who is looking for a companion that will make her feel she is living an adequate life. She is housing and feeding her daughter and herself and a revolving door of successive possible saviors, but she isn't finding personal salvation. Only initial ones that somehow are unsatisfactory after a brief trial.

Rave reviews underplay the monotony of the movie and its absence of progress toward satisfaction. She cohabits with believers in Buddha, in mysterious nature, in big bang but, frankly, neither herself nor her chosen teachers of a "way" exhibit any understanding.

We end up with the daughter having reached exactly these conclusions, along with the audience, so at least we part on the same page.

The movie invites the viewer to look for symbolism, an allegory. The mother's search is perhaps that of humanity, and her "saviors" perhaps the abortive philosophical attempts of mankind. The daughter is the hope that a new generation will be more successful. And, perhaps, the final square dance is the admission that, like a dance, life's meaning is that it can be enjoyable for the moment, even though it will end and will be forgotten.

My title for this review and my summary: not illuminating.

A smallish drama from last year starring Julianne Nicholson & newcomer Zoe Ziegler, playing a mother/daughter navigating the lazy days of summer during the early 90's. Living in a cozy cabin in the woods, the pair while away the days waiting for the new school year to start while also taking care of their romantic needs; mom seems to be unlucky in love as her conveyor belt of lovers (which include Will Patton & Elias Koteas) has left her unsatisfied while Ziegler, seemingly wise beyond the years, does things her own way w/her mom's begrudging acceptance. Not much monumentally happens in this slow burn slice of life as it just exists & we, the audience, just wallow in it which charms in tiny doses in writer/director Annie Baker's effort making this feel like a documentary then something scripted.

Janet Planet encourages the viewer to bask in the hazy summer afternoon feel of lounging and allowing observation to be a better tool than explanation. The writing is conversational and also sparse in terms of plotting, where you watch the characters lives unfold like a poem. There are few twists and turns but more contemplation and quiet celebration of independence, motherhood, and adolescence. There was a lot of wisdom in the casual observations, something that added to the realism of dialogue. Conversations you could have with a mother or a friend. Janet Planet has no big climactic moment, in fact I would call the ending it's climax and leaves you pretty clear on what the message was. It is a satisfying film if you are patient with it.