NOTE IMDb
4,6/10
2,5 k
MA NOTE
Après avoir découvert que le voleur d'art qu'elle poursuit sans relâche est son ex-amant, une agente d'Interpol échafaude un plan pour le prendre la main dans le sac.Après avoir découvert que le voleur d'art qu'elle poursuit sans relâche est son ex-amant, une agente d'Interpol échafaude un plan pour le prendre la main dans le sac.Après avoir découvert que le voleur d'art qu'elle poursuit sans relâche est son ex-amant, une agente d'Interpol échafaude un plan pour le prendre la main dans le sac.
- Réalisation
- Scénario
- Casting principal
Muharrem Can
- Tailor Morris
- (as Muharrem Can Aldemir)
Vicdan Özdemir
- Newsreader
- (as Vijdan Özdemir)
Avis à la une
The movie had an interesting premise, but the execution fell flat. The script felt rushed and full of holes, with awkward dialogue and predictable plot points. It honestly felt like a poorly written teen novel from Wattpad. The story itself was full of clichés and didn't offer any surprises. Even though the lead actors were attractive, there was absolutely no spark between them. Their characters lacked depth and showed no growth throughout the film. It was hard to care about them as individuals or as a couple. Even the beautiful locations couldn't save the movie from its boring plot and weak acting.
I thought that hallmark
movies were only for north America . , but in this case this movie could have worked if they took a little more time and maybe some better actors. I am not sure if it's the story because premisses is there and this should been a very good movie. Great location just poor acting and editing is the only i can think
why this movie is so bad even for a romance movie
in the end i keep watching it not because of the movie location and beautiful scenary which is excellent. So with that in mind i gave it a 4 stars. But it could have been much better oh well enjoy it as long it's free dont pay for it.
This is a movie for those that are curious about international productions that are presented in order to appeal the majority of spectators. It has a style that I'd compare to many American projects; that is, it is cinematic, contains a few action scenes, and has a score that elevates the final product. Taking place Istanbul and Prague, the viewer gets to discover multiple landscapes, different sets, and is immersed in a fictional universe that transports you from the comfort of your home to these cities. I'd recommend this to those that are opened to embrace what international markets have to provide cinematically.
I'm going to write this review in a way that avoids giving any spoilers at all. Here goes...the one-line plot summary sounded good, but it turns out the way the lackluster and hole-filled script - dialogue, transitions, important moments - was written and executed seemed as though it was pulled off a teenager's even-worse-than-mediocre Wattpad fanfic page.
The plot is contrived nonsense, and by about 10 minutes in, you know exactly what's going to happen. There's zero suspense, only predictability littered with boring cliches along the way.
There is zero chemistry between the lead actors. They are both very good looking, but there's zero fire, passion, or electricity between them. Zero character depth or growth throughout the film. Zero investment in the characters individually or as a "couple."
The shooting locations were beautiful. That's the only positive, hence the one star.
I have to say that I was most shocked at how bad the performance of the lead actress was. I discovered Esra Bilgiç through her role as Sibel on Ramo a few years ago, and she was absolutely legendary. Her talent then was the complete opposite of what I watched here, and it was extremely disappointing. I hope she will re-hone her acting skills, and then go back to taking on valuable, legendary roles instead of cheap, vulgar, contrived, forgettable trash characters like Alin.
Skip it.
The plot is contrived nonsense, and by about 10 minutes in, you know exactly what's going to happen. There's zero suspense, only predictability littered with boring cliches along the way.
There is zero chemistry between the lead actors. They are both very good looking, but there's zero fire, passion, or electricity between them. Zero character depth or growth throughout the film. Zero investment in the characters individually or as a "couple."
The shooting locations were beautiful. That's the only positive, hence the one star.
I have to say that I was most shocked at how bad the performance of the lead actress was. I discovered Esra Bilgiç through her role as Sibel on Ramo a few years ago, and she was absolutely legendary. Her talent then was the complete opposite of what I watched here, and it was extremely disappointing. I hope she will re-hone her acting skills, and then go back to taking on valuable, legendary roles instead of cheap, vulgar, contrived, forgettable trash characters like Alin.
Skip it.
The movie claims to be a romantic comedy but there is literally no romance or humor to be found. The characters, both individually and as a couple, lack development, making it difficult to invest in their relationship. There's zero foundation for their connection or emotional journey. They just throw these two actors together with a revolving door of hair styles/colors and skimpy outfits (most with absolutely no relevance to the plot, by the way), Plus, they throw in random smooches with no build-up, no emotional depth, just a slapdash attempt to fulfill some quota.
It is obvious the movie was deliberately made to appeal to an audience that like shallow, lusty content (and Netflix is making lot of that kinda stuff lately) regardless of any story line. But for anyone craving a shred of romance, story, or even a chuckle, you'll be seriously disappointed.
What's truly baffling is that for such low-class, trashy film with no atristic merit, they managed to sign up Brikan and Esra! These are actors with serious chops (remember Brikan as Han in The Innocents, or Esra's phenomenal performance as Madame Corinne in Ataturk or Sibel in Ramo). Usually, it's unknown or unestablished actors desperate for a break who take on such trashy and vulgar roles.
One has to wonder if such demeaning roles will cheapen the brand of the lead actors and hurt their standing in serious acting circles. As a huge fan of both of these stars, it honestly saddens me to see them doing these kind of cheap roles.
It is obvious the movie was deliberately made to appeal to an audience that like shallow, lusty content (and Netflix is making lot of that kinda stuff lately) regardless of any story line. But for anyone craving a shred of romance, story, or even a chuckle, you'll be seriously disappointed.
What's truly baffling is that for such low-class, trashy film with no atristic merit, they managed to sign up Brikan and Esra! These are actors with serious chops (remember Brikan as Han in The Innocents, or Esra's phenomenal performance as Madame Corinne in Ataturk or Sibel in Ramo). Usually, it's unknown or unestablished actors desperate for a break who take on such trashy and vulgar roles.
One has to wonder if such demeaning roles will cheapen the brand of the lead actors and hurt their standing in serious acting circles. As a huge fan of both of these stars, it honestly saddens me to see them doing these kind of cheap roles.
Le saviez-vous
- Bandes originalesDon't You Wanna Be Mine
written by Mert Oktan
performed by Gulnur Gokçe and Cem Kahraman
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
Détails
- Durée1 heure 39 minutes
- Couleur
- Mixage
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant
Lacune principale
What was the official certification given to Le Cœur au vol (2024) in Australia?
Répondre