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4,6/10
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Après avoir découvert que le voleur d'art qu'elle poursuit sans relâche est son ex-amant, une agente d'Interpol échafaude un plan pour le prendre la main dans le sac.Après avoir découvert que le voleur d'art qu'elle poursuit sans relâche est son ex-amant, une agente d'Interpol échafaude un plan pour le prendre la main dans le sac.Après avoir découvert que le voleur d'art qu'elle poursuit sans relâche est son ex-amant, une agente d'Interpol échafaude un plan pour le prendre la main dans le sac.
- Réalisation
- Scénario
- Casting principal
Muharrem Can
- Tailor Morris
- (as Muharrem Can Aldemir)
Vicdan Özdemir
- Newsreader
- (as Vijdan Özdemir)
Avis à la une
The storyline stolen from the classic "The Thomas Crown Affair". Its not an adaptation. No credit to original story writer. There are two versions; one with Steve Mcqueen and Faye Dunaway made in 68 and the other one made in 1999 with Pierce Brosnan and Rene Russo. They're both decent, good time movies. I can not say the same thing about this one.
Such a shame wanna be writers steal from a classic and getting away with it. These writer make a living of a stolen idea when such original stories waiting on the sideline in Turkey. Netflix Turkey has become so corrupt no talents are welcome there. I'm sure global Netflix has no idea what kind of shananagans going on under its management.
Such a shame wanna be writers steal from a classic and getting away with it. These writer make a living of a stolen idea when such original stories waiting on the sideline in Turkey. Netflix Turkey has become so corrupt no talents are welcome there. I'm sure global Netflix has no idea what kind of shananagans going on under its management.
Where do I even begin? Buckle up, dear reader, because Love of Art is a cinematic train wreck I wouldn't wish on my worst enemy.
The "thrilling" plot was as predictable as sun rising from the east. The movie was full of clichés, with zero character development, zero attention to pacing the story and zero focus on important moments. The "chemistry" between the lead actors was about as sizzling as a wet firecracker. Their forced interactions were painful to watch, and dialogue so clichéd it could have been written by a fortune cookie machine.
Then there's the direction. Imagine a middle school play directed by an overenthusiastic student council president. That's the vibe I got. The action sequences were so poorly choreographed I could've planned a better fight scene with a sock puppet show.
Honestly, the only thrilling aspect of this movie was the sheer audacity of it existing. Save yourself the wasted brain cells and avoid this cinematic catastrophe. You're welcome.
In all seriousness, it amazes me how Netflix agreed to put their name behind such nonsense. But then the quality of Netflix originals isn't the same as it used to be.
The "thrilling" plot was as predictable as sun rising from the east. The movie was full of clichés, with zero character development, zero attention to pacing the story and zero focus on important moments. The "chemistry" between the lead actors was about as sizzling as a wet firecracker. Their forced interactions were painful to watch, and dialogue so clichéd it could have been written by a fortune cookie machine.
Then there's the direction. Imagine a middle school play directed by an overenthusiastic student council president. That's the vibe I got. The action sequences were so poorly choreographed I could've planned a better fight scene with a sock puppet show.
Honestly, the only thrilling aspect of this movie was the sheer audacity of it existing. Save yourself the wasted brain cells and avoid this cinematic catastrophe. You're welcome.
In all seriousness, it amazes me how Netflix agreed to put their name behind such nonsense. But then the quality of Netflix originals isn't the same as it used to be.
The movie had an interesting premise, but the execution fell flat. The script felt rushed and full of holes, with awkward dialogue and predictable plot points. It honestly felt like a poorly written teen novel from Wattpad. The story itself was full of clichés and didn't offer any surprises. Even though the lead actors were attractive, there was absolutely no spark between them. Their characters lacked depth and showed no growth throughout the film. It was hard to care about them as individuals or as a couple. Even the beautiful locations couldn't save the movie from its boring plot and weak acting.
This is a movie for those that are curious about international productions that are presented in order to appeal the majority of spectators. It has a style that I'd compare to many American projects; that is, it is cinematic, contains a few action scenes, and has a score that elevates the final product. Taking place Istanbul and Prague, the viewer gets to discover multiple landscapes, different sets, and is immersed in a fictional universe that transports you from the comfort of your home to these cities. I'd recommend this to those that are opened to embrace what international markets have to provide cinematically.
I thought that hallmark
movies were only for north America . , but in this case this movie could have worked if they took a little more time and maybe some better actors. I am not sure if it's the story because premisses is there and this should been a very good movie. Great location just poor acting and editing is the only i can think
why this movie is so bad even for a romance movie
in the end i keep watching it not because of the movie location and beautiful scenary which is excellent. So with that in mind i gave it a 4 stars. But it could have been much better oh well enjoy it as long it's free dont pay for it.
Le saviez-vous
- Bandes originalesDon't You Wanna Be Mine
written by Mert Oktan
performed by Gulnur Gokçe and Cem Kahraman
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Détails
- Durée1 heure 39 minutes
- Couleur
- Mixage
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What was the official certification given to Le Cœur au vol (2024) in Australia?
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