Une mère de deux enfants voit son univers bouleversé lorsqu'elle accepte de laisser sa fille de neuf ans dormir chez sa nouvelle meilleure amie.Une mère de deux enfants voit son univers bouleversé lorsqu'elle accepte de laisser sa fille de neuf ans dormir chez sa nouvelle meilleure amie.Une mère de deux enfants voit son univers bouleversé lorsqu'elle accepte de laisser sa fille de neuf ans dormir chez sa nouvelle meilleure amie.
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It was a good series. Entertaining, but I firgured out pretty quickly what must have happened. I was waiting for another twist, but it never came. I did watch it in one go, so it kept me interested!
Great perfomance by the women in gthis cast, especially the woman who plays Elisa and the woman who plays Josephine's mother. The man who played Fred also did a great job.
Not everything seems to be realistic in my opinion, but it also wasn't extremely farfetched. I would watch if there will be another season made.
I was left with a few questions about the 'why?' of some things, so maybe those questions could be answered in a second season.
Great perfomance by the women in gthis cast, especially the woman who plays Elisa and the woman who plays Josephine's mother. The man who played Fred also did a great job.
Not everything seems to be realistic in my opinion, but it also wasn't extremely farfetched. I would watch if there will be another season made.
I was left with a few questions about the 'why?' of some things, so maybe those questions could be answered in a second season.
Somewhere deep inside is a plot that has some merit but, with the exception of Holiday Grainger, the acting is so bad it's beyond laughable. One can only suspect that Disney+ signed it up unseen.
The performance of the distraught mother (Elisa) and the lead detective (D. I. Sinclair) are disgraceful but award winning by comparison to journalist (Selma) and her editor (Kaleb). Most of the others are bad but could easily blame diabolical direction.
Selma interviews without taking notes and receives photographic evidence via email which arrives within seconds and without having given her address.
Reactions are amateurish and situations contrived however, the worst part of all is that I watched all 5 episodes but in my defence, I had a wager on the ending.
The performance of the distraught mother (Elisa) and the lead detective (D. I. Sinclair) are disgraceful but award winning by comparison to journalist (Selma) and her editor (Kaleb). Most of the others are bad but could easily blame diabolical direction.
Selma interviews without taking notes and receives photographic evidence via email which arrives within seconds and without having given her address.
Reactions are amateurish and situations contrived however, the worst part of all is that I watched all 5 episodes but in my defence, I had a wager on the ending.
The main plot of the show is really good, and the production is paced well. It has that problem that most 'streaming binge' drama has in that it is constantly explaining the obvious, treating the audience as if they are either a) on their phone or b) really stupid. So the script feels a little on the wonky side from the get go.
The major drawback, and this stops it getting a higher score for me is just how howlingly bad some of the acting. Everything line comes at you with a sigh, every line has a sharp intake of breath and a really laboured way of delivering 'plot' which makes it feel less classy than a show of this budget should.
It's okay and passes a few hours of telly wallpaper but with a plotline that's as potentially good as this it could have been much much better.
The major drawback, and this stops it getting a higher score for me is just how howlingly bad some of the acting. Everything line comes at you with a sigh, every line has a sharp intake of breath and a really laboured way of delivering 'plot' which makes it feel less classy than a show of this budget should.
It's okay and passes a few hours of telly wallpaper but with a plotline that's as potentially good as this it could have been much much better.
The first episode had me hooked. Although not typically a fan of disjointed storytelling, I liked the way the show unfolded, which makes the final episode and the conclusion of the story that much more irritating. After the final episode, I kept checking back for another episode not believing that was the actual ending of the story.
The acting was good, particularly the leads. I found the detectives role in the story pretty terrible, I also didn't think the reporter editor interactions with him.
Overall, I liked the story, and the twists that unraveled through the disjointed storytelling. However, I just can't support the ending.
The acting was good, particularly the leads. I found the detectives role in the story pretty terrible, I also didn't think the reporter editor interactions with him.
Overall, I liked the story, and the twists that unraveled through the disjointed storytelling. However, I just can't support the ending.
This mini-series is well-paced at 5 episodes, with a decent, well-written storyline.
Multiple twists and developments keep it engaging, with interesting emotional shifts as the series progresses.
The production seems to have been appropriately budgeted for with decent cast, brilliant scenary and good diversity of locations throughout.
Mod plays the role of the tenacious journalist really well, while I found some of Grainger's more dramatic scenes less than convincing. Gough's performance was brilliant throughout and she was able to showcase a good degree of range in this title.
I think this will age pretty well, and is definitely worth a watch in my view.
Multiple twists and developments keep it engaging, with interesting emotional shifts as the series progresses.
The production seems to have been appropriately budgeted for with decent cast, brilliant scenary and good diversity of locations throughout.
Mod plays the role of the tenacious journalist really well, while I found some of Grainger's more dramatic scenes less than convincing. Gough's performance was brilliant throughout and she was able to showcase a good degree of range in this title.
I think this will age pretty well, and is definitely worth a watch in my view.
Le saviez-vous
- AnecdotesThe working title, "Playdate," was taken from Alex Dahl's novel, on which this adaptation is based.
- GaffesA car hits another car with enough force to roll it over, but the airbags don't deploy.
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- How many seasons does The Stolen Girl have?Alimenté par Alexa
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