La célèbre esthéticienne Hope Goldman voit son entreprise de soins de la peau sabotée lorsque sa rivale Angel Vergara ouvre une boutique de l'autre côté de la rue. Hope cherche à découvrir q... Tout lireLa célèbre esthéticienne Hope Goldman voit son entreprise de soins de la peau sabotée lorsque sa rivale Angel Vergara ouvre une boutique de l'autre côté de la rue. Hope cherche à découvrir qui tente de ruiner sa réputation.La célèbre esthéticienne Hope Goldman voit son entreprise de soins de la peau sabotée lorsque sa rivale Angel Vergara ouvre une boutique de l'autre côté de la rue. Hope cherche à découvrir qui tente de ruiner sa réputation.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
Michaela Jaé (MJ) Rodriguez
- Marine
- (as Michaela Jaé Rodriguez)
Avis à la une
Billed as a thriller, I was expecting a stalker type film reminiscent of something from the 80s. But the tone is really that of a dark comedy with some mystery added in.
Elizabeth Banks plays a business woman in the cosmetic industry on the verge of breakthrough success. After a competitor moves in down the street, Banks' character becomes the victim of ongoing and escalating harassment with the seeming goal of destroying her business. Refusing to be a victim, she decides to fight back.
A lot of potential in the premise and it did keep my interest throughout. Unfortunately, the reveal is anticlimactic and the film lacks a satisfying conclusion.
As I was leaving, I heard a man tell his girlfriend that he thought this felt like a made for Netflix film. Agreed.
Elizabeth Banks plays a business woman in the cosmetic industry on the verge of breakthrough success. After a competitor moves in down the street, Banks' character becomes the victim of ongoing and escalating harassment with the seeming goal of destroying her business. Refusing to be a victim, she decides to fight back.
A lot of potential in the premise and it did keep my interest throughout. Unfortunately, the reveal is anticlimactic and the film lacks a satisfying conclusion.
As I was leaving, I heard a man tell his girlfriend that he thought this felt like a made for Netflix film. Agreed.
This isn't the most complicated or intellectual thriller out there but it was surprisingly entertaining and enjoyable. I had seen a few negative soundbites out there, but there wasn't much in general given I saw one of the first screenings and I was trying to avoid reading much before watching. The soundtrack was great, some scenes had great camera play, and the way the story revolved around a small handful of characters was great -- the writing was good enough but the acting/characters was well done. Some things were very predictable but there were smaller twists and turns that made it fun. The only major irritation, common in some thrillers, was the outrageous stupidity/recklessness of the main chsracter, with some particularly dumb actions/writing. Not a must see by any means but fun and interesting enough to add to your list.
So the trailer peaked my curiosity and I downloaded to watch and it really started off ok. Elizabeth Banks has a beauty salon providing exquisite skincare service for her customers, ready to launch her own product line, when the competition shows up next door and coincidentally a loaded group email goes out to everyone she knows smearing her character, hurting the reputation of her business and the fallout of who's behind it begins. Everything leading up to her launch now spirals completely downward and her naive mindset has her looking in the wrong direction of who's trying to destroy her reputation. For a dark comedy it failed to deliver the way Drop Dead Gorgeous did with the late Kristie Alley o so well. Skincare was watchable but extremely forgettable popcorn.
Standard thriller that tries to blend true crime and high fashion but stumbles in execution. The film's under-saturated visuals give it a drab look that feels out of place in the gaudy LA setting, while the bad ADR and mediocre acting make it hard to fully engage. The main character's self sabotaging decision becomes frustrating right off the bar, and the plot lacks much progression, leaving her largely unchanged by the end. Elizabeth Banks turns up the paranoia and maintains a hysterical persona for most of the film-though the performance quickly gets old. The music is a high point, with its stress-inducing synths that build tension, but even that can't save the predictable and rushed ending. It's an okay film, but there's no need to rush out to see it. If you're into true crime dramas, skincare, or LA fashion, it might be worth a watch when it hits streaming.
As a thriller, it needed to be...more thrilling. There really wasn't enough going on to elevate it above being a decent Lifetime movie, an episode of Nip/Tuck, or a concise hour-long rerun of Dateline with Keith Morrison narrating in his patented Canadian way. Or maybe, the other guy...Dennis whats-his-face. You know, the one with the moles and skin tags. Oh hey, he would have been a great choice for the reenactment of this movie.
But that is the problem with Skincare: it is just too safe and by-the-book. Even the lady that inspired the script said that the actual events were even crazier. And the film itself needed more style. Like literally 2020's horror offering The Stylist comes immediately to mind. There needed to be a central underlying metaphor. Something to do with the "ugliness" of the aesthetician profession. Something more than what was presented.
I don't know. It was fine. Just more ridiculousness would have been appreciated.
But that is the problem with Skincare: it is just too safe and by-the-book. Even the lady that inspired the script said that the actual events were even crazier. And the film itself needed more style. Like literally 2020's horror offering The Stylist comes immediately to mind. There needed to be a central underlying metaphor. Something to do with the "ugliness" of the aesthetician profession. Something more than what was presented.
I don't know. It was fine. Just more ridiculousness would have been appreciated.
Le saviez-vous
- AnecdotesThis is Elizabeth Banks and Nathan Fillion's first collaboration since Horribilis (2006).
- GaffesHope claims her beauty products are copyrighted. An ingredient lists or recipe cannot be copyrighted. It could be patented if it involved a novel chemical or production method.
- Bandes originalesYou Think I Ain't Worth a Dollar, But I Feel Like a Millionaire
Performed by Queens of the Stone Age
Written by Josh Homme (as Joshua Homme), Nick Oliveri, Mario Lalli
Courtesy of Interscope Records under license from Universal Music Enterprises
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- How long is Skincare?Alimenté par Alexa
Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 456 590 $US
- Week-end de sortie aux États-Unis et au Canada
- 323 856 $US
- 18 août 2024
- Montant brut mondial
- 456 590 $US
- Durée1 heure 36 minutes
- Couleur
- Rapport de forme
- 2.39:1
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