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IMDbPro

Sly: Stallone par Stallone

Titre original : Sly
  • 2023
  • R
  • 1h 35min
NOTE IMDb
7,0/10
12 k
MA NOTE
Sylvester Stallone in Sly: Stallone par Stallone (2023)
The nearly fifty year prolific carrier of Sylvester Stallone, who has entertained millions, is seen in retrospective in an intimate look of the actor, writer, director-producer, paralleling with his inspirational life story.
Lire trailer2:17
1 Video
29 photos
BiographyDocumentary

Ajouter une intrigue dans votre langueThe nearly fifty year prolific career of Sylvester Stallone, who has entertained millions, is seen in retrospective in an intimate look of the actor, writer, director-producer, paralleling w... Tout lireThe nearly fifty year prolific career of Sylvester Stallone, who has entertained millions, is seen in retrospective in an intimate look of the actor, writer, director-producer, paralleling with his inspirational life story.The nearly fifty year prolific career of Sylvester Stallone, who has entertained millions, is seen in retrospective in an intimate look of the actor, writer, director-producer, paralleling with his inspirational life story.

  • Réalisation
    • Thom Zimny
  • Scénario
    • Aidin Sayar Sarie
  • Casting principal
    • Sylvester Stallone
    • Frank Stallone
    • John Herzfeld
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,0/10
    12 k
    MA NOTE
    • Réalisation
      • Thom Zimny
    • Scénario
      • Aidin Sayar Sarie
    • Casting principal
      • Sylvester Stallone
      • Frank Stallone
      • John Herzfeld
    • 57avis d'utilisateurs
    • 39avis des critiques
    • 62Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 2 nominations au total

    Vidéos1

    Official Trailer
    Trailer 2:17
    Official Trailer

    Photos29

    Voir l'affiche
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    + 24
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    Rôles principaux56

    Modifier
    Sylvester Stallone
    Sylvester Stallone
    • Self
    Frank Stallone
    Frank Stallone
    • Self - Brother
    • (as Frank Stallone Jr.)
    John Herzfeld
    John Herzfeld
    • Self - Director
    Wesley Morris
    Wesley Morris
    • Self - Film Critic
    Henry Winkler
    Henry Winkler
    • Self
    Quentin Tarantino
    Quentin Tarantino
    • Self
    Talia Shire
    Talia Shire
    • Self
    Arnold Schwarzenegger
    Arnold Schwarzenegger
    • Self
    Norman Jewison
    Norman Jewison
    • Self
    • (voix)
    Joe Eszterhas
    Joe Eszterhas
    • Self
    • (voix)
    Frank Stallone
    Frank Stallone
    • Self
    • (images d'archives)
    Sage Stallone
    Sage Stallone
    • Self
    • (images d'archives)
    Kalee Marshall
    Kalee Marshall
    • Runner
    Muhammad Ali
    Muhammad Ali
    • Self
    • (images d'archives)
    • (non crédité)
    Woody Allen
    Woody Allen
    • Self
    • (images d'archives)
    • (non crédité)
    Steve Austin
    Steve Austin
    • Self
    • (images d'archives)
    • (non crédité)
    Marlon Brando
    Marlon Brando
    • Self
    • (images d'archives)
    • (non crédité)
    Sandra Bullock
    Sandra Bullock
    • Self
    • (images d'archives)
    • (non crédité)
    • Réalisation
      • Thom Zimny
    • Scénario
      • Aidin Sayar Sarie
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs57

    7,012.4K
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    Avis à la une

    6henry8-3

    Sly

    This documentary's looking at the life of Sylvester Stallone is not much more than an extended interview with a few contributions from contemporaries. It does though in the end give you a pretty clear insight into the mind of the man, who to me always seemed to want to come back to his familiar franchises too often, rather than take on something new. I found it interesting then that he largely seems to accept this point as he often found himself uncomfortable making films that were to a large degree outside his control and felt more at home with Rocky and Rambo as can be seen by the quite extraordinary array of rather self indulgent memorabilia in his home. It was also interesting that outside the franchises he controlled, in nearly all cases, he seemed to have needed to change every script, character or ending to suit his personal vision on what the film should say.

    The man himself though seems to have been influenced, understandably, by a very rough childhood, controlled by a deeply unpleasant and seemingly jealous father who treated his children appallingly. That said it seems to have toughened and shaped Stallone who ultimately now seems a pleasant person comfortable with life and the most important things in it. In the end you simply have to admire how this guy has dragged himself from nothing and built himself into such an American icon.
    6timmyhollywood

    Another carefully curated "documentary" made by its subject

    Sylvester Stallone executive produces -- meaning approves or disapproves -- the documentary examining his own life and work.

    That's red flag number one. Even in an age of ubiquitous "documentaries" (they used to barely exist in the margins of filmmaking), such a project should aspire to illuminate its subject, warts and all.

    Here, Sly makes an attempt at a mea culpa, lamenting how he should have spent more time with his family, yet inclusion of that family's story scarcely exists. I had no idea his son, Sage Stallone, had died in 2012 at age 36. And the only reference to that here are life dates shown on screen after the brief segment about Sage appearing in the ill-received Rocky V.

    And what about Stallone's other son, Seargeoh? Yes, that's right, Stallone had two sons, and Seargeoh apparently was diagnosed with autism at the age of three. Not that the documentary reveals that -- Seargeoh is never even mentioned; I found out only by searching online, and only after an image of the actor Milo Ventimiglia (who plays Rocky's grown-up son in 2006's "Rocky Balboa") inexplicably appeared beside the name "Seargeoh Stallone" when I Googled it. Try it. You'll see.

    The real Seargeoh, apparently, has lived most of his life with his mother, Sasha Czack, now Stallone's ex.

    Okay, maybe it's to protect the privacy of his children, and that's fine. But it's a conspicuous absence in a documentary ostensibly about a man's life. Which it is, to a large extent, especially about his childhood, and how his physically abusive (Sly implies this, though never directly says it) and "brow-beating" father may have pushed him to seek external validation from an audience, or crowd.

    But the picture really focuses on the work, the ups and downs of Stallone's career, his regrets and his massive successes, and the way his two big franchises, especially the Rocky narrative, are really mirrors for his own life and career. Where this gets the most interesting, at least for this viewer, was when Stallone described these two world-famous characters as ends of a spectrum. Rambo is the broken hero with no home who dies alone. Rocky embraces humanity, and family, and is in turn embraced. Stallone admits he's both characters.

    In "Sly," I appreciated this emphasis on the work. I make my own living as a suspense writer, have worked in film, and in my own much smaller and less famous way, have experienced a lot of the frustrations and joys. Every artist does, really. This telling of Sly's life seems like a letter to all artists, that they may aspire to such greatness at their own peril. That even with great success they may, like Sly, be left searching for inspiration, hoping to slow life down, hoping for another good fight.
    7mchl88

    Needed More

    I'm only going to compare this documentary to Arnold Schwarzenegger's because it is brought up so prominently in both of them how competitive they were. How toe to toe they went in the 80s making bigger and bigger action films and getting larger and larger grosses (not to mention biceps).

    That said, Arnold's was better. I preferred Schwarzenegger's because it went deeper into his personal life and even his faults as a man and a husband.

    Sly, the documentary, was good. But it mostly focused on his career. After the obligatory stuff about how he grew up and what a sonofabitch his father was, it was all about the movies. The hits and the flops. I'd've liked to have heard more about his marriages and his relationship with his kooky mother (which is completely overlooked) and especially about losing his son. Even his other business adventures are ignored. Wasn't he an investor in Planet Hollywood? We hear nothing about that.

    Anyway, I enjoyed this. It was the perfect airplane diversion as I killed 7 hours over the Atlantic. But like the Arnold doc, I think Sly's life deserves more than a 2 hour recap. I could have handled at least twice that as long as the second part dove deeper into the man himself.
    7daviddadgidzi

    SHOULD HAVE BEEN LONGER

    As much as I loved this documentary on Sylvester Stallone, one of my absolute favorite in show business, I am a little bit disappointed by the run time. This clearly could have and deserves to be longer not just for the viewers, but also for the story, SLY.

    It almost feels like every story was cut short, and could have been longer.

    Sylvester Stallone achieved much against all odds, the story of his greatness is unprecedented and could have easily filled an 8 part docuseries. His family, love life, failures success, children, fame and fortune.

    I'm glad I did watch this, will probably not re watch it though, cause it falls short in a lot of ways for me.
    8vastrida

    A good biopic but a bit sad.

    The articulate man behind Rambo and Rocky still suffers the wound of his father's abuse. Yet he has beaten that wound by having a fabulous career. This documentary just made me want to give Stallone a hug and tell him -'life is STILL GOOD, Stop and smell the roses!' In a capacity the dogged sadness about his failures seems theatrical too. Is he acting through his own biopic? Probably. I wanna send him to go watch Nyad, another flick on Netflix that talks to how life is really NOT over for people on their later years. It feels like the 'antidote' to Stallone moping. Where is his therapist? I love Sly but depression present here is just a disservice to his contributions.

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    Histoire

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    Le saviez-vous

    Modifier
    • Anecdotes
      This is the first official documentary about Sylvester Stallone.
    • Citations

      Sylvester Stallone: Life is addition up until age 40, and after that it's subtraction.

    • Connexions
      Features Sur les quais... (1954)

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    FAQ14

    • How long is Sly?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 3 novembre 2023 (France)
    • Pays d’origine
      • États-Unis
    • Site officiel
      • Netflix
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Sly
    • Sociétés de production
      • Balboa Productions
      • Netflix
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 35 minutes
    • Couleur
      • Color
      • Black and White
    • Mixage
      • Dolby Digital
    • Rapport de forme
      • 2.00 : 1

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