Ajouter une intrigue dans votre langueThe nearly fifty year prolific career of Sylvester Stallone, who has entertained millions, is seen in retrospective in an intimate look of the actor, writer, director-producer, paralleling w... Tout lireThe nearly fifty year prolific career of Sylvester Stallone, who has entertained millions, is seen in retrospective in an intimate look of the actor, writer, director-producer, paralleling with his inspirational life story.The nearly fifty year prolific career of Sylvester Stallone, who has entertained millions, is seen in retrospective in an intimate look of the actor, writer, director-producer, paralleling with his inspirational life story.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 nominations au total
- Self - Brother
- (as Frank Stallone Jr.)
- Self
- (voix)
- Self
- (voix)
- Self
- (images d'archives)
- Self
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- Self
- (images d'archives)
- (non crédité)
- Self
- (images d'archives)
- (non crédité)
- Self
- (images d'archives)
- (non crédité)
- Self
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- Self
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Avis à la une
The man himself though seems to have been influenced, understandably, by a very rough childhood, controlled by a deeply unpleasant and seemingly jealous father who treated his children appallingly. That said it seems to have toughened and shaped Stallone who ultimately now seems a pleasant person comfortable with life and the most important things in it. In the end you simply have to admire how this guy has dragged himself from nothing and built himself into such an American icon.
That's red flag number one. Even in an age of ubiquitous "documentaries" (they used to barely exist in the margins of filmmaking), such a project should aspire to illuminate its subject, warts and all.
Here, Sly makes an attempt at a mea culpa, lamenting how he should have spent more time with his family, yet inclusion of that family's story scarcely exists. I had no idea his son, Sage Stallone, had died in 2012 at age 36. And the only reference to that here are life dates shown on screen after the brief segment about Sage appearing in the ill-received Rocky V.
And what about Stallone's other son, Seargeoh? Yes, that's right, Stallone had two sons, and Seargeoh apparently was diagnosed with autism at the age of three. Not that the documentary reveals that -- Seargeoh is never even mentioned; I found out only by searching online, and only after an image of the actor Milo Ventimiglia (who plays Rocky's grown-up son in 2006's "Rocky Balboa") inexplicably appeared beside the name "Seargeoh Stallone" when I Googled it. Try it. You'll see.
The real Seargeoh, apparently, has lived most of his life with his mother, Sasha Czack, now Stallone's ex.
Okay, maybe it's to protect the privacy of his children, and that's fine. But it's a conspicuous absence in a documentary ostensibly about a man's life. Which it is, to a large extent, especially about his childhood, and how his physically abusive (Sly implies this, though never directly says it) and "brow-beating" father may have pushed him to seek external validation from an audience, or crowd.
But the picture really focuses on the work, the ups and downs of Stallone's career, his regrets and his massive successes, and the way his two big franchises, especially the Rocky narrative, are really mirrors for his own life and career. Where this gets the most interesting, at least for this viewer, was when Stallone described these two world-famous characters as ends of a spectrum. Rambo is the broken hero with no home who dies alone. Rocky embraces humanity, and family, and is in turn embraced. Stallone admits he's both characters.
In "Sly," I appreciated this emphasis on the work. I make my own living as a suspense writer, have worked in film, and in my own much smaller and less famous way, have experienced a lot of the frustrations and joys. Every artist does, really. This telling of Sly's life seems like a letter to all artists, that they may aspire to such greatness at their own peril. That even with great success they may, like Sly, be left searching for inspiration, hoping to slow life down, hoping for another good fight.
That said, Arnold's was better. I preferred Schwarzenegger's because it went deeper into his personal life and even his faults as a man and a husband.
Sly, the documentary, was good. But it mostly focused on his career. After the obligatory stuff about how he grew up and what a sonofabitch his father was, it was all about the movies. The hits and the flops. I'd've liked to have heard more about his marriages and his relationship with his kooky mother (which is completely overlooked) and especially about losing his son. Even his other business adventures are ignored. Wasn't he an investor in Planet Hollywood? We hear nothing about that.
Anyway, I enjoyed this. It was the perfect airplane diversion as I killed 7 hours over the Atlantic. But like the Arnold doc, I think Sly's life deserves more than a 2 hour recap. I could have handled at least twice that as long as the second part dove deeper into the man himself.
It almost feels like every story was cut short, and could have been longer.
Sylvester Stallone achieved much against all odds, the story of his greatness is unprecedented and could have easily filled an 8 part docuseries. His family, love life, failures success, children, fame and fortune.
I'm glad I did watch this, will probably not re watch it though, cause it falls short in a lot of ways for me.
Le saviez-vous
- AnecdotesThis is the first official documentary about Sylvester Stallone.
- Citations
Sylvester Stallone: Life is addition up until age 40, and after that it's subtraction.
- ConnexionsFeatures Sur les quais... (1954)
Meilleurs choix
- How long is Sly?Alimenté par Alexa
Détails
- Durée1 heure 35 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.00 : 1