Take Cover

Here's my review of Take Cover:

Scott Adkins was the only redeeming factor in this film, though calling it "enjoyable" would be a stretch. His performance managed to elevate certain moments, but unfortunately, it wasn't enough to save the movie.

The opening scene failed to make an impression, with a script that lacked both engagement and impact. The issue was compounded by the overly loud background music, which often drowned out the dialogue and made it hard to follow. This pattern continued throughout, making the viewing experience frustrating at best.

The plot and script were major disappointments, wasting the potential of some decent acting. The narrative felt dragged out and underwhelming, with scenes like the one in the hotel room coming across as bland and predictable. There was no tension or excitement, as it was far too easy to guess what would happen next.

While the cinematography was decent, the music often overstayed its welcome, especially in moments that were supposed to be pivotal. The script felt rushed and uninspired, leaving the actors with little to work with, though some performances stood out slightly above the rest.

Overall, Take Cover had potential but was let down by its weak script, predictable narrative, and poor sound design, making it a forgettable experience despite Scott Adkins' best efforts.

This was pretty poor. It looks like a made for TV movie, that wouldn't even had made it to the VHS bargain bin back in the day.

The acting is lame. The script is atrocious which attempts to play somewhere between a Ryan Reynolds 'action comedy' and an epicly poor Tarantino action thriller.

Adkins colleague is very bad indeed. The action sequences are very poor.

I'd strongly recommend that you give this a wide berth. It's one of those films where you really wish that you can't unsee it, or feel bad about the amount of time that you lost watching it. I had to turn it off at about 35 minutes just during the flat fight sequence. I wish I'd given it up sooner.

I've always been a fan of Adkins and felt he deserved lead roles in action movies instead of always being supporting cast, and in this movie, he finally got that. But as usual, he's always in these B movies and usually with newb filmmakers, as is the case here. He did however carry the film, along with the rest of the cast that did their best with the terrible material they had to work with.

This movie is stuntman turned newb director Nick McKinless' first full length feature film, and I have to say, he did not disappoint - especially considering the terrible screenplay he had to work with. He directed this movie and his cast very well to the point he seemed like a seasoned director. Camera shots, action scenes and choreography were impressive, and he should be proud of his achievements. I feel McKinless has found his calling as a director.

However, where this movie failed miserably is in newb writer Joshua Todd James' terrible screenplay, that had the most pointless and cringeworthy dialogue I've ever heard. It's as if it was written by a bunch of high school drama class teenagers - riddled with annoying cuss words and frat-house back and forth bromance "my d*ick is bigger than yours" type dialogue. Then in between that, it was constant blah blah blahhh cringe dialogue that was mostly filler and did nothing to progress the narrative. This movie was literally the most boring and pointless sniper action movie I've seen.

From the entire middle act and on where they were hiding behind the sofas, was just nonsense conversation riddled with cliches, tedious exposition, shallow characterization and pointless dialogue. Even with the very short 80 min runtime (not counting all the opening and closing credits), the entire movie felt like it dragged on for over 2 hours. There just wasn't enough substance in this screenplay to be a full length movie, and would've been much more enjoyable as a short film. Never mind that the little substance there was, was riddled with plot holes and cliched parts taken from every other "one last job" movie out there.

Nevertheless, Adkins shined in this one, and it's too bad he spent most of his screen time blabbing nonsense instead of showcasing his action and fighting skills more than the barely five minutes he was given. It's a generous 5/10 from me.

The script itself was not really all that bad. Scott Adkins always performs fight scenes very well, so there's that. However, this supposed professional contractor makes some of the most ridiculous decisions just to prolong the plot/movie that it's hardly relatable. Example: being pinned down for a long, long time by a sniper, supposedly unable to reach his weapon, with people getting shot the whole time, when I guess he gets tired of it and just goes for the gun... successfully, of course, then, within 3 seconds, sets up a shot and takes out the shooter in a building 1/2 a mile away. Really? There are several more "why in the heck don't you just..." scenarios like this that even a not so smart person would think of almost immediately. Like I said, the only redeeming value are the fight scenes. It's worth a watch if you can find absolutely nothing else to do.

For the record, I am a fan. I have an Adkins film on my list of all-best movies, a claim few other reviewers can make. But, at the same time, I have been outspoken in my view that, since his Boyka films, he has not really found an outlet to best showcase his talent. TAKE COVER 2024 changes all that. Writer Joshua Todd James has cleverly turned a hi-rise apartment into a killbox, showing once again how a limited set does not have be a disadvantage. Properly done, the suspense becomes palpable. The script cleverly pushes the "turnabout" trope -- Adkins's being targeted by a faraway shooter works well because, in the story, he himself is also a sniper. Clever! There is a lot of action and tension in Take Cover, and many of Adkins' special skills are effectively deployed for the first time in quite a while. Recommended. ((Designated "IMDb Top Reviewer." Please check out my list "167+ Nearly-Perfect Movies (with the occasional Anime or TV miniseries) you can/should see again and again (1932 to the present))