Girlfriends' Guide to Divorce

At first it wasn't so bad. As the seasons continue Abby's neurotic, self centered, center of attention persona really becomes annoying. If I have to watch her cut one more person off while they speak or cry about how her problem is bigger than everyone else's band use that as an excuse for her crazy behavior I will scream. I've had to turn it off multiple times or skip past her scenes. Not the actress's fault, it's all in the writing.

I find the show quite entertaining! As a divorced mom, I can relate somewhat with Lisa Edelstein's character, Abby. Of course I'm not wealthy or perfectly beautiful like these women but I do love the situations Abby gets herself into. I do think they could get rid of the Phoebe character and no one would care, they've tried way too hard to add a Samantha Jones character and the actress/character comes across as sluty and desperate not sexy. I also believe the show would benefit with a little more Lyla (Janeane Garofalo) as she seems to be the most real person in the group. It's a very funny and somewhat relatable escape from reality.

"Girlfriend's Guide to Divorce" has been something of a guilty pleasure for me. I see its flaws, I get its limitations, I sometimes find its characters just too trying, and sometimes I'm just plain bored. But just like the characters who find Abby, the lead, lovable despite her all too apparent flaws, I've stuck with it and mostly enjoyed it. It's just "off" enough to be interesting.

The opening episode of season 5, the final one, has rewarded my dogged fealty with one of the best written season openers I've ever seen. It does everything you would want an opener to do--deal with the exposition in an interesting and innovative way, remind you of why you've been watching by reestablishing the characters and their storylines, but most importantly, setting up new directions for the show to go in order to justify yet another season. There's so much packed into this episode, so much is thrown at the characters (and us)--major life changes occur and major new conflicts are set up--and it pulls it all off with aplomb.

How do the writers pull this off? By using a formally innovative approach. Form is the way a story is told--the way it's structured, the way it's approached, in effect, the way it's composed.

This episode jumps around in time (something that's become very trendy and gimmicky these days and often doesn't really work) but in a very precise way and it also shifts the point of view among the main characters (This, in the writing biz, is called polyphony). So we have time-shifting and polyphony. (Only gifted writers need apply).

It opens at a glamorous media event complete with a red carpet and the whole gang's there. But then we see Delia in distress and Abby, Jo , and Phoebe drop everything to come to her aid.

Then, immediately we jump back to six months earlier. And Abby's in bed with--oops, no spoilers here, you'll have to watch to find out. We then go through the highlights of the previous six months of her life leading up to the glamorous media event. Step and repeat with each of the other main characters in turn. There are even a few of the very same scenes (where all the main characters are present) in each of the character's 6 month highlight reel so we eventually see that scene through each character's POV, and each time we learn something new.

Finally we circle back to the beginning and we're at the media event and now understand what's going on for each of the characters and why Delia is in crises mode.

But before this is fully resolved we jump to the next day (the present) and major life changes occur, new conflicts occur, new storylines develop and a new season is set up. And we've hit the ground running.

In one episode we see all this and somehow it all makes sense. This is great writing. Clearly, Girlfriend's Guide is going out in style.

this show is delightful. witty, contemporary and wholesome. yes wholesome. suck on that. it is more wholesome to be free and a good person than a judgmental closet case. this show is an accurate portrayal of Angelinos into today's climate. thank you. finally.

Not only is it nice to see Los Angeles is an affectionate light (watch Los Angeles Plays Itself), but the acting is understated and pleasant. I'm reminded of the early days of Sex in the City, when people would host Manhattan drink parties and wait to see what Carrie would wear. Albeit, we've grown up. Sequin hot pants aren't going to cut it. The reality of home ownership, child rearing, wacky sometimes awesome friendships (old and new), and the demise, rebirth and creation of ideals, leaves a modern woman striped of certainty, often depressed, and in need of affirmation. This show is that and the top shelf bottle, without the fatty liver. Again thank you.

Remember Padawan, adaption is one of the seven traits that define life.

Well, I really did not expect to like this series, judging by reviews and description. But oddly enough, I did. Now, don't expect realistic drama or characters with who you can really identify yourself. There are some though, I really like Barbara, she is badass and you can relate to her, if you are divorced over the 40 woman who works for living. Other women are far too privileged to relate but I have to say IMO they are fun to watch. I don't hate Abby, like most critics here stated. She really tries to be positive in any situation, I like that attitude. She smiles even if she is really down and she tries, God she tries to be fun and perky. You can't hate her for that. Delia is amazing, and even thou she seems perfect at first glance, you can see she makes some mistakes as everyone else. I even like Jo and Phoebe though they strike me like a bit of stereotypes. All in all, it's really fun to watch. I am hooked!