Avis Metacritic

In its voices tinged with sorrow and re-examined history, this expertly tuned film is simply pro-introspection: a heavy-hearted look at an unnecessary death and a cultural superiority long deserving of scrutiny.

The first half of The Mission is triumphant, offering a multitude of thought-provoking ways to approach a tragedy. But with so many fascinating angles at their disposal, it’s unfortunate that Moss and McBaine didn’t take a bigger swing with their ending.

As an intriguing and complex portrait of humanism vs. idealism (to be civil about it), there’s also a fine line between faith and madness, and to their credit, The Mission filmmakers leave it up to the audience to decide where they stand; perhaps the sign of sharp filmmakers hoping to leave their viewer hashing it out for hours afterward (something that doc certainly engenders).

The Mission is a thoughtful, fair-minded exploration of what motivated Chau, and also spreads out to confront bigger questions on the legacy of colonialism, the delusions of white saviour narratives and the thin line between faith and fantasy.

It’s a hefty, substantial, at times dizzying experience despite lacking some elements that might have elevated it to the highest levels of its form.

Anthropologists, former missionaries and Chau’s friends offer valuable perspectives – and prompt viewers to examine their own roles in perpetuating ages-old saviour complexes. The Mission’s message is as timely as it is timeless, tragically.

For its near-miss moments, the inside-out approach of The Mission results in a richer film than one might have expected from reading the summary on a streaming menu.

The most barbed aspect of the movie, a National Geographic release, is its acknowledgment of the role that National Geographic itself has played in exoticizing groups like the North Sentinelese.

Amanda McBaine and Jesse Moss’ The Mission is an empathetic and reconstructive portrait propelled by questions surrounding Chau’s voyage.

Moss and McBaine do well to examine their subject from every angle. And yet, it’s not nearly enough.