Une fille kidnappée. Un passé caché révélé. Une chance de sauvetage apparemment futile. Aujourd'hui, le révérend Jeremiah Jacobs et sa femme Martha doivent surmonter les mensonges du passé p... Tout lireUne fille kidnappée. Un passé caché révélé. Une chance de sauvetage apparemment futile. Aujourd'hui, le révérend Jeremiah Jacobs et sa femme Martha doivent surmonter les mensonges du passé pour retrouver l'espoir de l'avenir.Une fille kidnappée. Un passé caché révélé. Une chance de sauvetage apparemment futile. Aujourd'hui, le révérend Jeremiah Jacobs et sa femme Martha doivent surmonter les mensonges du passé pour retrouver l'espoir de l'avenir.
- Réalisation
- Scénario
- Casting principal
Avis à la une
It's 1890 Arizona. Martha Rose Jacobs (Sarah Drew) is living her perfect life with husband Jeremiah Jacobs (Lucas Black) and daughter Hope Jacobs (Olivia Sanabia). One night, her past upends her life with a vengeance. They are attacked by a gang led by her father William 'King of Hearts' Bridges (Jeff Fahey) and Hope gets kidnapped.
I like the start and the opening premise. It's a B-western with aspirations to be a good spaghetti western. The filmmaking starts to falter a bit. A few things start bugging me. There is no way that she would hesitate to shoot that guy. She would probably shoot him in the back. She already shot someone in the back. There is no need to do that old trope where the good guy do not shoot first. That guy is shooting at her husband. She needs to put that guy down without warning. Finally, I find the whole card motif thing going overboard. They can be called that, but there is no need for the tents. It's a little ridiculous for rampaging fugitives to be putting up circus tents. There is a good idea here, but the execution keeps getting in the way.
I like the start and the opening premise. It's a B-western with aspirations to be a good spaghetti western. The filmmaking starts to falter a bit. A few things start bugging me. There is no way that she would hesitate to shoot that guy. She would probably shoot him in the back. She already shot someone in the back. There is no need to do that old trope where the good guy do not shoot first. That guy is shooting at her husband. She needs to put that guy down without warning. Finally, I find the whole card motif thing going overboard. They can be called that, but there is no need for the tents. It's a little ridiculous for rampaging fugitives to be putting up circus tents. There is a good idea here, but the execution keeps getting in the way.
Modern westerns typically only come in 2 flavors, excellent or barely watchable. This one is not in the excellent category by any means, but it was quite a bit less cheesy than Dead Man's Hand that I watched directly before this one (which was barely watchable). It's clean and knows what it is but the writing/plot is tedious at times and I thought many of the dialogue scenes were too long and drawn out. Production was obviously on a budget but was ok. Acting and costuming were decent and shots were clean. Lucas Black was probably the least convincing of the bunch for some reason- I guess I've seen Tokyo Drift too many times.. "maaa ride".
Since the beginning, first scene, the guy arrives in his horse in a house in the middle of nowhere and his wife dealing with her laundry in the open only notices the man arriving when he is 50 feet away. Ahã!
The grand father is pathetic, an outlaw escaping from justice with a camp under a hill? Hello, if you want to protect yourself, stay in the top!
Also, there was no GPS at that time, but the sherif, manages to hit the spot where there was a dead guy. To persons fire at each other and the director changes scene. A cheep suspense. But the wife of the sheriff arriving in the end is absolutely offensive to viewers. If you like westerns, have watched Dolare Bucato, stay away!
The grand father is pathetic, an outlaw escaping from justice with a camp under a hill? Hello, if you want to protect yourself, stay in the top!
Also, there was no GPS at that time, but the sherif, manages to hit the spot where there was a dead guy. To persons fire at each other and the director changes scene. A cheep suspense. But the wife of the sheriff arriving in the end is absolutely offensive to viewers. If you like westerns, have watched Dolare Bucato, stay away!
I loved it. Great score, great love story about marriage when things get hard. Fun moments, appropriately tense at times. Family friendly, for the most part. It has the feel of a classic western movie, including the surreal fun of criminals who are given to hypocrisy. It's faith based and the speeches about God are not cheesy or fake or wishy washy, but rather real and raw and tender. It's hard to convey faith and family in a cinematic way without it coming across shallow, and somehow the director captured it. It's not a perfect film, but it's the perfect film for me. I'm looking forward to seeing more from this director.
This is an awesome old-western Christian movie. Likewise, this movie is obviously family-friendly and is a very nice movie for the whole family to watch. Great American PureFlix makes awesome movies that are very cool. This movie is pure and there's no obscene scenes in the movie. This movie was also very nostalgic and quite unique. This is a must watch. I also love old western/country movies that are family friendly, let alone the ones that are biblical Christian movies. This is actually my favorite movie in the western genre. I've also seen other movies in this genre too, all of which are family friendly movies. I got saved on January 3, 2020 and I started watching movies regularly in November of 2020.
Le saviez-vous
- AnecdotesAaron Burns second time working with Lucas Black after last year's Legacy Peak
- Bandes originalesHome to You
Written by Olivia Sanabia and Savannah Sanabia
Performed by Olivia Sanabia
Produced by Travis Heidelman
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
- How long is Birthright Outlaw?Alimenté par Alexa
Détails
- Durée
- 1h 41min(101 min)
- Couleur
- Rapport de forme
- 2.39:1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant