Un chaman se voit offrir une forte somme d'argent pour déplacer une tombe. Il se déplace avec son compagnon, Ji Gwan.Un chaman se voit offrir une forte somme d'argent pour déplacer une tombe. Il se déplace avec son compagnon, Ji Gwan.Un chaman se voit offrir une forte somme d'argent pour déplacer une tombe. Il se déplace avec son compagnon, Ji Gwan.
- Récompenses
- 7 victoires et 17 nominations au total
Avis à la une
Good movie and good acting. The part I liked was the depiction of the culture and the part I didn't like was that it wasn't scary. The potential of this movie is amazing and can be made even scarier. It's nice to be able to follow a neat and structured storyline. I had to endure going to the toilet so I wouldn't miss a scene. However, when I saw the ghost, I thought I was seeing the enemy of Resident Evil. For psychics and fengshui experts this movie is okay to watch. Thank you for making such a good movie, for me this is more of a semi-horror drama movie. Let's make a scarier movie. Happy watching.
Exhuma (2024 :
Movie Review:
Korean cinema is definitely redefining the horror genre for modern cinema lovers. Jang Jae-hyun's Exhuma is another fine example of it. The film has turned out to be a huge hit at the box office, and I don't wonder. Such new and intense attempts at story-telling deserve audiences' support. I am glad that Korean audiences and critics gave Exhuma what it deserved. Na Hong-jin's "The Wailing" received universal acclaim, and it remains the best horror flick in recent times, not just in Korean cinema but all over the world. Exhuma isn't that good, but certainly close to it, and believe me, it's an achievement in itself in today's time.
Renowned Korean shaman Hwa-rim (Kim Go-eun) and her protégé, Bong-gil (Lee Do-hyun), are called by a wealthy Korean American family to identify the mysterious illness of the family's newborn son, who is struggling in the hospital. Hwa-rim uncovers the curse to be a 'Grave's Call', a vengeful ancestor's spirit haunting them. The family's patriarch, Park Ji-Yong, entrusts them to relocate the grave to appease the ancestor, his grandfather. Hwa-rim enlists colleagues, a Feng shui master, Kim Sang-deok (Choi Min-sik), and a mortician, Yeong-geun (Yoo Hae-jin). The coffin is opened by mistake, and the soul is freed from it to take the lives of other family members. After burning that coffin, the team finds an even more vicious soul, which was buried at the same place and is guarding the place. It's neither human nor animal, and it can't be eliminated. Will the team be able to get a hold of this new Japanese soul/monster who is fighting a war for the land?
Exhuma is a little long if we have to consider the overall grip of the narrative. I would have liked it to be 120 minutes instead of 130 minutes. Those 10 minutes felt over. Rest, no complaints about the screenplay. It's chilling, terrifying, and damn intriguing. You don't get to see those ghostly faces again and again; you see them only two or three times, but they do scare the hell outta you. That's one reason to love Korean cinema. They don't overdo supernatural stuff and keep it to a minimum so that we value them more. Seeing the same monster again and again reduces the fear factor. Exhuma has enough surprises, such as folk horror, family curses, land issues, haunting supernatural stuff, etc. The dialogues could have been better, I guess. The whole idea of the monster, the killing, and revenge could have been more brutal verbally. They missed that chance. Rest, it's a superb narrative in a new-age horror zone.
I am not very familiar with the Korean actors and their previous works, so I'll only speak about this film in particular. Choi Min-sik, Kim Go-eun, Yoo Hae-jin, and Lee Do-hyun looked fantastic in their roles. Kim Sun-young, Kim Jae-cheol, and Kim Ji-an did pretty well in the supporting roles. In horror movies, the most important part is those frightening expressions, which were captured by these people in the film. There are no various shades, but one zone-horror. That's too difficult sometimes and too easy sometimes for some people. Exhuma's did everything they could with their characters, even though it takes time to get to the pickup point.
Horror movies are very much dependent on the sound design that helps build up the atmosphere and devilish scare around you. Exhuma has been blessed with a perfect score and sound design for the horror genre. That continuous background score in the last 15 minutes gets on your nerves, and there are some moments that get too loud to shake you from inside. The film has been blessed by another powerful aspect, and that's its terrific cinematography. Those cut-to scenes, blackouts, and shaking frames tell you what the real horror motion picture means. Just don't blink in those intense and terrifying moments. The locations of the mountains, old mansion, grave, and gorge are beautiful. Jang Jae-hyun has done a commendable job as a director. He has a solid grip on the whole narrative, and he doesn't really let you go out of that shaman and burial world. A few flawed and slow moments could have been avoided, but they don't hurt much to the overall viewing experience. As a whole, Exhuma is a chilling and phenomenal horror flick in new-age filmmaking that borrows old formulas only to redevelop them for modern audiences. If you are looking for a real horror thriller, then this one's the latest version of it.
RATING - 6/10*
Korean cinema is definitely redefining the horror genre for modern cinema lovers. Jang Jae-hyun's Exhuma is another fine example of it. The film has turned out to be a huge hit at the box office, and I don't wonder. Such new and intense attempts at story-telling deserve audiences' support. I am glad that Korean audiences and critics gave Exhuma what it deserved. Na Hong-jin's "The Wailing" received universal acclaim, and it remains the best horror flick in recent times, not just in Korean cinema but all over the world. Exhuma isn't that good, but certainly close to it, and believe me, it's an achievement in itself in today's time.
Renowned Korean shaman Hwa-rim (Kim Go-eun) and her protégé, Bong-gil (Lee Do-hyun), are called by a wealthy Korean American family to identify the mysterious illness of the family's newborn son, who is struggling in the hospital. Hwa-rim uncovers the curse to be a 'Grave's Call', a vengeful ancestor's spirit haunting them. The family's patriarch, Park Ji-Yong, entrusts them to relocate the grave to appease the ancestor, his grandfather. Hwa-rim enlists colleagues, a Feng shui master, Kim Sang-deok (Choi Min-sik), and a mortician, Yeong-geun (Yoo Hae-jin). The coffin is opened by mistake, and the soul is freed from it to take the lives of other family members. After burning that coffin, the team finds an even more vicious soul, which was buried at the same place and is guarding the place. It's neither human nor animal, and it can't be eliminated. Will the team be able to get a hold of this new Japanese soul/monster who is fighting a war for the land?
Exhuma is a little long if we have to consider the overall grip of the narrative. I would have liked it to be 120 minutes instead of 130 minutes. Those 10 minutes felt over. Rest, no complaints about the screenplay. It's chilling, terrifying, and damn intriguing. You don't get to see those ghostly faces again and again; you see them only two or three times, but they do scare the hell outta you. That's one reason to love Korean cinema. They don't overdo supernatural stuff and keep it to a minimum so that we value them more. Seeing the same monster again and again reduces the fear factor. Exhuma has enough surprises, such as folk horror, family curses, land issues, haunting supernatural stuff, etc. The dialogues could have been better, I guess. The whole idea of the monster, the killing, and revenge could have been more brutal verbally. They missed that chance. Rest, it's a superb narrative in a new-age horror zone.
I am not very familiar with the Korean actors and their previous works, so I'll only speak about this film in particular. Choi Min-sik, Kim Go-eun, Yoo Hae-jin, and Lee Do-hyun looked fantastic in their roles. Kim Sun-young, Kim Jae-cheol, and Kim Ji-an did pretty well in the supporting roles. In horror movies, the most important part is those frightening expressions, which were captured by these people in the film. There are no various shades, but one zone-horror. That's too difficult sometimes and too easy sometimes for some people. Exhuma's did everything they could with their characters, even though it takes time to get to the pickup point.
Horror movies are very much dependent on the sound design that helps build up the atmosphere and devilish scare around you. Exhuma has been blessed with a perfect score and sound design for the horror genre. That continuous background score in the last 15 minutes gets on your nerves, and there are some moments that get too loud to shake you from inside. The film has been blessed by another powerful aspect, and that's its terrific cinematography. Those cut-to scenes, blackouts, and shaking frames tell you what the real horror motion picture means. Just don't blink in those intense and terrifying moments. The locations of the mountains, old mansion, grave, and gorge are beautiful. Jang Jae-hyun has done a commendable job as a director. He has a solid grip on the whole narrative, and he doesn't really let you go out of that shaman and burial world. A few flawed and slow moments could have been avoided, but they don't hurt much to the overall viewing experience. As a whole, Exhuma is a chilling and phenomenal horror flick in new-age filmmaking that borrows old formulas only to redevelop them for modern audiences. If you are looking for a real horror thriller, then this one's the latest version of it.
RATING - 6/10*
Exhuma was a movie I was looking forward to seeing and had avoided learning anything about before I saw it.
I was mainly hopeful because of the cast.
It starts pretty strongly with a feeling of class from the acting to the production values.
The story wasn't clear at first but then I got my hopes up as the first grave is dug up.
However this part of the story seems to be wrapped up quite quickly with the cremation scene and it then delves into Korean and Japanese history with strong anti Japanese feeling.
Now I'm not familiar with the history of these countries to a great extent so maybe a bit of this stuff wasn't for me as an Englishman.
But I completely understood it, It was just an unexpected turn of the story and then the film devolves into some weird thriller full of special effects (admittedly well done) that would fit into more of a comic book style horror.
It's incredibly disjointed.
If anyone compares this film favourably with The Wailing, ignore them. The wailing is far far superior.
This film is worth a watch but don't expect a classic horror movie.
I was mainly hopeful because of the cast.
It starts pretty strongly with a feeling of class from the acting to the production values.
The story wasn't clear at first but then I got my hopes up as the first grave is dug up.
However this part of the story seems to be wrapped up quite quickly with the cremation scene and it then delves into Korean and Japanese history with strong anti Japanese feeling.
Now I'm not familiar with the history of these countries to a great extent so maybe a bit of this stuff wasn't for me as an Englishman.
But I completely understood it, It was just an unexpected turn of the story and then the film devolves into some weird thriller full of special effects (admittedly well done) that would fit into more of a comic book style horror.
It's incredibly disjointed.
If anyone compares this film favourably with The Wailing, ignore them. The wailing is far far superior.
This film is worth a watch but don't expect a classic horror movie.
"Exhuma" emerges as a bold tapestry of horror, weaving together an array of tropes that challenge the boundaries of the genre. Its narrative is a complex interplay of classic horror elements, grave digging, psychological twists, demon hunting, and unexpected comedy, creating a cinematic experience that is as unsettling as it is innovative. The overlay of the history of the Japanese occupation adds a layer of moral complexity. While some cultural symbolism may be lost on international audiences, the film's deliberate pacing cultivates a tension that transcends cultural barriers, culminating in a climax that is both disorienting and impactful. "Exhuma" may not prioritize narrative clarity, but it compensates with a visceral journey through the macabre, leaving viewers with a lingering sense of unease and contemplation long after the credits roll. The film's commitment to a slow-burn approach rewards patient viewers with a thought-provoking exploration of horror that refuses to be confined by conventional expectations.
"Exhuma" is a horror gem that demands your attention, despite its seemingly long runtime. Trust me; the payoff is worth every minute.
The movie cleverly unfolds in distinct chapters, each packing its own mini-climax. This approach, rather than overwhelming us with a convoluted plot, allows for a detailed and engaging exploration of "smaller" stories. I found myself invested in every chapter, thanks to the intriguing mysteries woven into each one. The storytelling is top-notch, blending visual and narrative clues seamlessly, ensuring that even the casual viewer can follow along.
What sets "Exhuma" apart for me is its refreshing take on horror. Instead of relying on cheap jumpscares, the film opts for atmospheric horror that keeps you on edge while pulling you deeper into the story. It's a balance of terror and curiosity that's executed brilliantly.
Now, to be fair, there are moments where the narrative feels a tad disjointed, making it a bit challenging to follow. Yet, the film's redeeming quality lies in its refusal to bombard you with ghosts every second. It takes its time, allowing the story to breathe and unfold naturally.
In the end, "Exhuma" isn't just another horror flick; it's a journey that respects your time and delivers a story worth experiencing. So, ignore the runtime concerns, and let this movie grip you with its unique blend of chills and storytelling finesse.
The movie cleverly unfolds in distinct chapters, each packing its own mini-climax. This approach, rather than overwhelming us with a convoluted plot, allows for a detailed and engaging exploration of "smaller" stories. I found myself invested in every chapter, thanks to the intriguing mysteries woven into each one. The storytelling is top-notch, blending visual and narrative clues seamlessly, ensuring that even the casual viewer can follow along.
What sets "Exhuma" apart for me is its refreshing take on horror. Instead of relying on cheap jumpscares, the film opts for atmospheric horror that keeps you on edge while pulling you deeper into the story. It's a balance of terror and curiosity that's executed brilliantly.
Now, to be fair, there are moments where the narrative feels a tad disjointed, making it a bit challenging to follow. Yet, the film's redeeming quality lies in its refusal to bombard you with ghosts every second. It takes its time, allowing the story to breathe and unfold naturally.
In the end, "Exhuma" isn't just another horror flick; it's a journey that respects your time and delivers a story worth experiencing. So, ignore the runtime concerns, and let this movie grip you with its unique blend of chills and storytelling finesse.
Le saviez-vous
- AnecdotesAccording to the director, the actors studied real rituals from shamans in order to accurately portray them in this film.
- GaffesKorea and the US should be in different time zones, but actions happening simultaneously in both locations take place illogically at nighttime.
- ConnexionsReferenced in Radio Dolin: The Results of Oscar-2025 with Anton Dolin (2025)
- Bandes originalesRock-a-bye Baby
(uncredited)
Traditional English lullaby
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- How long is Exhuma?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Exhuma: La Tumba Del Diablo
- Lieux de tournage
- Baekdu-Daegan mountain range, Corée du Sud(Various Exterior Shots)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 2 310 900 $US
- Week-end de sortie aux États-Unis et au Canada
- 60 512 $US
- 17 mars 2024
- Montant brut mondial
- 93 874 846 $US
- Durée2 heures 14 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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