Situé au 17e siècle, John Blackthorne, un marin qui passe du statut d'étranger à celui de samouraï tout en étant utilisé comme pion dans la lutte du leader japonais Toranaga.Situé au 17e siècle, John Blackthorne, un marin qui passe du statut d'étranger à celui de samouraï tout en étant utilisé comme pion dans la lutte du leader japonais Toranaga.Situé au 17e siècle, John Blackthorne, un marin qui passe du statut d'étranger à celui de samouraï tout en étant utilisé comme pion dans la lutte du leader japonais Toranaga.
- Récompensé par 18 Primetime Emmys
- 90 victoires et 75 nominations au total
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Résumé
Reviewers say 'Shogun' is acclaimed for its high production values, stunning set designs, and authentic acting, especially by the Japanese cast. The series faithfully adapts James Clavell's novel, capturing its essence and complex characters. Cultural and historical accuracy, along with nuanced portrayals of feudal Japan, are highlighted. However, some viewers found the pacing slow and certain plot points underdeveloped, though the compelling storytelling and character development are generally praised.
Avis à la une
Very clearly this is one of the best TV shows and a contender for top TV historical TV show.
The ambience, script, costumes, cinematography, they are so well designed that you would feel at home in XVII century Japan. This show is Art.
Clear careful treatment of culture, ideology and religion was taken into account, which highlights both the source material and its representation. Albeit not historically accurate, it is close to portraying the events enhanced for dramatic purposes. The mindset of historical figures depicted seems so realistic based on the ideologies of the period. The characters are flawed, realistic and not cartoonish. This show respects its audience just as much as the clan respects Tokugawa.
The ambience, script, costumes, cinematography, they are so well designed that you would feel at home in XVII century Japan. This show is Art.
Clear careful treatment of culture, ideology and religion was taken into account, which highlights both the source material and its representation. Albeit not historically accurate, it is close to portraying the events enhanced for dramatic purposes. The mindset of historical figures depicted seems so realistic based on the ideologies of the period. The characters are flawed, realistic and not cartoonish. This show respects its audience just as much as the clan respects Tokugawa.
Shogun (2024) is a stunning achievement in television - a richly textured, deeply immersive experience that feels both epic and deeply personal. Rarely does a show balance historical authenticity, powerful performances, and emotional depth so effortlessly.
The production values are absolutely top-tier. Every scene feels meticulously crafted: from the lush, misty landscapes to the intricate feudal interiors, the show pulls you straight into 17th-century Japan without ever feeling forced or "touristy." The costume design and cinematography are gorgeous without being showy - everything serves the mood and story.
The performances are phenomenal across the board. Hiroyuki Sanada as Lord Toranaga delivers a masterclass in subtlety and power. His portrayal of a man navigating impossible political currents is both riveting and moving. Cosmo Jarvis, as the shipwrecked John Blackthorne, brings a rawness and vulnerability that avoids the usual "white savior" trap - his arc feels earned, complicated, and human. Anna Sawai as Mariko is another standout, blending strength, sadness, and quiet dignity into one of the show's most unforgettable characters.
The writing is smart and patient, trusting the audience to keep up without spoon-feeding exposition. It captures the essence of James Clavell's novel while modernizing some aspects with sensitivity and intelligence. Themes of loyalty, honor, survival, and cultural clash are explored with nuance rather than cliché.
Why not a full 10? The pacing occasionally falters - a few middle episodes stretch scenes a little thin - and some viewers may find the dense political maneuvering requires close attention. But honestly, these are small quibbles compared to what the series accomplishes.
Shogun is television at its most ambitious and rewarding. It demands your full attention, and it rewards you with a rich, unforgettable journey. Highly recommended.
The production values are absolutely top-tier. Every scene feels meticulously crafted: from the lush, misty landscapes to the intricate feudal interiors, the show pulls you straight into 17th-century Japan without ever feeling forced or "touristy." The costume design and cinematography are gorgeous without being showy - everything serves the mood and story.
The performances are phenomenal across the board. Hiroyuki Sanada as Lord Toranaga delivers a masterclass in subtlety and power. His portrayal of a man navigating impossible political currents is both riveting and moving. Cosmo Jarvis, as the shipwrecked John Blackthorne, brings a rawness and vulnerability that avoids the usual "white savior" trap - his arc feels earned, complicated, and human. Anna Sawai as Mariko is another standout, blending strength, sadness, and quiet dignity into one of the show's most unforgettable characters.
The writing is smart and patient, trusting the audience to keep up without spoon-feeding exposition. It captures the essence of James Clavell's novel while modernizing some aspects with sensitivity and intelligence. Themes of loyalty, honor, survival, and cultural clash are explored with nuance rather than cliché.
Why not a full 10? The pacing occasionally falters - a few middle episodes stretch scenes a little thin - and some viewers may find the dense political maneuvering requires close attention. But honestly, these are small quibbles compared to what the series accomplishes.
Shogun is television at its most ambitious and rewarding. It demands your full attention, and it rewards you with a rich, unforgettable journey. Highly recommended.
When I saw the title on the Disney channel I assume it's one of those mock Asian war drama we always see on the screen with fake mock Asian token actors like we always see. I can not be more wrong. The richness in characters is built on real Japanese actors who are world class actors in the film/Tv industry and the depiction of the religious and political tension is something I have not seen on a main stream service for long time. Not to mention how rare we get to hear Japanese spoken with majority of the air time on an English language channel. This authentic Japanese/Englsih drama is exceptionally well made and has the potential to lead the white audience into a new realm of Asian western fusion genre. I expect some awards to be won shortly.
This show is borderline perfect, it's weaves and bobs make so much sense that you are enthralled by its characters and stories. The shows music and cinematography is absolutely perfect. The existential questions that the protagonist asks to Mariko may seem odd at first but make up the fundamental philosophical difference between the western world and Japan. 'we live and we die' a quote from the show makes up this perfectly. The englishmans sharp critique of the Japanese and their way of life and eventual change of mind is the fundamental conflict in the mind of the protagonist. We are usually only given borderline racist or fetished version of feudal Japan in our movies and TV shows, this is a show which puts the Japanese characters front and centre and watches as the dance of death and power plays out with the foreigner playing the part of a catalyst or as Hiroyuki Sanada puts it a 'distraction'.
Shogun is easily one of the best shows I've seen-like a Japanese Game of Thrones. While the pacing drags at times and the ending feels more like a setup for season two than a true payoff, the storytelling and acting are outstanding. The betrayal, romance, and rich cultural depth had me hooked. The translation scenes felt awkward, but they added to the show's authenticity. But for me, it was the dialogue and bursts of action that truly stood out-ultimately making Shogun an absolute must-watch. I'd like to also add that the camera work in this series was phenomenal too. I was blown away at some of the shots, made it feel like a movie not a TV show on Hulu.
Le saviez-vous
- AnecdotesWilliam Adams, the historical figure which the character John Blackthorne was based on, spoke a number of languages, including Portuguese.
- Citations
Yoshii Toranaga: Why is it that only those who have never fought in a battle are so eager to be in one?
- Crédits fousThe opening credit sequence is a modified version of a zen garden. This style of garden is often referred to as karesansui, which means "not using water."The two main elements of a Zen or karesansui (pronounced "kah-ray-sahn-soo-ee") garden are rocks to represent mountains (or islands) and sand to represent water. The sand used in Zen gardens is not beach sand; it is actually crushed or decomposed granite, small pebbles, or fine gravel. The particles of crushed granite are angular rather than round, so they can be more easily raked into patterns. Moreover, ripples in the sand or gravel represent flowing water or ripples in the ocean.
- ConnexionsFeatured in AniMat's Crazy Cartoon Cast: The Rat of All My Dreams (2020)
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Đại Tướng Quân
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée
- 1h(60 min)
- Couleur
- Mixage
- Rapport de forme
- 2.00 : 1
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