Jalousie maladive

By dirty I mean the director and producer expect us to sit around watching this slut type prance around making off she's a winner. WRONG. She's not that terrific looking, too much hair, no body to lure anyone with and has this pouty mouth (like her lower jaw extends her upper.) Let's not talk of the plot as there are so many similar ones of the past and so much better. Like the leading vamp could act in those. This one just poses like she thinks all men are attracted to her looks. AGAIN WRONG.

You can also predict she will kill all those in her way. The same as before. I just get tired of looking at her with her dipity-do hair style. So, in summing this trash up, and I won't mention names to protect the rest of the unfortunate cast, this is a horrendous film with a bad leading lady, a stupid plot and not for any seeing eyes to sit through. Amen.

The 1997 film "Fatal Attraction" was nominated for 6 Academy Awards. This has been called the real life version for the 21st Century; sadly as a TV film it can't win an Oscar, even more sadly is the fact that it "is" the real life version. It probably wouldn't in any case because in spite of the excellent portrayal of "femme fatale" Arias by Tania Raymonde, like "To Catch A Killer" (about John Gacy) this was a film that was made with a higher purpose than mere entertainment.

Although Jodi Arias was convicted of the murder of Travis Alexander only last year, it cannot be said to have been made entirely in indecent haste because the crime happened in June 2008, but it was released only a month after her conviction.

The dialogue aims for realism rather than dramatic effect; the line "dildo with a heartbeat" was in fact used by Travis. As undoubtedly was Jodi's line "delete it and it's gone forever", except that it wasn't. Did she really expect to get away with murder?

She was indeed his dirty little secret, and he could have treated her better, but did a man who had never so much as slapped his lover deserve to die at her hands like this?

The only charge that may be made against this film – apart from the above one of indecent haste – is that it is bad taste to portray a real and recent murder so graphically. Far worse though was the release of the actual crime scene photographs, which could have been avoided even for a trial broadcast live on the Internet. In the UK this would not have been allowed, and Travis would at least have been granted dignity in death.

I felt the made-for-TV movie about Jody Arias was actually very good and was a balanced presentation of a sensational story. Jody Arias is obviously unbalanced, paranoid, has super-low self-esteem, and many other psychological defects. But as the story is shown, it also balances this with Travis Alexander's duplicity. He wanted to maintain the appearance of being a good, pious Mormon but kept Jody Arias as his secret life and kept her out of the mainstream of his life. When he tried to break up several times, he always ended up back in bed with Jody. He certainly did not deserve the terrible thing that happened to him, but he contributed his share. I thought the film was balanced and worth watching.

Oh my goodness this was so cringe and poorly written. The piece feels like a student film and there's no sensitivity or skill to the writing and direction of scenes and how they play. Characters are not individuals, you can hear the same voice from the writers each time. The dialogue sounds so on the nose and cliche. The music plays awfully and feels like it was pulled from a royalty free library and placed carelessly - it sounds like The Bold & The Beautiful. The actors had potential but really needed a competent script and competent director which sadly they had neither. The cinematography isn't terrible, visually it looks passable, but the shot selection is so boring and vanilla. The subject of sexuality isn't treated in a sensitive, appropriate or clever way, feeling more like the writers idealised fantasy. The dialogue is so poor it taints the film with comedy, the bad kind. Sadly, there is no depth or substance here. It feels and plays like a rough 1st Draft of a script that needs some serious polishing, though I'm not sure the filmmakers (Writers and Director) carried the skill or taste to see it through or give it improvement.

This was BRILLIANT. Both actors nailed these parts and they were both very difficult to pull off. But they were utterly convincing and I think this TV movie was smashing. Not at all clichéd and stuck to the facts that I know of the case, having followed it, from London, for the last two years.

Jesse Lee Soffer not only got Travi's charm and obvious boy next door magnetism, but he also successfully reminded us that Travis was a flawed character, certainly sexist, perhaps ambitious at the expense of others, but most of all bound and brainwashed by his particular religious brand of zombieism, Mormonism. Also, it was clear from the show that the two of them had a very very powerful connection that went beyond the physical. Travis liked Jodi for quite a while, and intermittently throughout the saga. We like her too, in this reconstruction. We consider her point of view. At times we are totally on her side even.....until, of course, that fateful, epic, bloody road trip.

Production values are serious and classy and very effective. This is no regular daytime TV true story. This is a highly accomplished piece of work and everyone involved can be very proud of what they achieved. Im looking forward to seeing these two lead actors in other material.

I'm very fussy about I watch and what I enjoy and I give this an unreserved 10/10