Lorsque les jumeaux Bill et Hal trouvent le vieux jouet de singe de leur père, une série de morts effroyables commence. Les deux frères décident de jeter le jouet et de poursuivre leur vie, ... Tout lireLorsque les jumeaux Bill et Hal trouvent le vieux jouet de singe de leur père, une série de morts effroyables commence. Les deux frères décident de jeter le jouet et de poursuivre leur vie, tout en s'éloignant l'un de l'autre.Lorsque les jumeaux Bill et Hal trouvent le vieux jouet de singe de leur père, une série de morts effroyables commence. Les deux frères décident de jeter le jouet et de poursuivre leur vie, tout en s'éloignant l'un de l'autre.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 victoires et 4 nominations au total
Beatrix Perkins
- Florence
- (as Bea Perkins)
Résumé
Reviewers say 'The Monkey' is a horror-comedy featuring a cursed toy monkey, praised for its creative death scenes and dark humor. Theo James' performance as twin brothers is highlighted for depth. The film's atmosphere, sound design, and effects are commended, though pacing and tone inconsistencies are noted. Some appreciate its unique horror and satire blend, while others criticize its lack of depth. Overall, it's seen as an entertaining yet flawed horror addition.
Avis à la une
I read a lot of Stephen King books but this short story from him I must have skipped as I have no recollection of it so I can't really compare this movie with the book. There have been a lot of his books made into movies, some really good ones that became classics in the horror genre like The Shining, Misery, Carrie and so on, but also a lot of movies that honestly were an insult to the books. The Monkey was a bit of good gory fun with multiple innovative killing methods which resulted in a lot of blood spatters. My wife and I enjoyed this one. It's not a bad story, good acting and well shot horror scenes and the monkey is creepy. A fun watch!
Evil-looking windup toy monkey causes someone's gory "accidental" death every time it beats its toy drum. That's it, for an hour and a half. Every ten minutes somebody dies in an elaborate fashion that nonetheless lacks the ingenuity or suspense of the "Final Destination" (or even "Saw") movies because it's all played as a joke. Even that would be fine if the director really had a flair for jaunty black comedy--something like early Coen brothers--or spectacular bad-taste slapstick. But he doesn't, so this just comes off as one dumb gag after another, played out by characters who are all cartoonishly one-dimensional, so there's zero emotional stake in their fates.
I enjoyed at least some of Perkins' prior movies, but this reminded me that the weakest thing about Stephen King books and writing is when they're trying to be funny (think "Maximum Overdrive"), which is not his strong suit. It's better crafted than a lot of low-budget movies in a similar vein, but given that it's not particularly low-budget and involves some talented people, its ideas should be better than that of your average lowbrow gore comedy. I was very disappointed. If my expectations had been lower, I would have found it an okay throwaway movie--but even so, one that's neither particularly clever or scary, just sort of mildly amusing.
I enjoyed at least some of Perkins' prior movies, but this reminded me that the weakest thing about Stephen King books and writing is when they're trying to be funny (think "Maximum Overdrive"), which is not his strong suit. It's better crafted than a lot of low-budget movies in a similar vein, but given that it's not particularly low-budget and involves some talented people, its ideas should be better than that of your average lowbrow gore comedy. I was very disappointed. If my expectations had been lower, I would have found it an okay throwaway movie--but even so, one that's neither particularly clever or scary, just sort of mildly amusing.
If Final Destination and Wish Upon had a child, it would be The Monkey. That was our immediate thought as we left the theater. This film blends supernatural horror, dark comedy, and absurdity in a way that feels both ridiculous and wildly entertaining. It's a film that knows exactly what it wants to be; an over-the-top, blood-soaked thrill ride that makes you laugh even as you cringe at its gruesome kills.
What sets The Monkey apart from its influences is its surprising dose of humor. Horror comedies are tough to pull off, but this film manages to create an odd yet satisfying balance between gory chaos and weirdly charming absurdity. You're not exactly belly-laughing, but there's this strange, undeniable urge to smirk and chuckle at the madness on screen. It has the energy of a violent children's fairy tale. Think of a silent-era slapstick comedy, but with splattering blood and twisted fates. It's bizarre, but it works.
Now, let's talk about what horror fans are really here for; the kills. And The Monkey delivers. It's gruesome, creative, and wacky in the best way possible. The deaths feel like something conjured from a child's chaotic imagination; illogical yet strangely poetic. The Monkey itself, this cursed toy at the center of the carnage, has a mischievous, almost gleeful way of orchestrating its victims' fates. If you love the elaborate, almost Rube Goldberg-esque deaths of Final Destination, you're in for a treat. It's all so over-the-top that it somehow becomes hilarious. The violence is exaggerated, stylized, and so absurd that it loops back around to being entertaining rather than just shocking.
Then there's Theo James, the ever-dashing star who's given the impossible task of playing an insecure, jittery father. And let's be honest; this man is too effortlessly suave for that. No amount of nerdy costuming can fully strip away his natural charm, and while he gives it his best shot, it's hard to fully buy into his transformation. He does a decent job, but there's a lingering sense that he's slightly miscast.
As for the story, it's simple... maybe too simple. The Monkey doesn't aim for deep narratives or complex character arcs. It moves along swiftly, focusing more on its chaotic spectacle than its plot. But credit where it's due: the film isn't just a copy-paste horror template. Unlike Wish Upon, which follows a predictable formula, The Monkey throws in enough surprises to keep things fresh.
That is, until the third act. This is where the film goes off the rails, not necessarily in a bad way, but in a 'Did we just jump the shark?' kind of way. It tries to up the stakes but ends up pushing the absurdity a bit too far. The motivation behind certain character decisions feels weak, and it loses some of the controlled chaos that made the first two acts so enjoyable.
Still, despite its flaws, The Monkey is a damn good time. The suspense is solid, the kills are outrageous, and the execution of horror-comedy is commendable. Could it have been better? Sure. A slower, more tension-filled buildup to the deaths would've elevated it further. But as it stands, it's an undeniably fun horror flick that doesn't take itself too seriously.
Verdict: The Monkey is a wild, ridiculous, and gory thrill ride that embraces its absurdity in the best way possible. It's like eating a sour candy; sharp, intense, but with a strangely enjoyable sweetness underneath. While Theo James struggles to shed his natural charisma for his role, and the third act goes a little off the deep end, the film remains a thoroughly fun and entertaining horror experience. If you love blood, chaos, and dark humor, you'll have a blast with this one.
What sets The Monkey apart from its influences is its surprising dose of humor. Horror comedies are tough to pull off, but this film manages to create an odd yet satisfying balance between gory chaos and weirdly charming absurdity. You're not exactly belly-laughing, but there's this strange, undeniable urge to smirk and chuckle at the madness on screen. It has the energy of a violent children's fairy tale. Think of a silent-era slapstick comedy, but with splattering blood and twisted fates. It's bizarre, but it works.
Now, let's talk about what horror fans are really here for; the kills. And The Monkey delivers. It's gruesome, creative, and wacky in the best way possible. The deaths feel like something conjured from a child's chaotic imagination; illogical yet strangely poetic. The Monkey itself, this cursed toy at the center of the carnage, has a mischievous, almost gleeful way of orchestrating its victims' fates. If you love the elaborate, almost Rube Goldberg-esque deaths of Final Destination, you're in for a treat. It's all so over-the-top that it somehow becomes hilarious. The violence is exaggerated, stylized, and so absurd that it loops back around to being entertaining rather than just shocking.
Then there's Theo James, the ever-dashing star who's given the impossible task of playing an insecure, jittery father. And let's be honest; this man is too effortlessly suave for that. No amount of nerdy costuming can fully strip away his natural charm, and while he gives it his best shot, it's hard to fully buy into his transformation. He does a decent job, but there's a lingering sense that he's slightly miscast.
As for the story, it's simple... maybe too simple. The Monkey doesn't aim for deep narratives or complex character arcs. It moves along swiftly, focusing more on its chaotic spectacle than its plot. But credit where it's due: the film isn't just a copy-paste horror template. Unlike Wish Upon, which follows a predictable formula, The Monkey throws in enough surprises to keep things fresh.
That is, until the third act. This is where the film goes off the rails, not necessarily in a bad way, but in a 'Did we just jump the shark?' kind of way. It tries to up the stakes but ends up pushing the absurdity a bit too far. The motivation behind certain character decisions feels weak, and it loses some of the controlled chaos that made the first two acts so enjoyable.
Still, despite its flaws, The Monkey is a damn good time. The suspense is solid, the kills are outrageous, and the execution of horror-comedy is commendable. Could it have been better? Sure. A slower, more tension-filled buildup to the deaths would've elevated it further. But as it stands, it's an undeniably fun horror flick that doesn't take itself too seriously.
Verdict: The Monkey is a wild, ridiculous, and gory thrill ride that embraces its absurdity in the best way possible. It's like eating a sour candy; sharp, intense, but with a strangely enjoyable sweetness underneath. While Theo James struggles to shed his natural charisma for his role, and the third act goes a little off the deep end, the film remains a thoroughly fun and entertaining horror experience. If you love blood, chaos, and dark humor, you'll have a blast with this one.
The previews made this horror movie seem different and it peaked my interest.
In the end, the previews were better than the movie.
This seemed like a take on a couple of Twilight Zone episodes. The one with Talking Tina and the one with another doll that showed up in war zones and as evil charm.
The two main characters, the twins, were not likable characters. You didn't really get to know them, but what you do see in them, it's not something adorable or likable.
The killing scenes were just over the top unrealistic, made it seem like a cheap slasher movie made to attract a high school audience. We don't learn much about the monkey and not because of a cloud of mystery, more like and oversight. The plot in the end wasn't believable and the movie did little to make it believable. ...again, like they were more interested in just showing guts, buckets of blood, heads being blown up or removed, and deaths that defied the laws of physics . The other bright spot was I had the entire theater to myself with a bucket of popcorn and a Coke Zero.
In the end, the previews were better than the movie.
This seemed like a take on a couple of Twilight Zone episodes. The one with Talking Tina and the one with another doll that showed up in war zones and as evil charm.
The two main characters, the twins, were not likable characters. You didn't really get to know them, but what you do see in them, it's not something adorable or likable.
The killing scenes were just over the top unrealistic, made it seem like a cheap slasher movie made to attract a high school audience. We don't learn much about the monkey and not because of a cloud of mystery, more like and oversight. The plot in the end wasn't believable and the movie did little to make it believable. ...again, like they were more interested in just showing guts, buckets of blood, heads being blown up or removed, and deaths that defied the laws of physics . The other bright spot was I had the entire theater to myself with a bucket of popcorn and a Coke Zero.
I went into The Monkey without high expectations. The trailer made it look like one of those generic horror movies that rely on jump scares and a ridiculous premise. And yeah, the premise is silly: A monkey bangs a drum-someone dies. But instead of a serious horror film, you get an over-the-top horror-comedy that tries so hard to be funny that it eventually gets in its own way.
The movie actually starts off well. The first deaths still have some shock value, the characters are entertaining, and there's a bit of that Final Destination appeal where you're curious about what's going to happen next. But very quickly, you realize: there's no real tension. Every death is just a setup for a joke. The first time it's funny, the second time too-but by the eighth time someone randomly explodes and the others just shrug it off with an "eww," it gets old.
And that's the problem. The film mocks horror clichés but doesn't offer anything thrilling itself. Scream proved that you can perfectly blend horror and comedy by keeping both elements grounded enough. Here, every serious moment is immediately undercut by a dumb joke. Even themes like the strained father-son relationship or the threat of the monkey carry zero weight because nothing in the movie has real consequences.
The second half starts to drag. The jokes repeat, and at some point, the film just feels like a series of TikTok skits where people die in the most absurd ways possible. The ending is the lowest point. I won't spoil it, but it feels like the writers had no idea how to wrap things up-so they went with the cheapest and dumbest option.
Is it a bad movie? No. It's entertaining if you just want to turn off your brain and enjoy some absurdity. But it could have been so much more if it had taken itself even a little bit seriously. As it is, it's a fun idea that eventually runs out of steam.
The movie actually starts off well. The first deaths still have some shock value, the characters are entertaining, and there's a bit of that Final Destination appeal where you're curious about what's going to happen next. But very quickly, you realize: there's no real tension. Every death is just a setup for a joke. The first time it's funny, the second time too-but by the eighth time someone randomly explodes and the others just shrug it off with an "eww," it gets old.
And that's the problem. The film mocks horror clichés but doesn't offer anything thrilling itself. Scream proved that you can perfectly blend horror and comedy by keeping both elements grounded enough. Here, every serious moment is immediately undercut by a dumb joke. Even themes like the strained father-son relationship or the threat of the monkey carry zero weight because nothing in the movie has real consequences.
The second half starts to drag. The jokes repeat, and at some point, the film just feels like a series of TikTok skits where people die in the most absurd ways possible. The ending is the lowest point. I won't spoil it, but it feels like the writers had no idea how to wrap things up-so they went with the cheapest and dumbest option.
Is it a bad movie? No. It's entertaining if you just want to turn off your brain and enjoy some absurdity. But it could have been so much more if it had taken itself even a little bit seriously. As it is, it's a fun idea that eventually runs out of steam.
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Le saviez-vous
- AnecdotesAccording to the director, the decision to have the monkey bang a drum instead of cymbals was due to the rights to the cymbal-banging version being owned by The Walt Disney Company, as the toy had appeared as a character in Toy Story 3. The cymbal monkey was in Toy Story 3 in the first place because its director Lee Unkrich is a fan of Stephen King.
- GaffesHal and Bill's room has a Nintendo Gamecube controller sitting near the TV. The Gamecube did not release in North America until November 14th 2001 and the scene is supposed to take place in 1999.
- ConnexionsReferenced in Film Junk Podcast: Episode 982: The Monkey + Better Man (2025)
- Bandes originalesDo Lafzon Ki Hai Dil Ki Kahani
Performed by Amitabh Bachchan, Sharad Kumar and Asha Bhosle
Lyrics by Anand Bakshi
Music by Rahul Dev Burman (as R.D. Burman)
Published by The Royalty Network, Inc. o/b/o Saregama Music United States (BMI)
Courtesy of Saregama Ltd
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Tiếng Vọng Kinh Hoàng
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 10 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 39 724 909 $US
- Week-end de sortie aux États-Unis et au Canada
- 14 014 649 $US
- 23 févr. 2025
- Montant brut mondial
- 68 869 853 $US
- Durée1 heure 38 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.00 : 1
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