The Spy Code

The plot (if you actually consider it such) has holes big enough to sail an oil tanker through. A top notch hitman goes off course and is not in the slightest interested how his boss can call him on a payphone next to him?

The action sequences are numerous, but absolutely unrealistic. Bad guys with machine guns can't hit stationary targets, but the good guy is able to use a shotgun like a sniper rifle?

I have seen better character development in B class porn flicks. How they got Eckart and Roth to participate in such drivel is beyond me.

If i could give this movie a minus score i would gladly do so.

A plotline that's been done many times before and with far greater success. Classified zigzags from ridiculous to wooden without warning. The abject quality of the dialogue is only matched by its delivery, and in the movies dullest and cringiest moments, you can almost see Aaron Eckhart thinking that he hopes the cheque clears. Nothing about this movie is believable, from the backstory to relationships between the main characters. Poor casting, poor dialogue and poor audience. I would say this movie is bottom of the barrel, but that would imply that it's contained in some way. Looking at previous work from the director and the main actors I am surprised that any of them even signed up for this. If you literally have nothing else to do, and that includes going to the dentist or housework, then watch this movie.

I think this is the worst movie I've ever seen, honestly that bad. Everything's bad, the script, characters, fight scenes, never ending shoot scenes... the bad guy with an awful haircut talking like a machine (it could be for all I know).

Aaron Eckhart used to be a great actor but now got stuck in useless action b-movies, not sure what he can do about it anymore. Abigail Breslin is unrecognisable and totally miscast (MI6 agent speaking with an American accent and no one questioning it among many other flaws as a character).

Save yourself and skip this one.

Tim Roth, I hope you've been well compensated.

Yeah, nope!

One of the dullest "action thrillers" I've seen in recent memory. One that is easy to follow.. but maybe too easy! With a strange and lethargic pacing that makes the first 20 minutes feel like an hour! A dull and lackluster execution, and a storyline that hardly goes anywhere. It's so underwritten it almost feels like a mystery!! As that expected layer of depth or a message is strangely missing. This is a Saban film through and through! With their level of 'effort' being all too present. It's as if the film was made on autopilot, coasting on bland tropes to fill in the space. If the sluggish pace doesn't lull you to sleep, the slow, melodic music just might. The action scenes could be skipped completely, as they don't help move the story forward.. much less keep your attention on the screen. Even worse, you could watch this on mute, and take away as much as I did trying to pay attention.

Don't even think about it.. it's not worth your time.

After 20 minutes, this film nosedives into the ground and slowly implodes, leaving another 80 minutes of predictable dross.

It starts out as a stylish thriller, but the script, and the 'by the numbers plot' let it down, as does the terrible, terrible casting. Tim Roth hasn't done a decent film in almost a decade and is pretty embarrassing in this. The less said about Abigail Breslin, the better. She is a disaster.

This is probably the only film you'll see which has a sniper sequence where the sniper 'hides' in a pool of light. The chief bad guy is pretty funny with his massive GPS screen somehow tracking Eckhart's every move until the plot requires "he must be somewhere that hasn't got a good GPS signal".

The action scenes are boring; John Wick lite.

I have to give him some credit though. Roel Reine did a good job with the cinematography and the soundtrack.