Los Super

After Opera Prima Anna's Struggle (Winner of Best Film Production Dominican Sovereign Awards 2013), Bladimir Abud opts this time for a comedy, but a comedy that goes for easy laughs, rather it is a comedy has its social background and speech to denounce the evils that affect the country.

The script written by the Bladimir with Maykel Rodriguez and Alfonso Suarez offers some good results in its approach argument. The use of turning ordinary into a kind of paladins of justice, though not original, has some novel features in our context.

Overall, The Super evokes much to the adventures of urban heroes forged by direct circumstances. A humor that is constructed based on actions and not on what they say their characters.

A different approach on how to make humor in film Creole.

Felix Manuel Lora Acento

Los Super. What Dominican Republic Comedies should be.

Los Super, is not a surprise coming from the director of Anna's Struggle (2012). The interesting part is that this film presents what Dominican comedies should be from now on. This film has an excellent production design, the presentation of the characters is clear and concise, I think every character is believable. The script is easy to handle and the acting is not grotesque, that there is a balance achieved and in the direction Abud gives lecture... Los Super. What Dominican Republic Comedies should be

Cine Data Blog

Be my first words written to reveal my satisfaction that the shadow of good director that sheltered the boy in Anna's Struggle, Bladimir Abud, whom I call that way, not in a derogatory sense but his youth was not an fortuitous, but the evidence of what we found in the Super.

I mean any director without talent Abud has revealed the company had failed to make a movie, specifically a comedy, right wood using neurological codes, compositional and dramatic comic.

Effectively leads Abud these essential aspects in the construction of the discourse of this film anchored in comedy as a genre comes to the use of rhetorical devices own graphic language to update the language of film and produce a film text that preserves the primary statements comic , the eternal struggle of good and evil, exaggeration of human feelings and resolution fantastic and irrational flash points dramatic moments to mention only some of the fundamental aspects of the discursive strategy sub genre that some call "comic film ".

Ma. Garcia Romero. Cotui Digital.