Ajouter une intrigue dans votre langueYoga teacher Ann is trying to find inner peace despite having a manic family, a miserable dating life, and an inability to say no that keeps her busy trying to fix everyone else's problems.Yoga teacher Ann is trying to find inner peace despite having a manic family, a miserable dating life, and an inability to say no that keeps her busy trying to fix everyone else's problems.Yoga teacher Ann is trying to find inner peace despite having a manic family, a miserable dating life, and an inability to say no that keeps her busy trying to fix everyone else's problems.
- Réalisation
- Scénario
- Casting principal
Iris Achilles
- Emma
- (as Iris Achilleas)
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This movie was cringe-worthy, cheesy, sappy, and corny. I understand that the creators had good intentions, and I managed to finish it, so I want to rate it at least two stars. They worked hard on this film, but it wasn't good. The acting and directing left a lot to be desired.
Heather Graham and Julia Stiles look amazing, but both are in their 50s, and I think they are trying to act like they're in their 30s. Their outfits were a bit revealing throughout the movie, which felt excessive. The film didn't seem very realistic or effectively portray real life. While Heather Graham has a beautiful body, part of me thinks she took this role mainly to showcase it and not much of her acting skills. And how does a yoga instructor afford a beautiful house by the water? I don't understand how anyone can relate to this movie.
Heather Graham and Julia Stiles look amazing, but both are in their 50s, and I think they are trying to act like they're in their 30s. Their outfits were a bit revealing throughout the movie, which felt excessive. The film didn't seem very realistic or effectively portray real life. While Heather Graham has a beautiful body, part of me thinks she took this role mainly to showcase it and not much of her acting skills. And how does a yoga instructor afford a beautiful house by the water? I don't understand how anyone can relate to this movie.
I did not get through the whole movie. I loved the premise, but the execution was bad. It is not okay to call a little girl a b***ch word and compete with her to get her father's attention. It was clear that the little girl was going through a separation trauma and needed help, she did not need a grown woman-baby taunting her and throwing tantrums.
Initially, I was mesmerized by the main character and could relate to the struggle of having to put up with unreasonable relatives. However, as the movie progressed, it just turned into something completely weird where a grown woman was behaving like a five year old.
Initially, I was mesmerized by the main character and could relate to the struggle of having to put up with unreasonable relatives. However, as the movie progressed, it just turned into something completely weird where a grown woman was behaving like a five year old.
"Your family is only as happy as its least happy member." When it comes to Ann's family, the least happy person seems to rotate as fast as the lazy susan on your countertop. Heather Graham stars as the Ann in question, and her very screwed-up family consists of younger sister, Clio (Julia Stiles), father Alfred (Michael Gross) and mom Dorothy (Julie Halston). Each member of the family comes with their own box of smashed chocolates. And it appears to be Ann's assignment to keep them all happy, keep all the balls in the air, even while her own dreams remain stagnant.
The happy family combo is definitely off the menu here. Clio has just been released from rehab and her parents are too self-involved to pick her up at the center to bring her home. Dorothy feels lost in her decades long marriage and is trying to reinvent herself with bizarre YouTube renditions of old standards. And dad Alfred spends most of his time belitting Ann with verses from scripture about her wicked ways. No wonder Ann has tried to find an oasis outside the family she was born into, turning to bad relationships but also having good friends to keep her grounded.
It sounds like the story would come with big jokes but, really, there's very little humor, which I personally found unexpected. The film is written and directed by Graham and EP'd by Julia Styles. I got the impression that the two were comparing notes on some real-life scenarios and bad choices that they've experienced and decided to make a movie about. Dating unavailable men. Dating men with children. Dating men who are children. Perhaps the scenes with the parents were meant to be funny, since both of them are a bit on the extreme side. But if they were going for humor, it felt more uncomfortable than amusing.
Set in Rhode Island, Ann is a yoga teacher, living in what appears to be a seaside village in a stunning multi-story home. Do yoga instructors make that much money in Rhode Island? Especially when her boss keeps pushing her to bring in more clients. The home felt extremely unrealistic. She never seems to have money issues, but she's definitly not taking money from her parents. If Graham were trying to make her struggle seem realistic, perhaps she should have rethought this location.
Ann's sister has a chip on her shoulder the size of a VW. For most of the film, we're not sure if it's because she has no job, no life, no prospects and is a resentful adult, living with her parents in the room she grew up in, playing second to Ann, the parent's favorite. Clio is always angry, and we don't know why until near the end of the film. It's not as if there are any breadcrumbs to follow, either. This is a family filled with resentment. So, really, it's not surprising that Ann finds solace and acceptance in her long-time friends. And these people are very interested in trying to find her a better relationship with an available man.
So she gets introduced to 'hunky architect' Steve (John Brotherton), who happens to be remodeling her friend Max's new restaurant venture. They hit it off, until they hit the inevitable snag: Steve's really obnoxious, demanding, manipulative 7-year-old daughter, Lily (Ella Grace Helton), who seems to be channeling his ex-wife. Are 7-year-old's still so intent on breaking up their dad's relationships these days? I almost feel like they have their own interests, their own friends and especially, their own Ipads to distract them from whatever their parents are involved in. That part of the storyline felt reminiscent of something from the 1980's, not 2024.
Many of the film's other details are realistic. Life is messy, someone is always being blamed for something, there's always some sort of competition going on between siblings. But overall, it felt more like this is a film about one woman's search for self-actualization, and we're going on the journey with her. There were no highs, there were no lows and it simply felt flat, except for the joy she finds among her friends, her 'chosen family'. We're not especially happy or sad for anyone in the film. In addition to leaving me feeling meh, story-wise, it also was lacking background music. When used in films, you don't always notice that it is present, but you definitely notice when it is absent. There may have been budget issues, there may have been directorial or editing choices. But either way, it was very vanilla.
The happy family combo is definitely off the menu here. Clio has just been released from rehab and her parents are too self-involved to pick her up at the center to bring her home. Dorothy feels lost in her decades long marriage and is trying to reinvent herself with bizarre YouTube renditions of old standards. And dad Alfred spends most of his time belitting Ann with verses from scripture about her wicked ways. No wonder Ann has tried to find an oasis outside the family she was born into, turning to bad relationships but also having good friends to keep her grounded.
It sounds like the story would come with big jokes but, really, there's very little humor, which I personally found unexpected. The film is written and directed by Graham and EP'd by Julia Styles. I got the impression that the two were comparing notes on some real-life scenarios and bad choices that they've experienced and decided to make a movie about. Dating unavailable men. Dating men with children. Dating men who are children. Perhaps the scenes with the parents were meant to be funny, since both of them are a bit on the extreme side. But if they were going for humor, it felt more uncomfortable than amusing.
Set in Rhode Island, Ann is a yoga teacher, living in what appears to be a seaside village in a stunning multi-story home. Do yoga instructors make that much money in Rhode Island? Especially when her boss keeps pushing her to bring in more clients. The home felt extremely unrealistic. She never seems to have money issues, but she's definitly not taking money from her parents. If Graham were trying to make her struggle seem realistic, perhaps she should have rethought this location.
Ann's sister has a chip on her shoulder the size of a VW. For most of the film, we're not sure if it's because she has no job, no life, no prospects and is a resentful adult, living with her parents in the room she grew up in, playing second to Ann, the parent's favorite. Clio is always angry, and we don't know why until near the end of the film. It's not as if there are any breadcrumbs to follow, either. This is a family filled with resentment. So, really, it's not surprising that Ann finds solace and acceptance in her long-time friends. And these people are very interested in trying to find her a better relationship with an available man.
So she gets introduced to 'hunky architect' Steve (John Brotherton), who happens to be remodeling her friend Max's new restaurant venture. They hit it off, until they hit the inevitable snag: Steve's really obnoxious, demanding, manipulative 7-year-old daughter, Lily (Ella Grace Helton), who seems to be channeling his ex-wife. Are 7-year-old's still so intent on breaking up their dad's relationships these days? I almost feel like they have their own interests, their own friends and especially, their own Ipads to distract them from whatever their parents are involved in. That part of the storyline felt reminiscent of something from the 1980's, not 2024.
Many of the film's other details are realistic. Life is messy, someone is always being blamed for something, there's always some sort of competition going on between siblings. But overall, it felt more like this is a film about one woman's search for self-actualization, and we're going on the journey with her. There were no highs, there were no lows and it simply felt flat, except for the joy she finds among her friends, her 'chosen family'. We're not especially happy or sad for anyone in the film. In addition to leaving me feeling meh, story-wise, it also was lacking background music. When used in films, you don't always notice that it is present, but you definitely notice when it is absent. There may have been budget issues, there may have been directorial or editing choices. But either way, it was very vanilla.
I love Julia Stiles in most of her movies but this was not her best role. This whole movie was not impressive. The actors did not contribute much to a good story line and the ending was so disappointing. I'm just glad I didn't watch this in theatre and pay more than I did. They did not put much effort into building the love story which is what the movie seemed to be about. The beginning was a lot of build up of the main character's love life and how disastrous it has been, which would make you think the ending would end with a love story that ended in a happy ending but instead it ends
Completely opposite and random. It was overall disappointing and wouldn't recommend.
This movie trailer gives the impression of a romcom, but between the mediocre acting, the used up plot, and the fact that there is no rom or com it was just disappointing. The basic storyline is downtrodden girl who is emotionally abused by her family, and who is a yes girl. She meets a "the man of her dreams" but he has a daughter that he caters to, unrealistically so, I really wish the script writer had stuck with just one storyline and not made this characters life so tragic. She remains upbeat the whole time and you root for her to just loose it on the family, and cut them out of her life. The end also just kind of leaves you hanging. In the end it was a waste of time and money.
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- Durée1 heure 28 minutes
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