Freelance

It wasn't really my cup of tea, judging by the other reviews I may be a minority here. In all honesty, I would probably put it close to 'smiley' in the horror film rankings.

The main character is very hard to like. She has the personality of an angsty teenager, always seems to have this 'if you cant handle me at my worst, screw you' mentality. Every decision is like watching a child make it, maybe if I scream at my landlord when im several months behind on rent things will work out, maybe if I take this strangers thousands of dollars and do what he says for 1 night its perfectly legal.

The 'twist' was overhyped in my opinion, by like 30 or 40 mins in you can get a pretty good feel for where the story is heading, and how its most probably going to end.

Just watched this, was hoping for so much better, overlong, dragged out and just gets more and more tedious, started off ok and just kind of fizzled out, so boring, would have been better if at least the main character was more engaging, just a drab uninteresting role, could and should of been much better but the sheer length and drudgery of the film made me completely lose interest, the twist or whatever was no surprise, the small cast ensemble tried their best with such a stodgy uninspired story to work with, I mean I have seen a lot worse but they could easily have made this 30 minutes shorter with more bite and interest.

The idea behind this movie was a good one and the performances are pretty good considering what they were given to work with, which wasn't much. This just didn't deliver at all. It's not scary , creepy, suspenseful or anything else. Some things happen and are never explained. The logic behind some of the lead actress's decisions in the film are absurd. There are scenes that add nothing to the film and some of these go on way too long. It also was a gigantic failure when it came to these supposedly disgusting snuff films she was editing as they weren't disgusting or believable. If she's supposed to be so repulsed by what she is editing, some money should have spent on actually making them look real and repulsive. I really wanted to like this because the idea that someone would take on a job that would end up haunting them was a good one, but this film doesn't succeed at all in portraying that.

Freelance is an indie gem waiting to be unearthed, with a standout lead performance and a confident director at the helm.

It's a dark, suspenseful thriller, with moments of genuine unease and alarm, as a video editor goes down a grim path when she accepts a mysterious new job opportunity - cutting snuff films.

The corruption of the protagonist, Katie, has echoes of Toby Jones' Gilderoy in the Peter Strickland's excellent film Berberian Sound Studio, in which a foley artist gets hired to create a soundscape for a Giallo film.

Mike Gerbino's tense script is masterfully transplanted to Melbourne by director John Belazs, who's love of the material is evident in his assured, sharp direction.

Katie was a compelling lead, and Nicole Pastor's performance was the film's standout rough around the edges, and authentic, and again - just a terrific anchor performance that gave the other actors, as well as the cinematography and direction, a solid foundation. She was relatable, even if her choices became more and more disquieting as she was sucked into the rabbit hole of snuff films. Pastor's performance richly portrays the slow, crushing degradation the events of the film has on Katie, as layer upon layer of her character's soul is peeled away and her desperation becomes all the more vivid.

Here, a small cast was an advantage, adding the growing claustrophobia of Katie's world. The times she does venture out beyond her close circle there's not much help to be found. Supporting actor Jordan Fraser-Trumble had a key role, and gave a stellar performance, ensuring one of the film's most important moments has the weight it deserves.

The plot was always engaging as it delved into a dark subject matter. There were twists and reveals, and a great scene towards the finale reminiscent of the basement scene in Fincher's The Girl with the Dragon Tattoo.

The film has a gritty, grounded quality that was grungy and potent, with costumes, sets and locations that felt genuinely lived-in. Melbourne itself became a character, the four walls of Katie's apartment felt constricting as the film went on.

David Chan's cinematography was tight and engaging, handling moments of stark silhouettes to scenes where colours popped with consummate ease. Many horror/thriller films can lean too much into a dark, desaturated look, it was refreshing for a psychological thriller to embrace colour at the right moments. The use of focus shifting too was particularly effective.

Freelance takes its audience on an unsettling journey, thanks to razor-sharp direction and a hauntingly raw performance by Nicole Pastor, it's a slow-burn thriller that transforms its low-budget constraints into an asset, creating a claustrophobic world that feels all too real. A must-watch for indie lovers or those looking for psychological horror with a dash of spice.

Freelance, is a masterfully crafted psychological thriller that keeps you on edge throughout. Nicole Pastor delivers an outstanding performance as the lead, capturing both vulnerability and strength with finesse. The film expertly builds tension as it explores themes of isolation, trust, and survival. Balazs' direction and the tight screenplay keep you hooked as the layers of the plot unfold in a captivating manor. The editing is phenomenal and perfectly articulate the themes of the film. With sharp character development and a captivating atmosphere, Freelance is a must-see for thriller fans. A gripping, well-executed film that delivers both thrills and depth.