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IMDbPro

T2 Trainspotting

  • 2017
  • Tous publics avec avertissement
  • 1h 57min
NOTE IMDb
7,1/10
138 k
MA NOTE
POPULARITÉ
2 263
1 147
Ewan McGregor, Robert Carlyle, Jonny Lee Miller, and Ewen Bremner in T2 Trainspotting (2017)
First there was an opportunity......then there was a betrayal.
 
Twenty years have gone by. Much has changed but just as much remains the same. Mark Renton returns to the only place he can ever call home. They are waiting for him: Spud, Sick Boy, and Begbie.
Lire trailer1:54
82 Videos
99+ photos
ComédieCriminalitéDrameComédie noire

Après 20 ans à l'étranger, Mark Renton rentre en Écosse et retrouve ses anciens amis, Sick Boy, Spud et Begbie.Après 20 ans à l'étranger, Mark Renton rentre en Écosse et retrouve ses anciens amis, Sick Boy, Spud et Begbie.Après 20 ans à l'étranger, Mark Renton rentre en Écosse et retrouve ses anciens amis, Sick Boy, Spud et Begbie.

  • Réalisation
    • Danny Boyle
  • Scénario
    • John Hodge
    • Irvine Welsh
  • Casting principal
    • Ewan McGregor
    • Ewen Bremner
    • Jonny Lee Miller
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,1/10
    138 k
    MA NOTE
    POPULARITÉ
    2 263
    1 147
    • Réalisation
      • Danny Boyle
    • Scénario
      • John Hodge
      • Irvine Welsh
    • Casting principal
      • Ewan McGregor
      • Ewen Bremner
      • Jonny Lee Miller
    • 348avis d'utilisateurs
    • 406avis des critiques
    • 67Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 6 victoires et 8 nominations au total

    Vidéos82

    Legacy Trailer
    Trailer 1:54
    Legacy Trailer
    U.S. Trailer #2
    Trailer 2:15
    U.S. Trailer #2
    U.S. Trailer #2
    Trailer 2:15
    U.S. Trailer #2
    Trailer #1
    Trailer 1:56
    Trailer #1
    Teaser Trailer
    Trailer 0:51
    Teaser Trailer
    Ranting Renton
    Clip 0:40
    Ranting Renton
    Ranting Renton
    Clip 0:40
    Ranting Renton

    Photos305

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    Rôles principaux77

    Modifier
    Ewan McGregor
    Ewan McGregor
    • Renton
    Ewen Bremner
    Ewen Bremner
    • Spud
    Jonny Lee Miller
    Jonny Lee Miller
    • Simon
    Robert Carlyle
    Robert Carlyle
    • Begbie…
    Logan Gillies
    • Simon (aged 9)
    Ben Skelton
    • Renton (aged 9)
    Aiden Haggarty
    • Spud (aged 9)
    Daniel Smith
    • Begbie (aged 9)
    Elijah Wolf
    • Tommy (aged 9)
    Steven Robertson
    Steven Robertson
    • Stoddart
    John Kazek
    • Tom (Rehab Group)
    Shirley Henderson
    Shirley Henderson
    • Gail
    Charlie Hardie
    • Fergus (aged 9)
    Scott Aitken
    • Farmer
    Gordon Kennedy
    Gordon Kennedy
    • Tulloch
    Angela Nedyalkov
    Angela Nedyalkov
    • Veronika
    • (as Anjela Nedyalkova)
    Tereza Duskova
    Tereza Duskova
    • Tourism Girl
    Elek Kish
    • Dozo
    • Réalisation
      • Danny Boyle
    • Scénario
      • John Hodge
      • Irvine Welsh
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs348

    7,1138.4K
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    Avis à la une

    bob the moo

    Has enough style and energy to get over its weaknesses, and has a lot that will work for people of a certain age

    The return of Trainspotting to the screen such a weird bit of timing. The cast are almost all moved on to very successful careers in cinema and television, with a range of big and personal projects between them. Likewise the film sits in a period in the mid-90's where cinema seemed so vibrant with ideas and new directors (most of whom are now the new establishment); so returning to a place with that establishment didn't think it would work - particularly seeing so many big name actors trying to convince as broken shells. It felt like it would be an exercise in looking back, rather than being a new film in and of itself.

    I thought this would be a negative, but actually this is what the film does, but it is a strength not a weakness. The film reconnects with the characters, who are all in their different places, some having moved more than others. Regardless though, they are all looking back. Some of them look back with fondness when their violence was at its peak, others feel regret for what little they have to show for life - some putting that on themselves, others putting it into blame on others for closing off options. This sense of hitting a certain age and looking back is universal I think, and it works well here. The base plot is not as good, but this element of nostalgia (fond and regretful) mixes across the film well and carries it through.

    It also allows the film to do what it does in terms of style. It references the original film a lot, but thanks to this theme, it doesn't feel like it is trying to replicate it or ride on its coattails, but rather it is a touchpoint for the characters, the cast, the crew, and the viewer. Doing this strengthens that theme. Of course, it also repeats the energy of the original film, with the director/cinematographer very much pushing the style and design. This doesn't work quite as well when sometimes there is not quite the substance to carry it off.

    How it would work for younger viewers, or those who have never seen the first film, I don't know. But for me it had the style and energy it needed to keep it all moving, but what worked most was that it took that feeling of a backwards looking film, and made that a strength that ran through the 4th wall from the characters out to the production and to the viewer. It is not a match for the original film but it works very well as a companion piece.
    8gricey_sandgrounder

    It's as if they never left

    Sequels long after its original is always risky business. Especially one that I did not think needed it. But director Danny Boyle is back with a follow-up to one of the most influential British films of all-time.

    I had only seen Trainspotting for the first time several years ago. I remember being quite impressed by it, despite me never going nuts for drug-related films. I was more interested by the style of film- making and well developed characters. It also contain one of the most distressing scenes I have seen in any film.

    21 years later, and now we see where the lads are now. I saw the trailer to see if it's going to be worth it, and I was surprised how good it looked. Some of the dialogue I was hearing sounded like we were instantly back in this mad environment. With the trailer doing plenty to get me intrigued, I had pretty solid hopes for a worth sequel.

    Amazingly, I felt it managed to all come together. For something that I'm sure Boyle holds very dearly to his heart, you would expect him to never go near this work again. Especially when he has never done a sequel before. But we are now here, and I think everyone did a grand job. I did not get the sense that the makers made this for an easy box office return. I felt it was there to be an actual follow-up to the events from 1996, which is fantastic to see. The tone is definitely being aimed at the people who grew up with the original. With that in mind, it will be interesting to see how it works to the generation that are of the age the cast were in the original, and see if it can relate to a broad age range.

    The gang are back, and all four of them were great in their performances. Honestly, it was like they had never left. Ewan McGregor holds the film well as Renton, has many strong moments and you can tell he is enjoying getting back in the saddle. Roberty Carlyle continues to be as hilarious as Begbie was back in the day. Ewen Bremner as Spud shines the most for me, was given great development and became such a pivotal part of this sequel. I was really surprised to see Johnny Lee Miller give a great performance, as it is only recently that he has got back into movie acting after being busy with a TV series.

    Another thing some sections of the audience like to see with sequels, is the level of nostalgia. The use of that and memory was cleverly done. It felt like it meant something, instead of just making us think "I'd rather be watching the original".

    I have only very minor negatives. There were moments that felt a bit scattered at times and did not feel that well connected to the main story.

    I was not expecting this to be so enjoyable. Boyle and his done have done a great job by keeping this a down-to-earth story and making feel like it deserves a second installment. I think what the films big strengths are, is what made the original so successful. The characters are still as memorable as ever, the writing is sharp and funny when needed, the visuals are engrossing and impactful, and the soundtrack is strong. They also managed to make the film worth seeing for people who haven't even seen the original, which was impressive to see.

    When you think about it, a lot of Danny Boyle's work is about friendship, and this one is no different. I will continue to be excited for his next project, after making what will probably one of the big surprises of 2017. What a start to the year!

    Rating: 8/10
    6adrian_rawling

    A disappointment (unsurprisingly).

    It was pleasurably nostalgic to see these characters again. They are so well written and so convincingly brought to life by the amazing cast that they almost feel a part of you.

    I awaited the release of T2 with immense anticipation and desperately wanted to see this film. But, despite a significant amount of bias on my part, my honest take was that the premise felt a little forced and contrived.

    It was always going to lack the grit, energy, authenticity, depth of meaning and crackerjack dialogue of the original. Part of me feels they should have left the 1996 masterpiece to sit singularly, where it belongs, as the greatest British film of all time.

    But then again I can't fault them for attempting to resurrect the story, as Irvine Welsh did. The acting performances aren't as raw, heartfelt or believable as the first and that youthful energy is certainly missing. But it's the screenplay that disappoints in my opinion - it's a little loose, vague and disconnected. I'd even go as far as to describe it as ordinary and unremarkable.

    In all fairness, I think these issues were pretty much unavoidable. Following Trainspotting was an impossible task. The film suffers from the universal truth that life becomes more humdrum the older you get, meaning that creating a dynamic storyline was inevitably more challenging.

    Even if the original film isn't as dear to you as it is to me, if you watched them back to back it would be pretty obvious that T2 is a failure, sadly.
    6ben-812

    As good as it could be, but far from great

    "Porno" wasn't a great Irvine Welsh book, but at least it introduced new characters and updated us on the whereabouts of the original Trainspotting crew. The "prequel" Skag Boys was to my mind much much better.

    The problem is, Porno couldn't really be filmed, as it concentrates on the filming of pornography. So instead, some elements (but not many) of it have been lifted to make T2, but most of T2 is "original". It's around 5% Porno if that.

    However, I'd estimate that maybe 10 minutes in total of T2 is direct samples of the first film. Sure, have a bit of it in there, but we all know that T2 is a sequel of a film famous enough to have stuck in our memories. And I felt that constant referring back was after a while unnecessary, and intrusive.

    There wasn't a single scene in "T2" that could hold up to anything in the original. Not one.

    Look, I'm glad I saw it, but it's not something I'd really watch again more than once. Some films are classics because they are of their time: Trainspotting; Pulp Fiction; the Big Lebowski; Withnail and I. Trying to do a sequel for any of them is going to be a pointless exercise, you could never do one that holds a candle to the original.

    What Boyle and co have tried to do in "T2" could have been much worse; but it couldn't have been much better either. The past is the past, and we should leave it there.
    8grantss

    Great follow-up to a brilliant movie

    20 years after betraying his friends and running off with (almost) all the money from a scam, Mark Renton is back in Edinburgh. It is his first time back since the events that split him, Spud and Simon apart. He looks up Spud and Simon but their lives are hardly much better than when he last saw them. Spud, after getting his life together, has seen it all unravel, to the point that he is suicidal. Simon is running his father's loss-making pub, in between bouts of blackmail. Meanwhile, the fourth person in their caper of 20 years' ago, the psychotically intense Begbie, is in jail. He has no intention of staying incarcerated and revenge is foremost on his mind...

    The original Trainspotting was brilliant. Funny, gritty and harrowing it dealt with the issue of drug addiction in a suffocatingly intense yet humorous way. It wasn't just about drug addiction but friendship and, ultimately, about a crime caper and betrayal.

    Directed by Danny Boyle, who directed Trainspotting 1, Trainspotting 2 doesn't have the grimness of the first movie, as the drug addiction side is hardly a factor. For me, that is what made Trainspotting 1 a masterpiece, the way it covered drug addiction in a realistic yet humorous manner. T2 is more about friendship and the after-effects of T1's betrayal, resulting it being more of an action-revenge sort of movie.

    Plot is good, though there are some contrivances and inconsistencies. Quite emotional at times too, as we see some loops from T1 closed, friends reunited and 40-somethings taking stock of their lives.

    Humour-wise, T2 is great, and as good as, if not better than, T1. Some very funny scenes and dialogue.

    Not essential that you've watched T1 to follow and enjoy T2, as there are enough flashbacks and other clues to fill you in on what happened in T1. However, watching T1 before T2 certainly would help the experience. There are plenty of side-references and subtle nods to T1 and these enhance the enjoyment of T2.

    Overall, a great movie, though not in the same league as Trainspotting 1. Very funny at times, with a good plot and some interesting themes.

    Danny Boyle's Movies Ranked by IMDb Rating

    Danny Boyle's Movies Ranked by IMDb Rating

    See how IMDb users rank the feature films directed by Danny Boyle.
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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Jonny Lee Miller offered to shave his head to look older, but Danny Boyle insisted that Sick Boy retain his iconic blond hair.
    • Gaffes
      Spud and Renton both state that Renton left Spud £4,000 at the end of Trainspotting. "His share." If you go back and watch Trainspotting the money is in £2,000 bundles. Renton only leaves 1 bundle in the box at the airport.
    • Citations

      Veronika: What's 'Choose life'?

      Renton: What?

      Veronika: 'Choose life'. Simon says it sometimes. He says "Choose life, Veronika!"

      Renton: 'Choose life'. 'Choose life' was a well meaning slogan from a 1980's anti-drug campaign and we used to add things to it, so I might say for example, choose... designer lingerie, in the vain hope of kicking some life back into a dead relationship. Choose handbags, choose high-heeled shoes, cashmere and silk, to make yourself feel what passes for happy. Choose an iPhone made in China by a woman who jumped out of a window and stick it in the pocket of your jacket fresh from a South-Asian Firetrap. Choose Facebook, Twitter, Snapchat, Instagram and a thousand others ways to spew your bile across people you've never met. Choose updating your profile, tell the world what you had for breakfast and hope that someone, somewhere cares. Choose looking up old flames, desperate to believe that you don't look as bad as they do. Choose live-blogging, from your first wank 'til your last breath; human interaction reduced to nothing more than data. Choose ten things you never knew about celebrities who've had surgery. Choose screaming about abortion. Choose rape jokes, slut-shaming, revenge porn and an endless tide of depressing misogyny. Choose 9/11 never happened, and if it did, it was the Jews. Choose a zero-hour contract and a two-hour journey to work. And choose the same for your kids, only worse, and maybe tell yourself that it's better that they never happened. And then sit back and smother the pain with an unknown dose of an unknown drug made in somebody's fucking kitchen. Choose unfulfilled promise and wishing you'd done it all differently. Choose never learning from your own mistakes. Choose watching history repeat itself. Choose the slow reconciliation towards what you can get, rather than what you always hoped for. Settle for less and keep a brave face on it. Choose disappointment and choose losing the ones you love, then as they fall from view, a piece of you dies with them until you can see that one day in the future, piece by piece, they will all be gone and there'll be nothing left of you to call alive or dead. Choose your future, Veronika. Choose life.

    • Crédits fous
      The initial final credits appear over modified scenes of tower blocks and other buildings being demolished. Once the cast credits appear, the background changes to amorphous, swirling, mainly black/ white/ grey shapes.
    • Connexions
      Featured in Film '72: Épisode #45.10 (2016)
    • Bandes originales
      Shotgun Mouthwash
      Performed by High Contrast

      Written by Lincoln Jordan Barrett

      Courtesy of 3 Beat Productions Ltd / All Around The World

      Under license from Universal Music Operations Ltd

      Published by 3Beat Music Limited

      Administered By Kobalt Music Publishing Ltd

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    FAQ20

    • How long is T2 Trainspotting?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 1 mars 2017 (France)
    • Pays d’origine
      • Royaume-Uni
      • États-Unis
    • Sites officiels
      • Official Facebook
      • Official Twitter
    • Langues
      • Anglais
      • Bulgare
      • Écossais
    • Aussi connu sous le nom de
      • T2 Trainspotting: La vida en el abismo
    • Lieux de tournage
      • Budapest, Bulgarie(final sequence with Veronika at train station)
    • Sociétés de production
      • TriStar Pictures
      • Film4
      • DNA Films
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 18 000 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 2 402 004 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 170 575 $US
      • 19 mars 2017
    • Montant brut mondial
      • 41 681 746 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 57min(117 min)
    • Couleur
      • Color
    • Mixage
      • Dolby Digital
    • Rapport de forme
      • 1.85 : 1

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