Ajouter une intrigue dans votre langueArzé, a single mother, takes her teenage son on a journey across sectarian Beirut in search of their stolen scooter, their only source of livelihood.Arzé, a single mother, takes her teenage son on a journey across sectarian Beirut in search of their stolen scooter, their only source of livelihood.Arzé, a single mother, takes her teenage son on a journey across sectarian Beirut in search of their stolen scooter, their only source of livelihood.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 3 victoires et 6 nominations au total
Betty Taoutel
- Layla
- (as Betty Taoutal)
Avis à la une
A layered, emotionally rich, and visually vibrant piece with a well-balanced rhythm, the film delivers a series of clever, nuanced jabs at Lebanese national culture. Even though many of us-myself included-may not be fully familiar with the political and cultural intricacies of Lebanon, the shared identity of the Middle East creates an undeniable sense of closeness.
The film subtly exposes the deep-rooted social, political, and cultural divisions of its setting, especially poignant in today's context. And it does so with wit and sophistication, allowing the critique to emerge organically from its narrative.
It's a film capable of resonating with a wide range of audiences-accessible without being simplistic, engaging without being didactic.
The performances are convincing, the cinematography is effective, and every element-while not overly showy-serves its purpose well. There's a sense of equilibrium across the board, where no single aspect overshadows another. That harmony, in my view, is a mark of true directorial skill.
The film subtly exposes the deep-rooted social, political, and cultural divisions of its setting, especially poignant in today's context. And it does so with wit and sophistication, allowing the critique to emerge organically from its narrative.
It's a film capable of resonating with a wide range of audiences-accessible without being simplistic, engaging without being didactic.
The performances are convincing, the cinematography is effective, and every element-while not overly showy-serves its purpose well. There's a sense of equilibrium across the board, where no single aspect overshadows another. That harmony, in my view, is a mark of true directorial skill.
Arze is a breathtaking film that beautifully captures the essence of Lebanese culture. With a cast that shines-be it seasoned actors, comedians, or talented newcomers-every performance feels heartfelt and genuine. At its core, the story of Arze portrays the resilience and strength of a Lebanese woman, offering a moving and authentic representation of her journey. Richly detailed and thoughtfully crafted, the narrative invites viewers into the depth of Lebanese life. Director Mira Shaib has delivered an extraordinary film that stands as one of the most remarkable works from the Middle East in recent generations, making her debut truly unforgettable.
Director Mira Shaib's Arzé is a cinematic triumph in simplicity, infusing humor and heart into a poignant exploration of Lebanese society's deep-seated complexities. What begins as a straightforward quest to recover a stolen scooter unfolds into a layered narrative about identity, division, and resilience, making it a rare gem in contemporary Arab cinema.
At its core, Arzé uses the Lebanese societal structure as a lighthearted canvas to discuss sectarianism without overwhelming the viewer. The story cleverly weaves humor into the gravity of the subject, portraying how each community blames the other, reflecting deeply ingrained biases. The brilliance lies in its comedic lens-turning stereotypes into moments of self-reflection for its audience.
The filmmaker skillfully portrays the cultural distinctions between the clans through meticulous attention to detail. Beyond each group using a different name for a scooter, their unique identities are further emphasized through clothing styles and dialects, painting a vivid picture of societal diversity. This deliberate layering of visual and linguistic cues enriches the narrative, subtly showcasing how these differences shape perceptions and interactions among the communities.
The film's narrative symmetry is masterful. The return to the gift shop acts as a narrative anchor, launching Arzé's journey and tying together her smaller missions. Every scene, including the unforgettable pierce-stealing moment, is meticulously timed, offering insights into her growth as a character. What starts as a mission to recover her livelihood morphs into a confrontation with the parts of her life she has avoided. This progression, where Arzé faces the truths she has long surrendered to, is both cathartic and empowering played gracefully and brilliantly by Diamand Bou Abboud
Visually, Arzé shines with smartly framed shots. Close-ups expose the psychological tension of its characters, while medium shots emphasize the socio-cultural dynamics of each encounter. The adventure highlights the absurdity of small, yet telling, cultural details-like how each clan uses a different name for a scooter, and their conflicting pride or disdain for the item.
The pies in Arzé are a stroke of genius, doubling as a currency and a symbol of human connection. They underline how survival and negotiation transcend money in communities deeply divided yet intricately intertwined. Similarly, the set design-the outdated fan and telephone-evokes a timelessness rooted in either financial constraints or cultural inertia.
Arzé also breaks new ground for Arab cinema as a feel-good movie. Eschewing grandiose tales of riches or redemption, it celebrates the small victories of everyday life. Its mundane triumphs-the kind that don't change lives but make them more bearable-are a refreshing departure from the typical narratives of struggle and success.
The film's ending, though it's arguably predictable, is executed with grace. It's the kind of closure that feels earned-satisfying yet subtle. Shaib's wisdom as a filmmaker shines here, proving that a predictable ending can still resonate deeply when handled with care and intentionality.
Adding authenticity, the actors are cast from the communities they represent, grounding the film's comedy in lived experiences. The subtle nod to The Bicycle Thief enhances its universal appeal while placing it firmly within the tradition of socially conscious filmmaking.
At its core, Arzé uses the Lebanese societal structure as a lighthearted canvas to discuss sectarianism without overwhelming the viewer. The story cleverly weaves humor into the gravity of the subject, portraying how each community blames the other, reflecting deeply ingrained biases. The brilliance lies in its comedic lens-turning stereotypes into moments of self-reflection for its audience.
The filmmaker skillfully portrays the cultural distinctions between the clans through meticulous attention to detail. Beyond each group using a different name for a scooter, their unique identities are further emphasized through clothing styles and dialects, painting a vivid picture of societal diversity. This deliberate layering of visual and linguistic cues enriches the narrative, subtly showcasing how these differences shape perceptions and interactions among the communities.
The film's narrative symmetry is masterful. The return to the gift shop acts as a narrative anchor, launching Arzé's journey and tying together her smaller missions. Every scene, including the unforgettable pierce-stealing moment, is meticulously timed, offering insights into her growth as a character. What starts as a mission to recover her livelihood morphs into a confrontation with the parts of her life she has avoided. This progression, where Arzé faces the truths she has long surrendered to, is both cathartic and empowering played gracefully and brilliantly by Diamand Bou Abboud
Visually, Arzé shines with smartly framed shots. Close-ups expose the psychological tension of its characters, while medium shots emphasize the socio-cultural dynamics of each encounter. The adventure highlights the absurdity of small, yet telling, cultural details-like how each clan uses a different name for a scooter, and their conflicting pride or disdain for the item.
The pies in Arzé are a stroke of genius, doubling as a currency and a symbol of human connection. They underline how survival and negotiation transcend money in communities deeply divided yet intricately intertwined. Similarly, the set design-the outdated fan and telephone-evokes a timelessness rooted in either financial constraints or cultural inertia.
Arzé also breaks new ground for Arab cinema as a feel-good movie. Eschewing grandiose tales of riches or redemption, it celebrates the small victories of everyday life. Its mundane triumphs-the kind that don't change lives but make them more bearable-are a refreshing departure from the typical narratives of struggle and success.
The film's ending, though it's arguably predictable, is executed with grace. It's the kind of closure that feels earned-satisfying yet subtle. Shaib's wisdom as a filmmaker shines here, proving that a predictable ending can still resonate deeply when handled with care and intentionality.
Adding authenticity, the actors are cast from the communities they represent, grounding the film's comedy in lived experiences. The subtle nod to The Bicycle Thief enhances its universal appeal while placing it firmly within the tradition of socially conscious filmmaking.
While the premise of a journey to retrieve something that belongs to the protagonist is familiar, Arzé stands out as a beautifully crafted film. It is expertly written, directed, shot, and acted, with a captivating portrayal of Beirut. The film takes us through lesser-known neighborhoods, offering a unique perspective of the city, far from the typical tourist spots.
While it addresses sectarianism-one of Lebanon's most pressing issues-the film does so with a light, humorous touch, making it both thought-provoking and enjoyable to watch. Arzé also explores themes of family dynamics, such as the relationships between mother and son, and sisters, while touching on coming-of-age moments and first loves.
Overall, it is a remarkable film and a fantastic debut for Mira Shaib.
While it addresses sectarianism-one of Lebanon's most pressing issues-the film does so with a light, humorous touch, making it both thought-provoking and enjoyable to watch. Arzé also explores themes of family dynamics, such as the relationships between mother and son, and sisters, while touching on coming-of-age moments and first loves.
Overall, it is a remarkable film and a fantastic debut for Mira Shaib.
The film delivers exceptional performances, engaging drama, and an authentic narrative, with touches of humor in just the right places. It offers viewers a rare glimpse into Lebanon, particularly the vibrant yet intricate life in Beirut, capturing the multifaceted complexities of the era. The story weaves together a tapestry of interactions: the tender yet challenging relationship between a single mother and her son, the dynamics between sisters, the essence of neighborhoods, and the intersection of different cultures. It sheds light on the cultural diversity in Lebanon, exploring the differences and stereotypes among ethnic groups and communities. At its core, the film carries a resonant message-perseverance and hard work will ultimately lead you to your goals. Through its vivid storytelling, the movie paints a nuanced picture of human relationships and cultural nuances, offering both heartwarming and thought-provoking moments.
Le saviez-vous
- AnecdotesArzé means Cedar (as in Cedar of Lebanon). This is a common name for a woman in Lebanon.
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
Détails
- Durée1 heure 30 minutes
- Couleur
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant