Kayashima Naoya, un coiffeur charismatique, doit lutter pour survivre dans des conditions extrêmes lorsque le train dans lequel il se trouve se retrouve dans un monde futur dévasté où il n'y... Tout lireKayashima Naoya, un coiffeur charismatique, doit lutter pour survivre dans des conditions extrêmes lorsque le train dans lequel il se trouve se retrouve dans un monde futur dévasté où il n'y a ni nourriture, ni eau, ni communication.Kayashima Naoya, un coiffeur charismatique, doit lutter pour survivre dans des conditions extrêmes lorsque le train dans lequel il se trouve se retrouve dans un monde futur dévasté où il n'y a ni nourriture, ni eau, ni communication.
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Fun premise, ruined by absurd actions (as mentioned by other reviewers) of the lead characters.
GUY WHO DOESN'T TRUST PEOPLE - Gets life saved, has his precious tools returned, convinced not to stay behind.... still treats people like pests.
GIRL WHO THINKS SHE'S INVISIBLE - Helps everyone, plays critical role, eventually loved by all... still acts like a wet noodle.
GUY WHO THINKS HE MUST SAVE EVERYONE - Kinda does, still mopes around like a clueless tool.
They are just so unlikeable in that this traumatic defining period in their lives doesn't seem to affect them, or improve them, or change their behavior in any way. Normal people don't behave like this. Well written characters don't either.
And then the ending...oh lord the "ending". Can't really call it that. More of a two episode slog of people running around aimlessly doing their own thing without any coherence as to why it was being shown on screen. I felt like I was watching water molecules exhibiting Brownian motion. The whole, "you take her! No, you take her! No, YOU take her!" hot potato between the two male leads was nauseating as well.
By the end, I thought I was watching a really bad Korean Romance Drama, and not a "pseudo-sci-fi" show.
GUY WHO DOESN'T TRUST PEOPLE - Gets life saved, has his precious tools returned, convinced not to stay behind.... still treats people like pests.
GIRL WHO THINKS SHE'S INVISIBLE - Helps everyone, plays critical role, eventually loved by all... still acts like a wet noodle.
GUY WHO THINKS HE MUST SAVE EVERYONE - Kinda does, still mopes around like a clueless tool.
They are just so unlikeable in that this traumatic defining period in their lives doesn't seem to affect them, or improve them, or change their behavior in any way. Normal people don't behave like this. Well written characters don't either.
And then the ending...oh lord the "ending". Can't really call it that. More of a two episode slog of people running around aimlessly doing their own thing without any coherence as to why it was being shown on screen. I felt like I was watching water molecules exhibiting Brownian motion. The whole, "you take her! No, you take her! No, YOU take her!" hot potato between the two male leads was nauseating as well.
By the end, I thought I was watching a really bad Korean Romance Drama, and not a "pseudo-sci-fi" show.
I remember sitting glued to the the screen over the years of LOST, loving every minute of its mystery and weird conspiracy and undermining western culture with exceptional knowledge of travel in time, and all of the insane and quirky and deceitful characters onboard the plane, who found themselves washed up on the island and had to survive and build relationships and trust and agree to survive and build alliences with the people already on the island and find food and water and keep up hope among each other and assist births and bury the dead and be inventive and strong and compassionate etc.
Pending Train tries and fails. No tension, just stereotypic characters acting stereotypical confronted with very little happening. And maybe they represent an average of Japanese culture, but when no one had moved to find water on day two, I began wondering if the series writers were paid to extend a 3-parter to 10 or more episodes.
This is WEAK and a wast of money and other resources, chiefly human watching this in the expectance that something will improve, but that is not the case. NOTHING happens that will come as a surprise to anyone. Most characters are depicted as outright stupid - as if having lived 20, 30, 50 years under all kinds of pressure in life had not emparted preference, idiosyncracies (apart from those needed to separate main characters from each other) and a general IDEA of how to survive. Like in a universe, where No One has spend hours binging youtube videos to gather an abundence of information about all kinds of stuff related to living and surviving and pleasure and communication and relations to others etc etc. IGNORANTS, basically.
Actually I am a little horrified that this "product" has met some kinds of production standards somewhere in the world. As if its basically a tax write-off, where nobody really cares. A deal, where some actors are introduced, payment for that service met, and production costs used to leverage an abundance of wealth.
Horrible. Just horrible.
So, why 5/10?
I am at episode 6/10, and there are 5 more episodes to go. So, 1 star pr. Episode, basically. But if wont end with 10/10, be certain of that. Ye Gods!
Pending Train tries and fails. No tension, just stereotypic characters acting stereotypical confronted with very little happening. And maybe they represent an average of Japanese culture, but when no one had moved to find water on day two, I began wondering if the series writers were paid to extend a 3-parter to 10 or more episodes.
This is WEAK and a wast of money and other resources, chiefly human watching this in the expectance that something will improve, but that is not the case. NOTHING happens that will come as a surprise to anyone. Most characters are depicted as outright stupid - as if having lived 20, 30, 50 years under all kinds of pressure in life had not emparted preference, idiosyncracies (apart from those needed to separate main characters from each other) and a general IDEA of how to survive. Like in a universe, where No One has spend hours binging youtube videos to gather an abundence of information about all kinds of stuff related to living and surviving and pleasure and communication and relations to others etc etc. IGNORANTS, basically.
Actually I am a little horrified that this "product" has met some kinds of production standards somewhere in the world. As if its basically a tax write-off, where nobody really cares. A deal, where some actors are introduced, payment for that service met, and production costs used to leverage an abundance of wealth.
Horrible. Just horrible.
So, why 5/10?
I am at episode 6/10, and there are 5 more episodes to go. So, 1 star pr. Episode, basically. But if wont end with 10/10, be certain of that. Ye Gods!
I really wanted to enjoy this because the plot is a good one but the slow burning repeated drama takes over the whole thing, it becomes exhausting and you will likely forward through the forced and dull unnecessary dialogue along with the character's long pauses.
The plot is easily split with 20% apocalyptic exciting storyline with a purpose, but is interrupted with 80% of depressing melodrama tears, flashbacks and unnecessary character-buildup attempts. It's like ordering a pepperoni pizza and receiving it with only one small piece of pepperoni on top. The rest is just covered with plain cheese.
Oh stop it already will you?
The plot is easily split with 20% apocalyptic exciting storyline with a purpose, but is interrupted with 80% of depressing melodrama tears, flashbacks and unnecessary character-buildup attempts. It's like ordering a pepperoni pizza and receiving it with only one small piece of pepperoni on top. The rest is just covered with plain cheese.
Oh stop it already will you?
What we have here is basically the Asian version of the TV show "lost", but with an explanation for everything within 1 season of 10 episodes. Japan is hit by an earthquake event that somehow triggers a moving train to be thrown into another world. In this world, the passengers of car 5 must find a way to get on with each other and survive in a strange territory.
I was initially intrigued by all of this, until I realised I would be spending each episode listening to the same piece of music over and over that tries to rouse some emotion out of you.
Characters achieve something towards survival, play music, show show mo emotional faces.
Characters realise a new strength, play music and show emotional faces in show motion.
Characters sneeze, play music and show slow mo faces.
It's terrible and makes up the overwhelming playtime of the show, especially when throwing in a love triangle and people delving into flashbacks of their previous lives. It's even funny when something bad is happening, yet upbeat sounding music starts playing
If it were shortened to just the bare minimum melodrama, it would be alright.... ish. The last 2 episodes do a lot more for me but I can't really spoil much. Was the stock footage at the end necessary though, it's more cheap cheese thrown on top.
I was initially intrigued by all of this, until I realised I would be spending each episode listening to the same piece of music over and over that tries to rouse some emotion out of you.
Characters achieve something towards survival, play music, show show mo emotional faces.
Characters realise a new strength, play music and show emotional faces in show motion.
Characters sneeze, play music and show slow mo faces.
It's terrible and makes up the overwhelming playtime of the show, especially when throwing in a love triangle and people delving into flashbacks of their previous lives. It's even funny when something bad is happening, yet upbeat sounding music starts playing
If it were shortened to just the bare minimum melodrama, it would be alright.... ish. The last 2 episodes do a lot more for me but I can't really spoil much. Was the stock footage at the end necessary though, it's more cheap cheese thrown on top.
The premise is good but I watched the whole first episode and can't bring myself to watch any more of it.
All the 'actors' are pretty boys and girls no normal looking people at all. They all seem to be terrible actors over acting every emotion and scene. The direction seems to go for melodramatic shots everywhere with an awful melodramatic soundtrack. In one surreal scene there is one of the characters over acting a crying ad sadness scene with an upbeat pop tune playing quite loudly as the soundtrack. It's just weird. There's a scene near the end where it shows each character's serious face multiple times - it reminded of the nodding scene in Family Guy.
All the 'actors' are pretty boys and girls no normal looking people at all. They all seem to be terrible actors over acting every emotion and scene. The direction seems to go for melodramatic shots everywhere with an awful melodramatic soundtrack. In one surreal scene there is one of the characters over acting a crying ad sadness scene with an upbeat pop tune playing quite loudly as the soundtrack. It's just weird. There's a scene near the end where it shows each character's serious face multiple times - it reminded of the nodding scene in Family Guy.
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- How many seasons does Pending Train have?Alimenté par Alexa
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