Only the River Flows

Only the River Flows followed police investigator Ma Zhe (Zhu, Yilong Yilong Zhu), in the 90s China, trying to solve a murder case, with an "obvious" yet not so convincing suspect, the victim's adopted son, a man with mental illness. The movie developed into a psychological journey that was deeply intense and hard to resist. Intermingled with Ma Zhe's own life struggles, the psychological journey was painted with layers of unbelievable hues and shades, in contrast to the movie's desaturated color theme and tone. Are you saying it takes a crazy man to get a crazy man, literally?

As a neo-film nior, the movie shared many aspects of this genre. It also has absurdism and realism contrasting and complementing each other, just like the seemingly muted everyday life in the 90s which was actually during the turmoil of some of the biggest changes of China.

Bravo to Wei, Shujun Wei Shujun's cinema work, to the accuracy of a small town in 90s China, and to Zhu, Yilong Yilong Zhu's vivid portraying of a middle aged policeman dealing with madness from every aspects of his life.

In my humble opinion, a very special movie and a must-see.

This is undoubtedly one of the most anticipated films of the year!

I have been following this film since the trailer and it is truly worth the ticket price and the time you pay.

Shujun Wei has made a brave and successful attempt. The film combines absurdity and reality in a perfect way to show the kind of life that was lived in the 90s.

Yilong Zhu's performance is amazing! I was introduced to this actor from China through this film and his handling of the role is vivid and eye-catching. He perfectly brings out the obsession and madness of a middle-aged cop.

In my opinion, this is absolutely excellent work and I look forward to their future works.

Lens: 16mm film movies are really not easy It has a very cinematic texture, composition, colors, perfect camera language, and metaphorical expression art, which perfectly fits this somewhat bizarre and absurd story. There are no unnecessary narrative techniques at all. Excellent artistry, the atmosphere brought by the screen is excellent!

Music: This movie doesn't have a lot of music, but it's all perfectly chosen. And most importantly, when you finish watching the music in the movie and hear it again, a very strange feeling arises, as if the story of Ma Zhe and his is floating in your mind again, bringing you back to the story of the movie like a movie. Many of the things conveyed by the camera seem to be experienced in an instant.

Director Wei Shujun is one of the most anticipated Chinese directors at Cannes every year, because he really never disappoints. From his witty and humorous film "Striding into the Wind" which was shortlisted for the Director's Fortnight two years ago and received rave reviews at Cannes, this time he brought a different style of black film to the "A Certain Regard" section, which was like a shot in the arm, awakening the tired international critics. The film successfully adapted the work of teacher Yu Hua and had a strong Wei-style personal style, highly restoring the sense of the 90s in China, with a bleak realistic theme supplemented by magical dream segments, and sudden absurd scenes that even made the audience scream in surprise. Some of the ending segments seemed like clues deliberately left by the director, like the godly drama "The Long Season", which made me want to watch it again after seeing it. Ting shuo kan guo cai neng ping fen wo mei kan guo shi yi shi.

Ever since the launch of the trailer, it has been a movie that I've been looking forward to and indeed it's worth the 101 mins in the cinema!

Nothing bad and you will definitely be glued to it. It is by far one of the best movie ever! On this note, I would like to specially highlight actor Zhu Yilong who played as Ma Zhe in the movie. Who would have thought that he could be so rugged and different from his usual self that always appears on screen.

Kudos to the team for making such a wonderful movie! It's definitely a MUST to watch!

I watched the red carpet live broadcast of the Cannes International Film Festival on May 20th. Zhu Yilong's appearance on the red carpet at the Cannes International Film Festival is completely different from what he saw in the movie!