Things Will Be Different
- 2024
- 1h 42min
NOTE IMDb
5,2/10
2,8 k
MA NOTE
Ajouter une intrigue dans votre langueIn order to escape police after a robbery, two estranged siblings lie low in a farmhouse that hides them away in a different time. There they reckon with a mysterious force that pushes their... Tout lireIn order to escape police after a robbery, two estranged siblings lie low in a farmhouse that hides them away in a different time. There they reckon with a mysterious force that pushes their familial bonds to unnatural breaking points.In order to escape police after a robbery, two estranged siblings lie low in a farmhouse that hides them away in a different time. There they reckon with a mysterious force that pushes their familial bonds to unnatural breaking points.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 6 nominations au total
Avis à la une
Time travel movies. If done right they can be great and a lot of fun, but I find when they take themselves too seriously then they can become extremely tedious. This is a prime example of the latter. What could have been a fun and interesting concept, with a little bit of thoughtfulness still behind it if done right, instead becomes an absolute slog as it tries to prove to the audience how smart it is.
The movie forgets to give you a reason to care about anything. The most simple aspect of any movie is to create stakes, and this movie forgets to do it. After about an hour in it tries to force some drama and conflict into the mix, but by then it is both too little and too late (and too confusing).
I didn't enjoy this one much at all. A generous 4/10.
The movie forgets to give you a reason to care about anything. The most simple aspect of any movie is to create stakes, and this movie forgets to do it. After about an hour in it tries to force some drama and conflict into the mix, but by then it is both too little and too late (and too confusing).
I didn't enjoy this one much at all. A generous 4/10.
The basic premise of TWBD is that two siblings, Joseph (Adam David Thompson) and Sidney (Riley Dandy), are robbers on the run from the law. They proceed through the woods to a farmhouse. They enter the house and by following some instructions in a notebook, they are able to exit through a closet door and reemerge, as it were, in a different time (but same farmhouse) to wait out the police for fourteen days.
So far, so good. And the cinematography (by Carissa Dorson) makes the most of the rural location.
Of course, Joseph and Sidney end up getting stuck in the farmhouse. They discover that the location actually functions as the "property" of a mysterious guide who speaks to them through a tape-recorder and is willing to help get them back to the present if they complete a specific task: the elimination of a mysterious (third) intruder. It is only toward the end that we learn just how fraught that task actually is.
TWBD does its best work through visuals: not just the facial expressions of the two principal actors, but the flashbacks to childhood (blurred images of a parental figure at a piano); the various (presumably alcoholic) beverages and vintage glassware that are a constant feature of TWBD; the trees, fields, and hills of the rural Midwest; the strange photographs, paintings and tchotchkes of the absent prior owners; etc. A second viewing is almost required to make sense of the visual displays that kaleidoscope and change constantly.
That said, the film is not as friendly in linking the narrative together for the viewer. But the thread is there. And there is a discernible conclusion, which in my view has to do with "breaking" a cycle of decisions, and the sacrifice required to do that.
A lot of viewers appear turned off by the temporal twists and non-obvious narrative. However, I think you might like this feature if you like, for example, Flanagan's own debut ("Abstentia"), the films of Isaac Ezban or Moorhead & Benson's "Synchronic" or "The Endless." (Benson has a part near the end. It is easy to see why he agreed, given the subject matter. Well, that and the fact that he is one of the Executive Producers. :-) )
I will certainly be looking out for Michael Felker's next film. This was an impressive debut.
So far, so good. And the cinematography (by Carissa Dorson) makes the most of the rural location.
Of course, Joseph and Sidney end up getting stuck in the farmhouse. They discover that the location actually functions as the "property" of a mysterious guide who speaks to them through a tape-recorder and is willing to help get them back to the present if they complete a specific task: the elimination of a mysterious (third) intruder. It is only toward the end that we learn just how fraught that task actually is.
TWBD does its best work through visuals: not just the facial expressions of the two principal actors, but the flashbacks to childhood (blurred images of a parental figure at a piano); the various (presumably alcoholic) beverages and vintage glassware that are a constant feature of TWBD; the trees, fields, and hills of the rural Midwest; the strange photographs, paintings and tchotchkes of the absent prior owners; etc. A second viewing is almost required to make sense of the visual displays that kaleidoscope and change constantly.
That said, the film is not as friendly in linking the narrative together for the viewer. But the thread is there. And there is a discernible conclusion, which in my view has to do with "breaking" a cycle of decisions, and the sacrifice required to do that.
A lot of viewers appear turned off by the temporal twists and non-obvious narrative. However, I think you might like this feature if you like, for example, Flanagan's own debut ("Abstentia"), the films of Isaac Ezban or Moorhead & Benson's "Synchronic" or "The Endless." (Benson has a part near the end. It is easy to see why he agreed, given the subject matter. Well, that and the fact that he is one of the Executive Producers. :-) )
I will certainly be looking out for Michael Felker's next film. This was an impressive debut.
I give it 6 stars because although it kind of comes together in the end, the plot is very intriguing. It keeps you guessing and forming your opinions heavily throughout the film. It had a feel like the movie "The Endless" where the characters are stuck in this loop only it was a bit harder to understand. What the endless had that this movie doesn't have is an ending that sufficed although it couldn't really be explained. This movie had me staring at the screen for a minute after it went off still trying to figure out the hows and whys. I liked the acting very much. All in all it's a good movie with subpar explanations. In the end they tied it together but again with no clear explanation to how "the enemy" even got there or who that person was looking for.
The concept for Things Will Be Different (2024) sounded promising and definitely piqued my interest. Movies involving time travel can often be hit or miss, and unfortunately, this one missed the mark for me. The two lead actors do a decent job portraying their characters, and the movie is beautifully shot with an impressive visual style. However, the story and pacing are where it falls short.
The film raises numerous questions but only loosely answers a few. It takes nearly an hour for anything significant to happen, and even then, the movie remains barely engaging. This concept might have worked better as a short film or with a faster-paced script featuring more tension-filled scenes and action. Instead, the execution is too slow-paced, making it feel much longer than it actually is. Slow-paced movies can work when they don't feel slow, but in this case, you feel every minute.
Ultimately, the concept promised much more than the final result could deliver, so I can't recommend this one. [4.4/10]
The film raises numerous questions but only loosely answers a few. It takes nearly an hour for anything significant to happen, and even then, the movie remains barely engaging. This concept might have worked better as a short film or with a faster-paced script featuring more tension-filled scenes and action. Instead, the execution is too slow-paced, making it feel much longer than it actually is. Slow-paced movies can work when they don't feel slow, but in this case, you feel every minute.
Ultimately, the concept promised much more than the final result could deliver, so I can't recommend this one. [4.4/10]
The actors were great, the script not so much. I was bored and falling to sleep watching this dull movie. Confusing storyline that made you not care about the two leading characters. A brother and sister duo hide out in a farmhouse in a psychological thriller masquerading as a horror film. The brother and sister are stuck in a time loop and they can't seem to escape this farmhouse, the movie goes on and on as it tries to explain to the viewers the premise of the characters and film. But as the film ends you still feel like what in the hell did I just watch. A mishmash of me praying will this movie ever end.
Le saviez-vous
- AnecdotesActress Riley Dandy has a condition called anisocoria where the pupils are of different sizes. Her right pupil is constantly larger. This is clearly visible in the movie on close ups.
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- How long is Things Will Be Different?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- В петле времени
- Lieux de tournage
- Indiana, États-Unis(Shoot Location)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 7 746 $US
- Week-end de sortie aux États-Unis et au Canada
- 3 988 $US
- 6 oct. 2024
- Montant brut mondial
- 9 495 $US
- Durée1 heure 42 minutes
- Couleur
- Rapport de forme
- 1.85 : 1
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