Ajouter une intrigue dans votre langueIn 1997, a rural police inspector leads a simple life until a crime occurs at his quiet village outpost after 25 years. His investigation uncovers long-buried secrets in the town.In 1997, a rural police inspector leads a simple life until a crime occurs at his quiet village outpost after 25 years. His investigation uncovers long-buried secrets in the town.In 1997, a rural police inspector leads a simple life until a crime occurs at his quiet village outpost after 25 years. His investigation uncovers long-buried secrets in the town.
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Agnyatavasi is an excellent thriller, the movie starts off slow but slowly get us into their world. Charan raj bgm is brilliant, cinematography is top notch, the story telling uses a Rashomon method which worked out very well. The theatre experience is definitely amazing! Thanks for the team for bringing this movie to Kannada movie industry. The performance by each and everyone is truly marvellous, they are all into the character and the fun elements are actually fun which is very less but it is fine for this type of movie. Didn't feel anything is unnecessary scene
The Final Cut is perfect, Thanks Haemanth for trusting this team and bringing this to theatres.
Walked into an empty theatre for "Agnyathavasi"-just me, my popcorn, and approximately 100 empty seats. Felt appropriate, honestly. This is a film that breathes sighs, with fractured timelines and Malnad mist. It was quiet-strikingly so for this genre. No bombast, no gratuitous violence, just Thai New Wave restraint with a hint of South American cop drama simmering beneath. And then there's our main lead, Actor Raghu, he totally carries this flick. Without him, it'd be all atmosphere and no pulse.
But here's the kicker: you've seen this plot before. The cliches pile up, feeling a bit dusty, much like the police station in the film. So yeah, nothing's exactly wrong, but the screenplay just needed more punch. Of course, the film wants to make guilt simmer, and we get the point-the title is apt-but it stretches thin, losing its grip. There's also a song that drops out of nowhere, the concept was good, but it was a major mood killer because it lightened the narrative, settling for something safe. Those shades of grey, those tough moral calls, they could've hit harder, lingered longer, really making you feel it. Instead, Janardhan Chikkanna hedges his bets: half-arthouse melancholy, half-mainstream concession. (The same fate as "Roopanthara", another Kannada film I reviewed, which faced a similar dilemma.)
The whole chicken and computer angle felt a tad too convenient, a bit of a deus-ex machina. While it's meant to bridge the distance between characters and resolve things, it ultimately led to a predictable widening of relationships. And again, the clichés kept piling up, right to the very end, making the outcome easy to foresee. But yes, some shots were staged interestingly, which conveyed more than meets the eye.
Strangely, while watching, I couldn't help but draw parallels to 'Whaler Boy", a brilliant film where the arrival of the internet fundamentally alters the village. (I wrote about that one too, if you're curious; it's on IMDb.)
In closing, go in with low expectations. The cinematography does capture the stark, secretive landscape beautifully. But do watch out for Rangayana Raghu; he truly stands out. He embodies the alienation and guilt, trapped in his own personal melodrama that festers within him until the very end.
But here's the kicker: you've seen this plot before. The cliches pile up, feeling a bit dusty, much like the police station in the film. So yeah, nothing's exactly wrong, but the screenplay just needed more punch. Of course, the film wants to make guilt simmer, and we get the point-the title is apt-but it stretches thin, losing its grip. There's also a song that drops out of nowhere, the concept was good, but it was a major mood killer because it lightened the narrative, settling for something safe. Those shades of grey, those tough moral calls, they could've hit harder, lingered longer, really making you feel it. Instead, Janardhan Chikkanna hedges his bets: half-arthouse melancholy, half-mainstream concession. (The same fate as "Roopanthara", another Kannada film I reviewed, which faced a similar dilemma.)
The whole chicken and computer angle felt a tad too convenient, a bit of a deus-ex machina. While it's meant to bridge the distance between characters and resolve things, it ultimately led to a predictable widening of relationships. And again, the clichés kept piling up, right to the very end, making the outcome easy to foresee. But yes, some shots were staged interestingly, which conveyed more than meets the eye.
Strangely, while watching, I couldn't help but draw parallels to 'Whaler Boy", a brilliant film where the arrival of the internet fundamentally alters the village. (I wrote about that one too, if you're curious; it's on IMDb.)
In closing, go in with low expectations. The cinematography does capture the stark, secretive landscape beautifully. But do watch out for Rangayana Raghu; he truly stands out. He embodies the alienation and guilt, trapped in his own personal melodrama that festers within him until the very end.
Watched this movie in theatre this week, very slow narration and unnecessary showing same scenes again and again for scenes which are already understood.
Message to society is totally lost, if mother is having mind related issues killing does not make sense, there were alternative solutions at 1990s also totally absurd.
Atleast shakahari had some suspense till end but story was on similar lines.
I went to movie based on previous stitnt by janardhan chickannas gultoo but disappointed.
Blink was really good with oedipus stuff like dark.
If we watch monk or any suspense tv series this could have been an epsiode.
Message to society is totally lost, if mother is having mind related issues killing does not make sense, there were alternative solutions at 1990s also totally absurd.
Atleast shakahari had some suspense till end but story was on similar lines.
I went to movie based on previous stitnt by janardhan chickannas gultoo but disappointed.
Blink was really good with oedipus stuff like dark.
If we watch monk or any suspense tv series this could have been an epsiode.
They are marketing movie saying good content but movie is very slow and nothing much interesting. Cant be called as thriller as there is no thrill. Except good acting of the seasoned actors nothing much to expect from this movie. Had high expectations from director of Gultoo Janardhan and producer Hemanth , but turned out to be an ordinary movie. Definitely not a worth watch in theatre and can be a one time watch in ott if no better option . Film is shot in very good locations and the cinematography is good. Background music is ordinary which could have been better to compliment ordinary story.
Agnyathavasi is one of the finest Kannada crime thrillers to come out in recent times. The film boasts a gripping and intelligently crafted storyline that keeps the audience engaged throughout. Right from the opening sequence, the suspense builds steadily, maintaining tension and curiosity till the very end. The direction is sharp, and the screenplay is tight, leaving little room for dull moments. What truly elevates the movie is the cast-each actor and actress delivers a convincing performance, breathing life into their characters. The cinematography and background score further enhance the viewing experience. It's a must-watch for thriller lovers.
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Détails
- Durée
- 2h 2min(122 min)
- Couleur
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