Agnyathavasi

Watched this movie in theatre this week, very slow narration and unnecessary showing same scenes again and again for scenes which are already understood.

Message to society is totally lost, if mother is having mind related issues killing does not make sense, there were alternative solutions at 1990s also totally absurd.

Atleast shakahari had some suspense till end but story was on similar lines.

I went to movie based on previous stitnt by janardhan chickannas gultoo but disappointed.

Blink was really good with oedipus stuff like dark.

If we watch monk or any suspense tv series this could have been an epsiode.

Inspector Govindu is residing in Nalkeri, Malnadu and has been leading a peaceful life as the locality is largely crime free, resulting in the local police station to barely exist. It's the late 90s and the boom of computers is slightly beginning. Rohit convinces his brother to buy him a computer which everyone else resents. The village's landlord Srinivasaiah is lonely after his son left him and Pankaja, a girl from the same village is in love with Srinivasaiah's son. 2 mysterious death happen in a fateful night and Inspector Govindu solves it instantly while it leads to another case from the past. How did he solve the case and what really happened in the past, forms rest of the story.

The film had the right setting and spends the entire first establishing the plot. The film picked up when Ananthu starts to question Govindu and that would remain the best part of the film. The whole Malenadu setting and limited characters should have ideally made way for a gripping murder mystery but the slow paced writing simply doesn't allow the script to evolve. The tone is laced with humor in the first half which makes it little tough to take seriously and the non-linear narrative doesn't add anything positive. The film has solid actors but doesn't give them much to work on. Overall, Agnyathavasi is a misfire.

Yes, it's a worth of watching and it has many twists in throught cinema. I suggest you after this you should definetly watch shakahari also and newly comed actress also done good job and total lense quality also very good at last you will definetly get goosebump. Also has some knowledgeable thing at the climax.

Walked into an empty theatre for "Agnyathavasi"-just me, my popcorn, and approximately 100 empty seats. Felt appropriate, honestly. This is a film that breathes sighs, with fractured timelines and Malnad mist. It was quiet-strikingly so for this genre. No bombast, no gratuitous violence, just Thai New Wave restraint with a hint of South American cop drama simmering beneath. And then there's our main lead, Actor Raghu, he totally carries this flick. Without him, it'd be all atmosphere and no pulse.

But here's the kicker: you've seen this plot before. The cliches pile up, feeling a bit dusty, much like the police station in the film. So yeah, nothing's exactly wrong, but the screenplay just needed more punch. Of course, the film wants to make guilt simmer, and we get the point-the title is apt-but it stretches thin, losing its grip. There's also a song that drops out of nowhere, the concept was good, but it was a major mood killer because it lightened the narrative, settling for something safe. Those shades of grey, those tough moral calls, they could've hit harder, lingered longer, really making you feel it. Instead, Janardhan Chikkanna hedges his bets: half-arthouse melancholy, half-mainstream concession. (The same fate as "Roopanthara", another Kannada film I reviewed, which faced a similar dilemma.)

The whole chicken and computer angle felt a tad too convenient, a bit of a deus-ex machina. While it's meant to bridge the distance between characters and resolve things, it ultimately led to a predictable widening of relationships. And again, the clichés kept piling up, right to the very end, making the outcome easy to foresee. But yes, some shots were staged interestingly, which conveyed more than meets the eye.

Strangely, while watching, I couldn't help but draw parallels to 'Whaler Boy", a brilliant film where the arrival of the internet fundamentally alters the village. (I wrote about that one too, if you're curious; it's on IMDb.)

In closing, go in with low expectations. The cinematography does capture the stark, secretive landscape beautifully. But do watch out for Rangayana Raghu; he truly stands out. He embodies the alienation and guilt, trapped in his own personal melodrama that festers within him until the very end.

Set in the tranquil village of Nalkeri in the late 1990s, Agnyathavasi explores the themes of guilt and forgiveness through the lens of a rural crime thriller. When a murder after 25 years shakes the village, a nameless inspector (Rangayana Raghu) - also a farmer - begins his investigation, opening the doors to an unresolved crime from the 1970s.

Director Janardhan Chikkanna, known for Gultoo, steps into new terrain with this layered narrative. While the first half is slow and dedicated to character building, the second half grips you with its emotional depth and suspense. The film shines in its detailing of the Malenadu region and its nostalgic 90s setting.

Performances are top-notch:

Rangayana Raghu is excellent and carries the film effortlessly.

Ravishankar Gowda surprises with a restrained and poetic performance.

Siddu Moolimani, Paavana Gowda, and Sharath Lohitashwa deliver strongly in their roles.

Technically, the movie excels - Adwaith Gurumurthy's cinematography is immersive, and Charan Raj's background score elevates the experience. The songs blend well with the narrative.

Drawback: The core thriller element lacks the punch expected from the genre, especially in the reveal. However, the film's philosophical undertone sets it apart.

Verdict: An out-of-the-box attempt that merges crime, emotions, and introspection. Agnyathavasi isn't your regular thriller - it's a meditative slow burn for those who seek stories with soul.