Pendant la dissolution des monastères à l'époque Tudor, Matthew Shardlake est envoyé par Thomas Cromwell pour enquêter sur la mort d'un commissaire dans la ville isolée de Scarnsea.Pendant la dissolution des monastères à l'époque Tudor, Matthew Shardlake est envoyé par Thomas Cromwell pour enquêter sur la mort d'un commissaire dans la ville isolée de Scarnsea.Pendant la dissolution des monastères à l'époque Tudor, Matthew Shardlake est envoyé par Thomas Cromwell pour enquêter sur la mort d'un commissaire dans la ville isolée de Scarnsea.
- Récompenses
- 1 nomination au total
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Shardlake offers up an intriguing plot with an excellent cast, it can at times lack a captivating spark to reach the next level. However, provides enough interest to keep you engaged to the end. I feel this is more an intro into the characters and expect more layers to unfold should more series be green lit. Certainly provides the opportunity for different stories to be told.
Sean Bean lacked much character development and was massively underutilised. Whilst Arthur Hughes was very impressive and kept me interested throughout.
Overall certainly worth a watch and with time I expect the show to improve with more series.
Sean Bean lacked much character development and was massively underutilised. Whilst Arthur Hughes was very impressive and kept me interested throughout.
Overall certainly worth a watch and with time I expect the show to improve with more series.
I have recently watched both Shardlake and Shogun, one set in historic England the other in historic Japan. Both had wonderful costumes and locations designed to represent the location and period they were set in, but Shogun used actors of Japanese origin for all the Japanese parts while Shardlake did not respect the ethnicity of the historic English characters.
Both countries had small numbers of foreigners present at the time, with the estimated number of black people in 16th Century England to be no more than about 100. In no way were either country "diverse" and England was 99.99% white, with most people never seeing a non-white person in their life time.
Whereas Shogun drew me in to a believable world, Shardlake broke all immersion with the use of inappropriate races for the time.
Shardlake is spoilt by Disney's current political agenda - why did they respect the ethnicity of the Japanese characters in Shogun but not the English characters in Shardlake? Double-standards?
I am glad Shogun stuck to authenticity with its casting, but Disney should pay the same respect to historic white European dramas.
Both countries had small numbers of foreigners present at the time, with the estimated number of black people in 16th Century England to be no more than about 100. In no way were either country "diverse" and England was 99.99% white, with most people never seeing a non-white person in their life time.
Whereas Shogun drew me in to a believable world, Shardlake broke all immersion with the use of inappropriate races for the time.
Shardlake is spoilt by Disney's current political agenda - why did they respect the ethnicity of the Japanese characters in Shogun but not the English characters in Shardlake? Double-standards?
I am glad Shogun stuck to authenticity with its casting, but Disney should pay the same respect to historic white European dramas.
I thought it impossible for TV to capture the essence of C. J. Sansom's Shardlake book series. I am happily surprised by the spirit and quality of the TV series so far. The casting, especially Arthur Hughes and Anthony Boyle (the man is currently in 3 series I am watching!) is near perfect based on the books. Episode 4 is a bit muddled when it comes to tieing up all the loose ends (Norfolk and his man) but still consider the series off to a good start. And for those who have criticized the "the historical accuracy" of people of color in Tudor England, I refer you both to the novels and to the British Library. Africans had important roles in Tudor times, including in religious communities. It wasn't until later they were relegated to lower status due to the slave trade.
Shardlake is about a murder mystery in 16th century England during Henry VIIIs dismantling of the monasteries, and as a History teacher of course I had to watch this. I was a bit concerned that it would overlap The Tudors too much but luckily this is not the case and this series and its mystery stands on its own two feet very well.
Sean Bean is given ridiculously little screen time and at first it got me irritated and I thought this was another one of those series where you hire a famous actor for 5 minutes and live of their reputation, but this is not the case and my mood improved as I got stuck into the mystery.
I was happy to see Anthony Boyle again after just seeing his star-making performances in Masters of the Air and Manhunt, but I believe that co-starring roles like this are now a thing of the past for him. His performance is pretty good as John Barak, but the true star of the show is Arthur Hughes as Shardlake. He is the star of every scene he is in, and in Holmes-like faction he solves the mystery one step at a time while remaining confident and charismatic in a way that captivates the viewer. A revelation indeed, this works really well, excellent casting.
All in all, even though this is nowhere near as good as "The Name of the Rose" for example, the settings look great, the tone is grim, the mystery is fairly interesting and the acting is better than I expected. Well worth a watch!
Sean Bean is given ridiculously little screen time and at first it got me irritated and I thought this was another one of those series where you hire a famous actor for 5 minutes and live of their reputation, but this is not the case and my mood improved as I got stuck into the mystery.
I was happy to see Anthony Boyle again after just seeing his star-making performances in Masters of the Air and Manhunt, but I believe that co-starring roles like this are now a thing of the past for him. His performance is pretty good as John Barak, but the true star of the show is Arthur Hughes as Shardlake. He is the star of every scene he is in, and in Holmes-like faction he solves the mystery one step at a time while remaining confident and charismatic in a way that captivates the viewer. A revelation indeed, this works really well, excellent casting.
All in all, even though this is nowhere near as good as "The Name of the Rose" for example, the settings look great, the tone is grim, the mystery is fairly interesting and the acting is better than I expected. Well worth a watch!
As a huge fan of the Shardlake books I was excited to see this production. It did not disappoint for acting and entertainment but I did feel it was abbreviated and could have been a couple of episodes longer. I also felt that the addition of a rather unlikely number of black characters did take away a very important element of how the black apothecary monk stood out as different; that said it didn't really effect the plot too much. The thing that did annoy me was the replacing of the character Mark Poer Shardlake's manservant, with Jack Barak, a character who makes his first appearance in the follow up novel "Dark Fire" I assume this is done to allow a continuing partnership in the next Shardlake series but this meant adjusting the ending of this series. So unnecessary! We are not children, we can cope with the introduction of new characters.
Le saviez-vous
- AnecdotesThe original novels by C.J. Sansom were considered as a project by Kenneth Branagh, who chose to do Les enquêtes de l'inspecteur Wallander (2008) as it did not involve period costume or acting as someone with curvature of the spine.
- GaffesHis earring changes from his left to his right ear in one scene.
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Détails
- Durée
- 54min
- Couleur
- Mixage
- Rapport de forme
- 16:9 HD
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