Chemins croisés

My husband and I really enjoyed this. It's sweet and romantic. If you like a movie without swearing and gratuitous sex, etc., this is a feel-good story. Alan Alda was wonderful, and we enjoyed seeing him in this role. Scott Eastwood was convincing as a PBR rider trying not to become a has-been and working through issues of his own. There's action for the guys (bull riding), and something for the ladies (bull riding, and a flash of Scott Eastwood's nice buttocks-thank you for that-so there's something for everyone. The actress who played Alan Alda's wife was absolutely darling. Very romantic film about two people who had a meet-cute and found their lives changed in many ways.

Nicholas Sparks' movies are almost always seemingly made to please the hopeless romantics and the fairytale romance-loving audience, they're expected to manipulate emotions, no matter how extremely recognizable their set ups may be, and they often triumph. But in THE LONGEST RIDE, the attempt barely mimics such success, primarily because of its confusing and ever shifting narrative, whose backbone runs on two romantic sagas spanning across different generations.

THE LONGEST RIDE sprawls across two love stories set in the modern day and seventy years ago. In modern day, it has Luke and Sophia, two utterly good-looking people, who at first sight falls in love with each other, they stumbles upon Ira, a World War II veteran, who himself, has his own epic love story to tell—that one he shared with his wife, Ruth, seventy years ago. More often, these two love stories bear no difference from each other, as both couples go through similar hardships to carry their relationships.

The idea of crisscrossing time to present two supposedly compelling love stories, perhaps, is to double the magnitude of emotions and deliver a more poignant result, yet such very confusing structure is what actually makes giving both the stories with equal level of sentiment, difficult. Still, no matter how one appears to hold more promise of an engaging love story than the other, the tedious and confusing process of going back and forth across two different time frames, and the fact that the narrative failed to establish concrete connection between the two stories, renders less than satisfying result. There's also this chemistry that Luke and Sophia seem to be lacking, regardless of how incredibly beautiful they are as persons, and that, may also be the reason why the other story, strikes as more riveting than theirs. This makes the entirety of the movie—its interesting premise and structure yet often convoluted, and its thinly drawn characters—hard to appreciate and care about. Nevertheless, in the eyes of a true Sparks' fan, and of anyone easily drawn to such anthems, THE LONGEST RIDE easily serves its purpose.

Spanning through generations and intertwining love affairs, THE LONGESTh RIDE would have been more satisfying had it treated both the stories with equal attention. That's not to say it has no small moments of perfection, because it does, but as a whole, the movie just falls below average.

Enjoyable tearjerker flick paralleling modern love story between bull rider and college student with that of an older gentleman who is on his deathbed. I personally thought that the story of the older couple was more developed and less cliché. The plot is overall enjoyable. The cinematography of North Carolina mountains is beautiful. My favorite scene was the last bull riding scene which is in slow motion and uses punchy bass (only real use of LFE effects in the movie).

On a personal note, I was saddened to read that Rango the Bull passed away after shooting the movie but before the film was released. Apparently he was a real life superstar in the rodeo circuit.

After an automobile crash, the lives of a young couple intertwine with a much older man, as he reflects back on a past love.

The latest Nicholas Sparks adaptation stars Britt Robertson and Scott Eastwood. When it comes to Nicholas Sparks you're either in or out. Director George Tillman Jr. embraced the sanitized banality of Sparks world with a straight face. It's easy to tease those films. It's harder to admit that Sparks is very good at it. He's thoroughly uncynical about love and believes that love is so powerful that it can salvage lives and control the weather.

A significant part of the interest here surely lies in the film's role as a showcase for four moderately known actors. First Robertson, who co-stared in the highly anticipated Tomorrowland. She feels a little over the top, her character's reactions seem too much like movie reaction and not something we'll do in real life. Eastwood, in his first significant starring role, but his potential remains to be determined as he comfortably inhabits a western-style-character.

Britt Robertson and Scott Eastwood The two of them have nothing in common except golden good looks and a fondness for looking at each other and grinning. Still, they do this well enough that we buy their chemistry. This time characters are keeping apart not by scheming bad guys or misunderstandings but by a genuine concern for one another's happiness. By contrast, Oona Chaplin, grand-daughter of Charles, is the sole younger actor to pop here. Playing the only one of these youthful characters with any boldness or inclination to speak her own mind. It goes without saying that the ladies in Sparks adaptations are all beautiful; but let's be honest, his films are better known for their man. From Gosling to Efron, Costner to Tatum , a romantic hero is the heart and soul of those movies.

Moreover, Nicholas Sparks adaptations are like Michael Bay's movies. You know exactly what you're going to see: a lot of explosions, high contrast, saturated colors and low framed angles of people stepping out of cars. In a NS movie you have old people talking about when they were young and they first met the love of their life and how sad and tragic that is. Plus, young people who want to fall in love but can't because life is tough and something is in the way.

Director makes full use of the lights, black leather and glamour of this modern breed of Rock & Roll riders. The settings and compositions are picture-postcard. For the most part, it's a well directed movie with sold performances. The cinematography is good. It's a good movie that we've seen a million times before, just repackaged with a different structure.

Finally, as usual the ending, in Sparks world, when happiness rains, it pours!

Overall, a good romance never hurst anyone and ultimately can make us endure an implausible plot.